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First published in 2017 and quickly going out of print, Ellsworth Kelly: Plant Drawings features more than 30 drawings made by Kelly between 1949 and 2008. Despite the immediacy of their execution and their representational content, the most striking surprise of Kelly’s plant drawings is how much they share with his abstract paintings and sculptures.
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First published in 2017 and quickly going out of print, Ellsworth Kelly: Plant Drawings features more than 30 drawings made by Kelly between 1949 and 2008. Despite the immediacy of their execution and their representational content, the most striking surprise of Kelly’s plant drawings is how much they share with his abstract paintings and sculptures.
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Ellsworth Kelly: Plant drawings
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First published in 2017 and quickly going out of print, Ellsworth Kelly: Plant Drawings features more than 30 drawings made by Kelly between 1949 and 2008. Despite the immediacy of their execution and their representational content, the most striking surprise of Kelly’s plant drawings is how much they share with his abstract paintings and sculptures.
Ellsworth Kelly: Plant drawings
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First published in 2017 and quickly going out of print, Ellsworth Kelly: Plant Drawings features more than 30 drawings made by Kelly between 1949 and 2008. Despite the immediacy of their execution and their representational content, the most striking surprise of Kelly’s plant drawings is how much they share with his abstract paintings and sculptures.
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books
books
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October 2019
October 2019
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Contemporary Art Monographs
Contemporary Art Monographs
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Née en 1925, Valentine Schlegel a développé une pratique plastique quotidienne entre Paris et Sète. À l'image d'un couteau suisse, elle maîtrise plusieurs techniques pour réaliser des objets usuels aux corps sculpturaux : couverts en bois, vases en céramique, sacs en cuir, cheminées en plâtre. Conçu sans hiérarchie, souvent en collaboration avec ses amis, ce corpus est(...)
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Née en 1925, Valentine Schlegel a développé une pratique plastique quotidienne entre Paris et Sète. À l'image d'un couteau suisse, elle maîtrise plusieurs techniques pour réaliser des objets usuels aux corps sculpturaux : couverts en bois, vases en céramique, sacs en cuir, cheminées en plâtre. Conçu sans hiérarchie, souvent en collaboration avec ses amis, ce corpus est(...)
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Valentine Schlegel : je dors, je travaille
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Née en 1925, Valentine Schlegel a développé une pratique plastique quotidienne entre Paris et Sète. À l'image d'un couteau suisse, elle maîtrise plusieurs techniques pour réaliser des objets usuels aux corps sculpturaux : couverts en bois, vases en céramique, sacs en cuir, cheminées en plâtre. Conçu sans hiérarchie, souvent en collaboration avec ses amis, ce corpus est fait d'objets de différentes dimensions et aux usages tantôt fantaisistes, tantôt quotidiens. Valentine Schlegel a également réalisé nombre d'éléments architecturaux en plâtre destinés aux intérieurs. Ces sculptures à vivre sont aussi, par leur caractère indéplaçable, la raison pour laquelle son travail est resté méconnu. Valentine Schlegel: je dors, je travaille par Hélène Bertin est un catalogue « bio-monographique » réunissant une nouvelle iconographie et des documents d'archives. Des notices biographiques séquencent le livre et éclairent la démarche et la vie de Valentine Schlegel.
Valentine Schlegel : je dors, je travaille
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Née en 1925, Valentine Schlegel a développé une pratique plastique quotidienne entre Paris et Sète. À l'image d'un couteau suisse, elle maîtrise plusieurs techniques pour réaliser des objets usuels aux corps sculpturaux : couverts en bois, vases en céramique, sacs en cuir, cheminées en plâtre. Conçu sans hiérarchie, souvent en collaboration avec ses amis, ce corpus est fait d'objets de différentes dimensions et aux usages tantôt fantaisistes, tantôt quotidiens. Valentine Schlegel a également réalisé nombre d'éléments architecturaux en plâtre destinés aux intérieurs. Ces sculptures à vivre sont aussi, par leur caractère indéplaçable, la raison pour laquelle son travail est resté méconnu. Valentine Schlegel: je dors, je travaille par Hélène Bertin est un catalogue « bio-monographique » réunissant une nouvelle iconographie et des documents d'archives. Des notices biographiques séquencent le livre et éclairent la démarche et la vie de Valentine Schlegel.
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books
books
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October 2017
October 2017
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Contemporary Art Monographs
Contemporary Art Monographs
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Ce catalogue documente le projet conçu par Claudia Comte pour l'édition 2016 du Printemps de septembre à partir d'une sélection de 600 pièces primaires issues de l'industrie aéronautique. Dans l'ancienne usine hydro-électrique du Bazacle, Claudia Comte a dessiné et produit une mise en scène immersive pour ces objets, temporairement solidaires d'un même effet d'ensemble.(...)
