Révolution (12. Pédoncule)
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Punkt Press vol. 1 : des gens, des objets
Révolution (12. Pédoncule)
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Punkt Press vol. 1 : des gens, des objets
Page blanche (13. Page)
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Punkt Press vol. 1 : des gens, des objets
April 2011
Page blanche (13. Page)
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Punkt Press vol. 1 : des gens, des objets
Uber livre
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Punkt Press vol. 1 : des gens, des objets. Édition limitée à 10 exemplaires numérotés.
Uber livre
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Punkt Press vol. 1 : des gens, des objets. Édition limitée à 10 exemplaires numérotés.
Unmarked sites
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In Unmarked Sites, Jessica Auer pursues photography like an archeologist, searching for cultural sites in Newfoundland and Labrador in an effort to reconcile its complex history. Looking to the land for signs of the past, she delves into the relationship between landscape and regional identity. The resulting narrative reveals the intricacies that relate exploration,(...)
Unmarked sites
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In Unmarked Sites, Jessica Auer pursues photography like an archeologist, searching for cultural sites in Newfoundland and Labrador in an effort to reconcile its complex history. Looking to the land for signs of the past, she delves into the relationship between landscape and regional identity. The resulting narrative reveals the intricacies that relate exploration, settlement, preservation and modern tourism. Inspired by the travelogue and set within the context of geological time, the artist takes the reader on a journey that travels between reality and the imaginary. These limited edition books are numbered and feature fold-out pages.
Adaptive actions: Madrid
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Adaptive Actions based in Montreal and initiated in London in 2007 explores alterations in the workplace, the home and public spaces in general. Identifying the variety of these personal and found alterations in the city as different forms of adaptation creates a vocabulary for the expression of the collective imagination, through the existing urban structures therein.
Adaptive actions: Madrid
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$12.00
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Adaptive Actions based in Montreal and initiated in London in 2007 explores alterations in the workplace, the home and public spaces in general. Identifying the variety of these personal and found alterations in the city as different forms of adaptation creates a vocabulary for the expression of the collective imagination, through the existing urban structures therein.
Conditions 7
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Conditions, is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture. Conditions 7 discusses issues in competition architecture.
May 2011
Conditions 7
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Conditions, is a new Scandinavian magazine focusing on the conditions of architecture and Urbanism. Presenting new perspectives, in the way of conceiving and analyzing designs, works and theory for architecture. Conditions 7 discusses issues in competition architecture.
Rogelio Salmona : a tribute
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This monograph, which continues an investigation published in 1998, documents and analyses 12 of the most significant projects built by Colombian architect Rogelio Salmona during the past decade until his death in 2007. Conceived as a tribute to his memory and his architectural legacy, it is also a complement to the first book, which documented the majorityof the project(...)
Rogelio Salmona : a tribute
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$80.00
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This monograph, which continues an investigation published in 1998, documents and analyses 12 of the most significant projects built by Colombian architect Rogelio Salmona during the past decade until his death in 2007. Conceived as a tribute to his memory and his architectural legacy, it is also a complement to the first book, which documented the majorityof the project buit by the architect. This publication includes Salmona's most important buildings built during the past decade.
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How to rationalize the complexity of university life at McGill is seemingly overwhelming with up to 40,000 people invading the downtown Campus’s 141 buildings on any given weekday. Walking the McGill Precinct, trying to commit to some style of methodology for a book took time, until the concept of the chronological acquisition by McGill gave the book its definitive(...)
Memories and profiles of McGill University
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How to rationalize the complexity of university life at McGill is seemingly overwhelming with up to 40,000 people invading the downtown Campus’s 141 buildings on any given weekday. Walking the McGill Precinct, trying to commit to some style of methodology for a book took time, until the concept of the chronological acquisition by McGill gave the book its definitive shape. The buildings are the main thrust of the book that interlaces the personalities and the history of the University.
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Muséologies, Les cahiers d’études supérieures, est la première publication universitaire en muséologie au Québec. Elle a pour mission la diffusion et la promotion des travaux issus des programmes supérieurs en muséologie afin d’assurer une meilleure visibilité à la recherche dans cette discipline.
Muséologies: les cahiers d'études supérieures, volume 4, automne 2009
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Muséologies, Les cahiers d’études supérieures, est la première publication universitaire en muséologie au Québec. Elle a pour mission la diffusion et la promotion des travaux issus des programmes supérieurs en muséologie afin d’assurer une meilleure visibilité à la recherche dans cette discipline.
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. (...)
Alternorthern: an exhibition of nine emerging Canadian artists
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. “Alternorthern” was conceived in the tension that exists between nationalism, globalization, and individualism: the exhibition is a product of both cultural values and cultural hybridism. The nine artists in this exhibition function similarly in that they use their own identities to make gestures that transgress time and space. Each artist in the exhibition is Canadian, yet each creates work that speaks to issues pertinent to both Canadian and global geographic and political landscapes. The exhibition will open during the 2010 Olympics, when many of the stereotypes, symbols, themes, and political workings of Canada will be disseminated into the U.S. media. As Canada is in the throes of presenting its tourist identity on the international stage, this exhibition can function as a way of transgressing this identity. Thus, the curators see this exhibition not as a response to the event of the Olympics but as an opportunity to subvert and play with cultural dialogue that will exist during this time.