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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2006, Seattle
September 2006, Seattle
Title:
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
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books
books
Publication:
September 2006, Seattle
September 2006, Seattle
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$37.50
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2006, Cambridge, Mass.
October 2006, Cambridge, Mass.
Title:
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Form:
books
books
Publication:
October 2006, Cambridge, Mass.
October 2006, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$42.00
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Summary:
Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Title:
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Form:
books
books
Publication:
September 2004, Milano
September 2004, Milano
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to(...)
$49.00
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Summary:
Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2006, London
March 2006, London
Title:
Rachel Whiteread : embankment
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to completion. As well providing stunning photography of the final towering construction of "Embankment", this publication revals Whiteread' sources of reference, alongside an essay by Catherine Wood and an interview with the artist Gordon Burn.
Rachel Whiteread : embankment
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Sculptor Rachel Whiteread is internationnally renowned for the projects she has created for public spaces. Conceived in close collaboration with the artist, this book lends an insight into the creative process involved in realising what is arguably Whiteread's most dramatic intervention yet, in the vast Turbine Hall at the Tate Modern, from conception through to completion. As well providing stunning photography of the final towering construction of "Embankment", this publication revals Whiteread' sources of reference, alongside an essay by Catherine Wood and an interview with the artist Gordon Burn.
Form:
books
books
Publication:
March 2006, London
March 2006, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$45.95
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Summary:
Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
Title:
Avalon : art & life of an apartment building
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
Avalon : art & life of an apartment building
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Blending contemporary art, architecture and cultural history into a cleverly designed publication, Avalon presents an intimate survey of a 75 year old apartment building that provides visual artists a place to live and work alongside other residents.
Form:
books
books
Publication:
October 2005, Brisbane
October 2005, Brisbane
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Lara Almarcegui
Lara Almarcegui
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$16.50
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Summary:
Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une(...)
$16.50
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Summary:
Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2006, Arles
March 2006, Arles
Title:
Lara Almarcegui
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Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une lecture critique des modes de développement urbains et invite à reconquérir ces terrains vagues qui racontent l'histoire de la ville et jouent une fonction sociale, historique et poétique.
Lara Almarcegui
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Les interventions de cette artiste ont pour théâtre le tissu urbain et explorent les relations entre l'espace, l'architecture et les politiques de la ville. Elle s'empare de bâtiments en voie de reconversion, réhabilitation ou disparition, de constructions en ruine, démolies ou abandonnées, et explore le passé, la mémoire, la conscience du lieu. Elle propose ainsi une lecture critique des modes de développement urbains et invite à reconquérir ces terrains vagues qui racontent l'histoire de la ville et jouent une fonction sociale, historique et poétique.
Form:
books
books
Publication:
March 2006, Arles
March 2006, Arles
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$65.00
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research,(...)
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research,(...)
Title:
Martino Gamper: Before, after and beyond
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research, food, family and friends. This focus informed our selection of pieces, and the grouping of themes, to reach the final edit of chairs, tables, 'Chables', cabinets, screens, shelves, mirrors, vases, beds, desks, lights, hooks, books and more. The idea was to fully embrace the journey so far, in order to navigate and prioritise what the future should and can become. " —Sarah Douglas
Martino Gamper: Before, after and beyond
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research, food, family and friends. This focus informed our selection of pieces, and the grouping of themes, to reach the final edit of chairs, tables, 'Chables', cabinets, screens, shelves, mirrors, vases, beds, desks, lights, hooks, books and more. The idea was to fully embrace the journey so far, in order to navigate and prioritise what the future should and can become. " —Sarah Douglas
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$82.00
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Summary:
Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the(...)
$82.00
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Summary:
Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the(...)
Title:
Andrea Blum: Biota. A discourse between art and architecture from the 1970s to the present
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Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the relationship of the sociopolitical world to the private psychological one, zooming in and out of the conditions that organize us as a culture, with a focus on the "down time"—when one eats, reads and is in repose—as the time when the border between private behavior and public etiquette is most evidenced. Accompanying an expansive exhibition of the same name at Hunter College Art Galleries, "Biota" is lavishly illustrated with extensive photography of Blum’s early sculpture, public works, exhibitions, installations and propositions of the past 40 years.
Andrea Blum: Biota. A discourse between art and architecture from the 1970s to the present
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Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the relationship of the sociopolitical world to the private psychological one, zooming in and out of the conditions that organize us as a culture, with a focus on the "down time"—when one eats, reads and is in repose—as the time when the border between private behavior and public etiquette is most evidenced. Accompanying an expansive exhibition of the same name at Hunter College Art Galleries, "Biota" is lavishly illustrated with extensive photography of Blum’s early sculpture, public works, exhibitions, installations and propositions of the past 40 years.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Uriel Orlow: Forest times
Uriel Orlow: Forest times
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to(...)
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to(...)
Title:
Uriel Orlow: Forest times
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$65.00
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to plants’ lives beyond human time, blending film and 3D modeling to connect tree fossils’ deep past with future forest scenarios imagined through the voices of children. Set in South Tyrol, the project bridges local scientific research with global climate challenges, envisioningalternative, more-than-human futures.
Uriel Orlow: Forest times
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$65.00
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to plants’ lives beyond human time, blending film and 3D modeling to connect tree fossils’ deep past with future forest scenarios imagined through the voices of children. Set in South Tyrol, the project bridges local scientific research with global climate challenges, envisioningalternative, more-than-human futures.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
The undesirables
The undesirables
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
Title:
The undesirables
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
The undesirables
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