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Ce catalogue documente le projet conçu par Claudia Comte pour l'édition 2016 du Printemps de septembre à partir d'une sélection de 600 pièces primaires issues de l'industrie aéronautique. Dans l'ancienne usine hydro-électrique du Bazacle, Claudia Comte a dessiné et produit une mise en scène immersive pour ces objets, temporairement solidaires d'un même effet d'ensemble.(...)
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Contemporary Art Monographs
Contemporary Art Monographs
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June 2019
June 2019
Title:
Claudia Comte : the curves, the corners, and the machines
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Ce catalogue documente le projet conçu par Claudia Comte pour l'édition 2016 du Printemps de septembre à partir d'une sélection de 600 pièces primaires issues de l'industrie aéronautique. Dans l'ancienne usine hydro-électrique du Bazacle, Claudia Comte a dessiné et produit une mise en scène immersive pour ces objets, temporairement solidaires d'un même effet d'ensemble. Le texte de Thierry Leviez replace son intervention dans la perspective d'une généalogie, évoquant successivement sept expositions d'objets, des salons conçus par Lily Reich pour le Werkbund aux innovations de Philip Johnson au MoMA et jusqu'aux expérimentations de Richard Hamilton à l'ICA.
Claudia Comte : the curves, the corners, and the machines
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Ce catalogue documente le projet conçu par Claudia Comte pour l'édition 2016 du Printemps de septembre à partir d'une sélection de 600 pièces primaires issues de l'industrie aéronautique. Dans l'ancienne usine hydro-électrique du Bazacle, Claudia Comte a dessiné et produit une mise en scène immersive pour ces objets, temporairement solidaires d'un même effet d'ensemble. Le texte de Thierry Leviez replace son intervention dans la perspective d'une généalogie, évoquant successivement sept expositions d'objets, des salons conçus par Lily Reich pour le Werkbund aux innovations de Philip Johnson au MoMA et jusqu'aux expérimentations de Richard Hamilton à l'ICA.
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books
books
Publication:
June 2019
June 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Ai Weiwei: bare life
Ai Weiwei: bare life
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This volume—a hybrid between a scholarly study and an exhibition catalog—presents the artist Ai Weiwei's work in dialogue with theoretical texts by the Italian philosopher Giorgio Agamben and the German-Jewish philosopher Hannah Arendt alongside interpretive essays that illuminate the artist’s work on human rights, his engagement with historical Chinese artifacts, and his(...)
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This volume—a hybrid between a scholarly study and an exhibition catalog—presents the artist Ai Weiwei's work in dialogue with theoretical texts by the Italian philosopher Giorgio Agamben and the German-Jewish philosopher Hannah Arendt alongside interpretive essays that illuminate the artist’s work on human rights, his engagement with historical Chinese artifacts, and his(...)
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Ai Weiwei: bare life
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This volume—a hybrid between a scholarly study and an exhibition catalog—presents the artist Ai Weiwei's work in dialogue with theoretical texts by the Italian philosopher Giorgio Agamben and the German-Jewish philosopher Hannah Arendt alongside interpretive essays that illuminate the artist’s work on human rights, his engagement with historical Chinese artifacts, and his critical consideration of the effects of globalization. The book includes a new essay on human rights by Ai Weiwei and an interview in which he discusses his artwork and activism. It also features installation photographs of the corresponding exhibition. By exploring Ai Weiwei’s artistic practice in dialogue with philosophies, theories, and concepts that connect human life and political power, this publication offers new insights into one of the most important artists working today.
Ai Weiwei: bare life
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This volume—a hybrid between a scholarly study and an exhibition catalog—presents the artist Ai Weiwei's work in dialogue with theoretical texts by the Italian philosopher Giorgio Agamben and the German-Jewish philosopher Hannah Arendt alongside interpretive essays that illuminate the artist’s work on human rights, his engagement with historical Chinese artifacts, and his critical consideration of the effects of globalization. The book includes a new essay on human rights by Ai Weiwei and an interview in which he discusses his artwork and activism. It also features installation photographs of the corresponding exhibition. By exploring Ai Weiwei’s artistic practice in dialogue with philosophies, theories, and concepts that connect human life and political power, this publication offers new insights into one of the most important artists working today.
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books
books
Publication:
November 2019
November 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$30.00
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Conceptually based in the spirit of the revolutionary pocketbook, this publication underscores the cornerstones of action, participation and imagina tion in the work of Yoko Ono. The urgency and spirit of her work remain a key reference for the indivisibility of art and life, as well as the importance of non-violent action to inspire political and social change.
