books
Le livre en lettres
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En abordant le livre du point de vue de sa typographie, cet ouvrage sensibilise le lecteur aux possibilités infinies de cette discipline. L'outil informatique a rendu accessible au plus grand nombre une palette très riche de polices, encore faut-il savoir les utiliser en tenant compte d'exigences aussi bien pratiques, esthétiques que contextuelles. Grâce aux différents(...)
Le livre en lettres
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$21.95
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En abordant le livre du point de vue de sa typographie, cet ouvrage sensibilise le lecteur aux possibilités infinies de cette discipline. L'outil informatique a rendu accessible au plus grand nombre une palette très riche de polices, encore faut-il savoir les utiliser en tenant compte d'exigences aussi bien pratiques, esthétiques que contextuelles. Grâce aux différents ateliers vous pourrez mettre en application de manière ludique les notions traitées dans chaque chapitre et comprendre les choix typographiques des graphistes ou des éditeurs.
books
January 2008
Book Design
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
March 2010
In numbers : serial publications by artists since 1955
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$108.00
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
February 2010
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
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What does a library say about the mind of its owner? How do books map the intellectual interests, curiosities, tastes, and personalities of their readers? What does the collecting of books have in common with the practice of architecture? This book provides an intimate look at the personal libraries of fourteen of the world’s leading architects, alongside conversations(...)
Unpacking my library: architects and their books (1963-1973)
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What does a library say about the mind of its owner? How do books map the intellectual interests, curiosities, tastes, and personalities of their readers? What does the collecting of books have in common with the practice of architecture? This book provides an intimate look at the personal libraries of fourteen of the world’s leading architects, alongside conversations about the significance of books to their careers and lives. Photographs of bookshelves—displaying well-loved and rare volumes, eclectic organizational schemes, and the individual touches that make a bookshelf one’s own—provide an evocative glimpse of their owner’s personal life.
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This is a unique, absorbing compilation of the best design books of the last 100 years. Covering a huge range of material – from historic titles by pioneering type foundries to the best of recent monographs from today’s leading studios – it provides a striking insight into the evolution of graphic design in the twentieth century.
Bibliographic: 100 Classic Graphic Design Books
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This is a unique, absorbing compilation of the best design books of the last 100 years. Covering a huge range of material – from historic titles by pioneering type foundries to the best of recent monographs from today’s leading studios – it provides a striking insight into the evolution of graphic design in the twentieth century.
Book Design
books
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Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view : their publishing production. These artists’ books were(...)
Arte Povera, 1966-1980 : books and documents
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Anselmo, Boetti, Calzolari, Fabro, Kounellis, Mario and Marisa Merz, Paolini, Pascali, Penone, Pistoletto, Prini, Zorio: the protagonists of the most important italian artistic movement in the second half of the XX century are introduced not by their “traditional” works, but from a particular point of view : their publishing production. These artists’ books were conceived, built and re-invented as works of art themselves, and some of them had a very important role in defining the aims and beliefs of the whole artistic movement. A detailed introduction analyses “diagonally” people, times, places and texts involved in the Arte Povera movement and their mutual relationships; then, each artist is individually presented through his books and one-person exhibitions, along with several photos of the mentioned documents. The book is completed by an accurate chronology of the collective exhibitions (1966-2005) and a detailed bibliography of the books, essays and articles about the "poveristi” (1966-2006).
books
December 2007
Book Design
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BOOKS! by Murray McCain and John Alcorn, the beloved classic children’s book originally published in 1962, is now re-released for the first time in a new, large format. This 1962 The New York Times book of the year is beloved for its charming, hand-drawn illustrations, inventive typography, and sweet homage to the very nature of books themselves. The author and(...)
Books!
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BOOKS! by Murray McCain and John Alcorn, the beloved classic children’s book originally published in 1962, is now re-released for the first time in a new, large format. This 1962 The New York Times book of the year is beloved for its charming, hand-drawn illustrations, inventive typography, and sweet homage to the very nature of books themselves. The author and illustrator celebrate the importance of books in our everyday lives, through words and graphics that are all beautifully designed and printed with fluorescent inks.
Book Design
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This book compares antiquarianism in a global context, examining its roots in the ancient Near East, its flourishing in early modern Europe and East Asia, and its manifestations in nonliterate societies of Melanesia and Polynesia. By establishing wide-reaching geographical and historical perspectives, the essays reveal the universality of antiquarianism as an embodiment(...)
World antiquarianism : comparative perspectives
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This book compares antiquarianism in a global context, examining its roots in the ancient Near East, its flourishing in early modern Europe and East Asia, and its manifestations in nonliterate societies of Melanesia and Polynesia. By establishing wide-reaching geographical and historical perspectives, the essays reveal the universality of antiquarianism as an embodiment of the human mind and open new avenues for understanding the representation of the past, from ancient societies to the present.
Book Design
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Although the pictogram-only narrative in Xu Bing's Book from the Ground can be read by anyone, there is much more to the story of Xu Bing's wordless book than can be gleaned from icons alone. This volume to Book from the Ground chronicles the entire project, mapping the history of Xu Bing's novel creation from inspiration to exhibition to publication.
The book about Xu Bing's book from the ground
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Although the pictogram-only narrative in Xu Bing's Book from the Ground can be read by anyone, there is much more to the story of Xu Bing's wordless book than can be gleaned from icons alone. This volume to Book from the Ground chronicles the entire project, mapping the history of Xu Bing's novel creation from inspiration to exhibition to publication.
Book Design
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of(...)
Reading Andy Warhol: author, illustrator, publisher
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of literature by having sound recordings transcribed and published. Including a complete bibliography, this volume is the first substantial presentation of Warhol's important innovations in printed books.
Book Design