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Title:
Paul Noble John XII 24
Paul Noble John XII 24
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern(...)
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern(...)
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Paul Noble John XII 24
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern is that to us, us philosophers! ...
Paul Noble John XII 24
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern is that to us, us philosophers! ...
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$20.95
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes,(...)
$20.95
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes,(...)
Title:
Tati note
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes, sketches and drawings to thoughts and reflections.
Tati note
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$20.95
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes, sketches and drawings to thoughts and reflections.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$20.00
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of(...)
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of(...)
Title:
Dan Graham, pavilions : a guide
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of pavilions available around the world.
Dan Graham, pavilions : a guide
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of pavilions available around the world.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Anthony McCall: breath
Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the(...)
$56.95
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the(...)
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Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the artist’s works from their aesthetic peculiarities through the creative course of the author. The text by Hal Foster is rich in references to 20th century history and philosophy, and puts McCall’s works in the wide context of contemporary artistic research.
Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the artist’s works from their aesthetic peculiarities through the creative course of the author. The text by Hal Foster is rich in references to 20th century history and philosophy, and puts McCall’s works in the wide context of contemporary artistic research.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$32.00
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Summary:
The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
$32.00
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
Title:
Akiko Ikeda: Their site / your sight
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
Akiko Ikeda: Their site / your sight
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
![Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates](/img-bookstore/pGcdNE4DldecDPlNsrSsLCQVyKI=/700x980/LV405.jpg)
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark,(...)
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark,(...)
Title:
Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark, one of the most important American conceptual artists of the 1970s, had purchased the Queens properties with the goal of highlighting neglected architectural environments that make up the urban and suburban fabric. Hogue's drawings, collages, and photographs that make up this book articulates those moments when conventions for establishing the location and the precise boundaries of a site produce a conceptual "excess of surveying", inviting speculation as to the value and purpose of land and revealing the conceptual potential of "real" sites- even small and unusable ones without architectural potential.
Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates
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Summary:
In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark, one of the most important American conceptual artists of the 1970s, had purchased the Queens properties with the goal of highlighting neglected architectural environments that make up the urban and suburban fabric. Hogue's drawings, collages, and photographs that make up this book articulates those moments when conventions for establishing the location and the precise boundaries of a site produce a conceptual "excess of surveying", inviting speculation as to the value and purpose of land and revealing the conceptual potential of "real" sites- even small and unusable ones without architectural potential.
Form:
books
books
Publication:
July 2006
July 2006
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$24.00
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and(...)
$24.00
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and(...)
Title:
The jet-age compendium : Paolozzi at Ambit
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and advertisements. Reprinted in their entirety for the first time, Paolozzi’s works for Ambit tackle the war in Vietnam, the acceleration of Japanese technology, and the utopias of mass advertising. This publication reproduces the Paolozzi pages from Ambit along with magazine covers, poems and advertisements that originally appeared alongside the artist’s work. The book is housed in a day-glo pink sleeve that also contains an essay written by David Brittain which puts Paolozzi’s work for the magazine into context. An exhibition, inspired by the book, will be at Raven Row in London from 4 September to 1 November 2009.
The jet-age compendium : Paolozzi at Ambit
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and advertisements. Reprinted in their entirety for the first time, Paolozzi’s works for Ambit tackle the war in Vietnam, the acceleration of Japanese technology, and the utopias of mass advertising. This publication reproduces the Paolozzi pages from Ambit along with magazine covers, poems and advertisements that originally appeared alongside the artist’s work. The book is housed in a day-glo pink sleeve that also contains an essay written by David Brittain which puts Paolozzi’s work for the magazine into context. An exhibition, inspired by the book, will be at Raven Row in London from 4 September to 1 November 2009.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$51.95
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Summary:
Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the(...)
$51.95
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the(...)
Title:
Rodchenko and Popova: defining constructivism
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.
Rodchenko and Popova: defining constructivism
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Gunta Stölzl, bauhaus master
Gunta Stölzl, bauhaus master
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$48.00
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by(...)
$48.00
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Summary:
Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by(...)
Title:
Gunta Stölzl, bauhaus master
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$48.00
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by excerpts drawn from her journals, letters and articles, some of which are published here for the first time.
Gunta Stölzl, bauhaus master
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$48.00
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by excerpts drawn from her journals, letters and articles, some of which are published here for the first time.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Eva Hesse, studiowork
Eva Hesse, studiowork
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$54.95
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Throughout her career, Eva Hesse (1936--1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called “test-pieces” were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames(...)
$54.95
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Summary:
Throughout her career, Eva Hesse (1936--1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called “test-pieces” were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames(...)
Title:
Eva Hesse, studiowork
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Throughout her career, Eva Hesse (1936--1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called “test-pieces” were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames these small objects studiowork and argues that they put in question conventional notions of what sculpture is.
Eva Hesse, studiowork
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$54.95
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Throughout her career, Eva Hesse (1936--1970) produced a significant number of small, experimental works alongside her large-scale sculpture. These so-called “test-pieces” were made in a wide range of materials, including latex, wire-mesh, sculp-metal, wax, and cheesecloth. Rather than considering them simply technical explorations, the art historian Briony Fer renames these small objects studiowork and argues that they put in question conventional notions of what sculpture is.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
