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Published on the occasion of the artist's first institutional solo show in Italy, "Between Art and Life" documents Andrea Zittel's visionary experiments with the structures and design of everyday life. For the past two decades, Zittel has relentlessly advanced the role of art in streamlining our habitats and reclaiming civic agency through her handmade clothing, designed(...)
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Published on the occasion of the artist's first institutional solo show in Italy, "Between Art and Life" documents Andrea Zittel's visionary experiments with the structures and design of everyday life. For the past two decades, Zittel has relentlessly advanced the role of art in streamlining our habitats and reclaiming civic agency through her handmade clothing, designed(...)
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Andrea Zittel : between art and life
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Published on the occasion of the artist's first institutional solo show in Italy, "Between Art and Life" documents Andrea Zittel's visionary experiments with the structures and design of everyday life. For the past two decades, Zittel has relentlessly advanced the role of art in streamlining our habitats and reclaiming civic agency through her handmade clothing, designed environments, recycling systems and breeding projects, Zittel wears her work, inhabits her work, eats her work and lives her work, and in the catalogue's essay, Francesco Bonami describes Zittel as "one of the last utopian artists around.
Andrea Zittel : between art and life
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Published on the occasion of the artist's first institutional solo show in Italy, "Between Art and Life" documents Andrea Zittel's visionary experiments with the structures and design of everyday life. For the past two decades, Zittel has relentlessly advanced the role of art in streamlining our habitats and reclaiming civic agency through her handmade clothing, designed environments, recycling systems and breeding projects, Zittel wears her work, inhabits her work, eats her work and lives her work, and in the catalogue's essay, Francesco Bonami describes Zittel as "one of the last utopian artists around.
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books
books
Publication:
March 2012
March 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$35.00
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Lotte Reiniger (1899–1981) is a much loved figure in the early history of animated film. At an early age Reiniger discovered the Chinese art of silhouette puppetry, and made her first silhouettes for a school performance. Growing up during the early years of cinema, she fell in love with the films of Georges Méliès and Paul Wegener, and found imaginative ways to adapt the(...)
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Lotte Reiniger (1899–1981) is a much loved figure in the early history of animated film. At an early age Reiniger discovered the Chinese art of silhouette puppetry, and made her first silhouettes for a school performance. Growing up during the early years of cinema, she fell in love with the films of Georges Méliès and Paul Wegener, and found imaginative ways to adapt the(...)
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Contemporary Art Monographs
Contemporary Art Monographs
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March 2012
March 2012
Title:
Lotte Reiniger: born with enchanting hands, three silhouette sequels
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Lotte Reiniger (1899–1981) is a much loved figure in the early history of animated film. At an early age Reiniger discovered the Chinese art of silhouette puppetry, and made her first silhouettes for a school performance. Growing up during the early years of cinema, she fell in love with the films of Georges Méliès and Paul Wegener, and found imaginative ways to adapt the craft of silhouette-making and shadow puppetry to the possibilities of animation. Reiniger elicited effects of motion from the inflexibility of silhouettes, and even introduced cultural quotations from the works of Charlie Chaplin or Josephine Baker into her magical films. This book reproduces three of her most beautiful silhouette series: versions of Mozart’s Magic Flute and The Marriage of Figaro, and an animal alphabet.
Lotte Reiniger: born with enchanting hands, three silhouette sequels
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Lotte Reiniger (1899–1981) is a much loved figure in the early history of animated film. At an early age Reiniger discovered the Chinese art of silhouette puppetry, and made her first silhouettes for a school performance. Growing up during the early years of cinema, she fell in love with the films of Georges Méliès and Paul Wegener, and found imaginative ways to adapt the craft of silhouette-making and shadow puppetry to the possibilities of animation. Reiniger elicited effects of motion from the inflexibility of silhouettes, and even introduced cultural quotations from the works of Charlie Chaplin or Josephine Baker into her magical films. This book reproduces three of her most beautiful silhouette series: versions of Mozart’s Magic Flute and The Marriage of Figaro, and an animal alphabet.
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books
books
Publication:
March 2012
March 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Allan Kaprow: a bibliography
Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in(...)
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in(...)
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Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in the genre of artist’s books. Nonetheless, from the start Kaprow produced what he described as “activity booklets”--publications intended to function as tools to help people understand and experience such performances. He likened these booklets to “musical scores”: vehicles of opportunity rather than documents of past events. But the graphic layout of his books, the originality of their structure, the literary character of their texts and their aesthetic quality as objects elevates them from ostensibly practical scores to primary examples of first-generation book art.
Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in the genre of artist’s books. Nonetheless, from the start Kaprow produced what he described as “activity booklets”--publications intended to function as tools to help people understand and experience such performances. He likened these booklets to “musical scores”: vehicles of opportunity rather than documents of past events. But the graphic layout of his books, the originality of their structure, the literary character of their texts and their aesthetic quality as objects elevates them from ostensibly practical scores to primary examples of first-generation book art.
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books
books
Publication:
March 2012
March 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$55.00
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
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Louise Bourgeois : artists's portfolio
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
Louise Bourgeois : artists's portfolio
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
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books
books
Publication:
March 2012
March 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Beatriz Milhazes
Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and(...)
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and(...)
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Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and energy. This volume reproduces her treatment of the four seasons, inspired by the weather cycles of Rio, where winter registers as a change in mood rather than in temperature.
Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and energy. This volume reproduces her treatment of the four seasons, inspired by the weather cycles of Rio, where winter registers as a change in mood rather than in temperature.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$25.00
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"Invalid Format" is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles and Berlin. The book, designed in collaboration with Project Projects, translates into print work that originally appeared in other forms. This inaugural volume of "Invalid Format" includes artist projects(...)
$25.00
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"Invalid Format" is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles and Berlin. The book, designed in collaboration with Project Projects, translates into print work that originally appeared in other forms. This inaugural volume of "Invalid Format" includes artist projects(...)
Title:
Invalid format: an anthology of triple canopy, volume 1
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"Invalid Format" is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles and Berlin. The book, designed in collaboration with Project Projects, translates into print work that originally appeared in other forms. This inaugural volume of "Invalid Format" includes artist projects and literary work published in the first year of Triple Canopy's existence, documentation of public programs, and a sampling of foundational correspondence.
Invalid format: an anthology of triple canopy, volume 1
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Summary:
"Invalid Format" is an archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles and Berlin. The book, designed in collaboration with Project Projects, translates into print work that originally appeared in other forms. This inaugural volume of "Invalid Format" includes artist projects and literary work published in the first year of Triple Canopy's existence, documentation of public programs, and a sampling of foundational correspondence.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Ai Weiwei: art, architecture
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely(...)
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely(...)
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Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely celebrated “Bird’s Nest” Beijing National Stadium, a collaboration between Ai and the Swiss architecture firm Herzog & de Meuron that was constructed for the 2008 Olympic Games. Another feature is a new work based on a project titled “Ordos 10” for which Ai invited 100 young architectural firms worldwide to design single-family houses for Ordos City in Inner Mongolia. An essay in the catalogue examines the role of architecture in relation to Ai’s political activities, an issue of particular relevance since his arrest and conditional release in 2011.
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely celebrated “Bird’s Nest” Beijing National Stadium, a collaboration between Ai and the Swiss architecture firm Herzog & de Meuron that was constructed for the 2008 Olympic Games. Another feature is a new work based on a project titled “Ordos 10” for which Ai invited 100 young architectural firms worldwide to design single-family houses for Ordos City in Inner Mongolia. An essay in the catalogue examines the role of architecture in relation to Ai’s political activities, an issue of particular relevance since his arrest and conditional release in 2011.
Form:
books
books
Publication:
January 2012
January 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$59.95
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
Title:
Bill Bollinger: Water is Life and Like Art it Finds its own Level
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
Bill Bollinger: Water is Life and Like Art it Finds its own Level
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In the late 1960s, Bill Bollinger (1939–1988) was considered one of the foremost sculptors of his time, alongside Robert Smithson, Eva Hesse and Richard Serra. In his short life, Bollinger built up a sculptural oeuvre that explored the gravity and intrinsic properties of various (usually industrial) materials. This volume offers an overview.
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books
books
Publication:
April 2012
April 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Richard Long: Berlin circle
Richard Long: Berlin circle
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Richard Long is one of the leading protagonists of Land Art. Berlin Circle records the eponymous piece, a circle of stone installed by the artist for the opening of the Hamburger Bahnhof in 1996, as well as five other floor works and a large site-specific wall painting in mud.
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Richard Long is one of the leading protagonists of Land Art. Berlin Circle records the eponymous piece, a circle of stone installed by the artist for the opening of the Hamburger Bahnhof in 1996, as well as five other floor works and a large site-specific wall painting in mud.
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Richard Long: Berlin circle
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Richard Long is one of the leading protagonists of Land Art. Berlin Circle records the eponymous piece, a circle of stone installed by the artist for the opening of the Hamburger Bahnhof in 1996, as well as five other floor works and a large site-specific wall painting in mud.
Richard Long: Berlin circle
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Richard Long is one of the leading protagonists of Land Art. Berlin Circle records the eponymous piece, a circle of stone installed by the artist for the opening of the Hamburger Bahnhof in 1996, as well as five other floor works and a large site-specific wall painting in mud.
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books
books
Publication:
April 2012
April 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$29.95
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This catalogue presents a broad selection of Fred Sandback's works on paper, drawings and prints, providing impressive evidence of how seamlessly Sandback transferred the techniques of lithography, etching and woodcuts into the aesthetics of his time and traces the development of his sculptures in these media.
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Summary:
This catalogue presents a broad selection of Fred Sandback's works on paper, drawings and prints, providing impressive evidence of how seamlessly Sandback transferred the techniques of lithography, etching and woodcuts into the aesthetics of his time and traces the development of his sculptures in these media.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
February 2012
February 2012
Title:
Fred Sandback: drawing spaces
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This catalogue presents a broad selection of Fred Sandback's works on paper, drawings and prints, providing impressive evidence of how seamlessly Sandback transferred the techniques of lithography, etching and woodcuts into the aesthetics of his time and traces the development of his sculptures in these media.
Fred Sandback: drawing spaces
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$29.95
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Summary:
This catalogue presents a broad selection of Fred Sandback's works on paper, drawings and prints, providing impressive evidence of how seamlessly Sandback transferred the techniques of lithography, etching and woodcuts into the aesthetics of his time and traces the development of his sculptures in these media.
Form:
books
books
Publication:
February 2012
February 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
