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At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the(...)
Before publications: montage in art, architecture and book design. A reader.
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At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the audience, the book is always to some extent a conception, or mediated presentation. The contributors to "Before Publication" consider the construction of visual meaning through montage, with each essay taking as its starting point a particular artifact—from Ed Ruscha’s photobook, Every Building on the Sunset Strip to works by Sergei Eisenstein, Muriel Cooper, and Marshall McLuhan to Tristan Tzara’s unpublished Dadaglobe anthology. A common theme threading throughout the chapters is the relationship between privacy and publicity. A concise introductory chapter by the book’s editors, Nanni Baltzer and Martino Stierli places the chapters in conversation and discusses the broader subject of montage in art, architecture, and book design.
Book Design
books
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The ultimate compendium of counterculture press in the United States and the Netherlands during the heady decades of the 1960s and ’70s, this volume is the definition of sex, drugs, and rock ‘n roll. From underground pornography, free love, anti-establishment anarchism, and Provo, to anti-war protests, spiritual empowerment, the Black Panthers, and women’s liberation,(...)
Yes yes yes: alternative press from 1966-1977. From Provo to Punk
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The ultimate compendium of counterculture press in the United States and the Netherlands during the heady decades of the 1960s and ’70s, this volume is the definition of sex, drugs, and rock ‘n roll. From underground pornography, free love, anti-establishment anarchism, and Provo, to anti-war protests, spiritual empowerment, the Black Panthers, and women’s liberation, it’s all here. Page after page of magazine covers, articles, advertisements, and clippings encapsulate the era when academia revolted, gays marched in the streets, and hippies wondered if Jesus got high, too.*Please note*: this book has four different covers and these are shipped randomly.
books
March 2016
Book Design
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The Serralves Museum of Contemporary Art began collecting artists’ books in 1999 with the purchase of editions created in the 1960s and ’70s, a period that coincided with the rise of conceptualism. It has since gathered over 5,000 of artists’ books. Counterpart to an eponymous exhibition, this book features a selection of 26 books and editions by 21 artists that present(...)
Que sais-je: artists' books and editions from the Serralves collection
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The Serralves Museum of Contemporary Art began collecting artists’ books in 1999 with the purchase of editions created in the 1960s and ’70s, a period that coincided with the rise of conceptualism. It has since gathered over 5,000 of artists’ books. Counterpart to an eponymous exhibition, this book features a selection of 26 books and editions by 21 artists that present alternative perspectives on what it means to produce knowledge. The fourth volume in a series devoted to research and presentation of works in the collection of Serralves, it contains entries on each of the publications, reprints of texts by Chus Martínez and Clive Phillpot, and a foreword by curator Ricardo Nicolau.
Book Design
Anne Hoffmann: mostly books
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Anne Hoffmann, born in Copenhagen, runs her own graphic design studio in Zurich and works mainly in the fields of art and culture, collaborating with international artists and museums. Over three decades she has designed a wide range of materials, including posters, flyers, cards, and CD booklets. She is best known, however, for her striking designs for books. She has had(...)
Anne Hoffmann: mostly books
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Anne Hoffmann, born in Copenhagen, runs her own graphic design studio in Zurich and works mainly in the fields of art and culture, collaborating with international artists and museums. Over three decades she has designed a wide range of materials, including posters, flyers, cards, and CD booklets. She is best known, however, for her striking designs for books. She has had her own studio since 1986, now in Zurich, where she has worked closely with Swiss and international artists such as Silvia Bächli, Richard Hamilton, and Karim Noureldin. ?In "Mostly Books", designed by Anne Hoffmann Graphic Design, Hoffmann reviews thirty years of work. The selection comprises some 120 objects, featured in an annotated book diary. In addition to that panorama, the book explores the topic of graphic design from a variety of perspectives through statements by several artists.