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Conceptually based in the spirit of the revolutionary pocketbook, this publication underscores the cornerstones of action, participation and imagina tion in the work of Yoko Ono. The urgency and spirit of her work remain a key reference for the indivisibility of art and life, as well as the importance of non-violent action to inspire political and social change.
Title:
Yoko Ono & John Lennon: Liberté conquérante / Growing freedom
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Conceptually based in the spirit of the revolutionary pocketbook, this publication underscores the cornerstones of action, participation and imagina tion in the work of Yoko Ono. The urgency and spirit of her work remain a key reference for the indivisibility of art and life, as well as the importance of non-violent action to inspire political and social change.
Yoko Ono & John Lennon: Liberté conquérante / Growing freedom
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Conceptually based in the spirit of the revolutionary pocketbook, this publication underscores the cornerstones of action, participation and imagina tion in the work of Yoko Ono. The urgency and spirit of her work remain a key reference for the indivisibility of art and life, as well as the importance of non-violent action to inspire political and social change.
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books
books
Publication:
July 2019
July 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$41.50
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This book features Pousttchi’s new photographic installation at Nivola Museum in Orani on the Italian island of Sardinia. She chose the Metropolitan Life Building on 1 Madison Avenue in Manhattan as her subject for this piece. Criticized for its blatant Italian references at the time of its completion in 1909 — and the world’s tallest structure until 1913 — the building(...)
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This book features Pousttchi’s new photographic installation at Nivola Museum in Orani on the Italian island of Sardinia. She chose the Metropolitan Life Building on 1 Madison Avenue in Manhattan as her subject for this piece. Criticized for its blatant Italian references at the time of its completion in 1909 — and the world’s tallest structure until 1913 — the building(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2019
July 2019
Title:
Bettina Pousttchi: Metropolitan Life
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This book features Pousttchi’s new photographic installation at Nivola Museum in Orani on the Italian island of Sardinia. She chose the Metropolitan Life Building on 1 Madison Avenue in Manhattan as her subject for this piece. Criticized for its blatant Italian references at the time of its completion in 1909 — and the world’s tallest structure until 1913 — the building displays a hybrid identity, recalling cultural and temporal-spatial dislocations between the Old and the New World, Renaissance and Modernism.
Bettina Pousttchi: Metropolitan Life
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This book features Pousttchi’s new photographic installation at Nivola Museum in Orani on the Italian island of Sardinia. She chose the Metropolitan Life Building on 1 Madison Avenue in Manhattan as her subject for this piece. Criticized for its blatant Italian references at the time of its completion in 1909 — and the world’s tallest structure until 1913 — the building displays a hybrid identity, recalling cultural and temporal-spatial dislocations between the Old and the New World, Renaissance and Modernism.
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books
books
Publication:
July 2019
July 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
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Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
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books
books
Publication:
January 2020
January 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$40.00
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A history of Radio Art through the works and life of theorist, activist and artist Tetsuo Kogawa, a key figure of sound arts and the free radio movement in Japan in the early 1980s.
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A history of Radio Art through the works and life of theorist, activist and artist Tetsuo Kogawa, a key figure of sound arts and the free radio movement in Japan in the early 1980s.
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se(...)
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se(...)
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Guillaume Adjutor Provost : Vapeurs
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se mate´rialise ici sous la forme discursive et polyphonique du livre, qui devient une sorte d’extension du domaine de la conversation mis en place par la pratique artistique de Provost. Conc¸u par l’artiste lui-me^me comme une plateforme d’invitations, de discussions et d’e´changes, le pre´sent ouvrage re´unit quatre essais qui forment autant de points d’entre´e dans l’œuvre.
Guillaume Adjutor Provost : Vapeurs
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Guillaume Adjutor Provost de´veloppe depuis biento^t dix ans un travail oriente´ vers l’ame´nagement d’espaces d’hospitalite´ et de collaboration avec une communaute´ de pairs, souvent issus de la performance comme lui, mais e´galement avec des acteurs provenant de milieux non artistiques et dont les histoires demandent a` e^tre raconte´es. Cet espace d’hospitalite´ se mate´rialise ici sous la forme discursive et polyphonique du livre, qui devient une sorte d’extension du domaine de la conversation mis en place par la pratique artistique de Provost. Conc¸u par l’artiste lui-me^me comme une plateforme d’invitations, de discussions et d’e´changes, le pre´sent ouvrage re´unit quatre essais qui forment autant de points d’entre´e dans l’œuvre.
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books
books
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July 2019
July 2019
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$33.95
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
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Ithell Colquhoun: genius of the fern loved gully
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
Ithell Colquhoun: genius of the fern loved gully
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This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.
Form:
books
books
Publication:
December 2020
December 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
