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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging(...)
The illustrated dustjacket, 1920-1970
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School.
Book Design
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition(...)
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition de ses propres publications ou de celles d'autres artistes. Créateur de La Bibliothèque Fantastique (2009-2013), l'ouvrage interroge la pratique éditoriale comme réalisation artistique contemporaine, évoquant le rôle joué par le texte fondateur de Michel Foucault qui fournira l'élan éditorial à Antoine Lefebvre. Il y est question de pratiques rudimentaires, comme l'édition de fanzines, de débrouille et de bricolage à travers le DIY (do-it-yourself).
Book Design
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The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct(...)
The art of the fold: how to make innovative books and paper structures
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The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct Professor at the University of the Arts in Philadelphia. Her one-of-a-kind constructions have been exhibited internationally. Ulla Warchol graduated from The Cooper Union in New York City with a degree in architecture. After working in the field in the 1990s, Ulla has spent the last two decades developing a multidisciplinary approach to structure. She leans toward a broad exploration of materials and techniques in both large-scale and small-scale works.
Book Design
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While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and(...)
Sixty over twenty: letterpress books and broadsides printed at Gaspereau press
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While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and manufacturing. His frank commentary explores the wider implications of practising handwork in the digital age, exploring the relationship between art, craft and community.
Book Design
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Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from(...)
Les plus beaux livres suisses 2016/ The most beautiful Swiss books 2016
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Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from among more than 400 submissions. The works were appraised for concept, graphic design and typography, quality of printing and binding, and attention to the materials used. The exceptional catalogue for this edition was designed by Hubertus, who takes us literally back to the book and its material essence.
Book Design
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In a time of fast scrolling and constant distraction, ''Books as Art Practice'' shares 11 personal reflections on using books as a space for art, thought, and connection. For SerraGlia, books are not just containers for finished work — they are the work: a process, a practice, and a way to slow down, notice, and create connection beyond the usual art world. This(...)
Books as art practice: Notes from the margins
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In a time of fast scrolling and constant distraction, ''Books as Art Practice'' shares 11 personal reflections on using books as a space for art, thought, and connection. For SerraGlia, books are not just containers for finished work — they are the work: a process, a practice, and a way to slow down, notice, and create connection beyond the usual art world. This pocket-sized zine gathers notes from years of personal practice and ongoing curiosity about what art can be in book form.
Book Design
No-ISBN: On self-publishing
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A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists(...)
No-ISBN: On self-publishing
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A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists interspersed with texts on the international boom of artists’ books, written by active practitioners of self-publishing. This first, richly illustrated reader has been compiled by a team of editors uniting the areas of conceptual art, media theory, and cultural studies. It thus offers a navigational aid in the discovery of new, uncharted terrain.
Book Design
Threads talks series
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THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
Threads talks series
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THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Book Design
$63.00
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This succinct catalogue features wonderful cover and interior spread reproductions of a selection of the most important and influential artist's books of the twentieth century. Beginning with Stéphane Mallarmé's 1914 Un Coup de Dés Jamais N'Abolira le Hasard, now yellowed and slightly frayed around the edges, it includes works by Kokoschka, Kandinsky, Marinetti and other(...)
Il libro come opera d'arte / The book as a work of art
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This succinct catalogue features wonderful cover and interior spread reproductions of a selection of the most important and influential artist's books of the twentieth century. Beginning with Stéphane Mallarmé's 1914 Un Coup de Dés Jamais N'Abolira le Hasard, now yellowed and slightly frayed around the edges, it includes works by Kokoschka, Kandinsky, Marinetti and other Futurists, Constructivists like El Lissitzky and such Dadaists as Schwitters, Tzara, Ernst and Duchamp. Photo experimentation by Maholy-Nagy is followed by Matisse's Jazz. There are Fluxus books by aa.vv., Daniel Spoerri and George Maciunas, mid-60s offerings by Ettore Sottsass, Dieter Roth and Andy Warhol, and Minimalist and Conceptual works by Carl Andre, Lawrence Weiner, Allan Kaprow, Vito Acconci and Bruce Nauman, followed by Arte Povera books and others from the 80s and 90s. Includes a gem-like illustrated bibliographies for all genres of artist's books, from the Futurists to books on typography.
Book Design
Miniature books
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Miniature Books is the first lavishly illustrated, authoritative book on the delightful subject of books no taller than three inches. A dazzling array of books on subjects ranging from Shakespeares plays and the Holy Bible to politics and presidents, childrens books, the pleasures of life, and more are shown—with few exceptions—at their actual size.
Miniature books
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Miniature Books is the first lavishly illustrated, authoritative book on the delightful subject of books no taller than three inches. A dazzling array of books on subjects ranging from Shakespeares plays and the Holy Bible to politics and presidents, childrens books, the pleasures of life, and more are shown—with few exceptions—at their actual size.
Book Design