Book Design
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At 420 pages, this comprehensive reference guide explores bookbinding techniques in start-to-finish detail, explaining all possible options in clear illustrations and easy-to-follow text, making it easy for artists and designers to compare and choose among them. From types of paper to folding methods, to all of the available paperback and hardcover bindings, to finishing(...)
Bookbinding: a comprehensive guide to folding, sewing & binding
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At 420 pages, this comprehensive reference guide explores bookbinding techniques in start-to-finish detail, explaining all possible options in clear illustrations and easy-to-follow text, making it easy for artists and designers to compare and choose among them. From types of paper to folding methods, to all of the available paperback and hardcover bindings, to finishing techniques and case studies by contemporary designers, "Bookbinding" is truly the must-have book for professional designers and production staff. Bookbinding is also a work of art in its own right, given an award by the Type Director's Club for typographic excellence.
Book Design
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging(...)
The illustrated dustjacket, 1920-1970
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The middle decades of the twentieth century saw an extraordinary flourishing of the illustrated, pictorial dust jacket. From the 1920s, as the potential for the book’s protective wrapping to be used for promotion and enticement became clear, artists and illustrators on both sides of the Atlantic applied their talents to this particular art form. Rising to the wide-ranging challenges posed by format and subject matter, leading artists and illustrators, including John Piper, Edward Bawden and John Minton in the UK and Ben Shahn, Edward Gorey and George Salter in the USA, brought their unique personal vision to bear on the world of books. Many of their designs reflect the changing visual styles and motifs of the period, including Bloomsbury, Art Deco, Modernism, postwar neo-romanticism and the Kitchen Sink School.
Book Design
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition(...)
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition de ses propres publications ou de celles d'autres artistes. Créateur de La Bibliothèque Fantastique (2009-2013), l'ouvrage interroge la pratique éditoriale comme réalisation artistique contemporaine, évoquant le rôle joué par le texte fondateur de Michel Foucault qui fournira l'élan éditorial à Antoine Lefebvre. Il y est question de pratiques rudimentaires, comme l'édition de fanzines, de débrouille et de bricolage à travers le DIY (do-it-yourself).
Book Design
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The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct(...)
The art of the fold: how to make innovative books and paper structures
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The renowned and influential book artist Hedi Kyle shows you step-by-step how to create her unique designs, using folding techniques. Projects include flag books, blizzard books, the fishbone fold and nesting boxes. Hedi Kyle has been described as a book structure magician. She recently retired as Head Conservator at the American Philosophical Society, and was Adjunct Professor at the University of the Arts in Philadelphia. Her one-of-a-kind constructions have been exhibited internationally. Ulla Warchol graduated from The Cooper Union in New York City with a degree in architecture. After working in the field in the 1990s, Ulla has spent the last two decades developing a multidisciplinary approach to structure. She leans toward a broad exploration of materials and techniques in both large-scale and small-scale works.
Book Design
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While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and(...)
Sixty over twenty: letterpress books and broadsides printed at Gaspereau press
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While immersed in the work of editing and publishing trade books at Gaspereau Press, Andrew Steeves has also produced an eclectic array of letterpress-printed, limited-edition books and broadsides. In this book he revisits sixty of these projects, chronicling the influence that using traditional book-arts tools has had on his thinking about culture, design and manufacturing. His frank commentary explores the wider implications of practising handwork in the digital age, exploring the relationship between art, craft and community.
Book Design
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Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from(...)
Les plus beaux livres suisses 2016/ The most beautiful Swiss books 2016
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Beauty lies in the details. Organised each year, the competition for the Most Beautiful Swiss Books recognises outstanding graphic design in the field of books, promotes and showcases high-quality production, and raises public awareness of the winning books, both nationally and abroad. This year’s five-member jury, chaired by Gilles Gavillet, selected 24 publications from among more than 400 submissions. The works were appraised for concept, graphic design and typography, quality of printing and binding, and attention to the materials used. The exceptional catalogue for this edition was designed by Hubertus, who takes us literally back to the book and its material essence.
Book Design