1928 Results
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland(...)
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland(...)
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J. M. W. Turner: the Lucerne sketchbook
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland capturing the beautiful Rigi mountain, a landscape he returned to again and again. Drawn back to the mountains, Turner made these sketches after the famous The Blue Rigi, Sunrise 1842, and they reveal his masterful hand as he portrays the ever changing moods of the Swiss-Alps, depicted through rainy showers, sunbeams filtering through clouds and rainbows cast across the blue mountain peaks.
J. M. W. Turner: the Lucerne sketchbook
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland capturing the beautiful Rigi mountain, a landscape he returned to again and again. Drawn back to the mountains, Turner made these sketches after the famous The Blue Rigi, Sunrise 1842, and they reveal his masterful hand as he portrays the ever changing moods of the Swiss-Alps, depicted through rainy showers, sunbeams filtering through clouds and rainbows cast across the blue mountain peaks.
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books
books
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March 2019
March 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Minoru Onoda
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
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Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
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books
books
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March 2019
March 2019
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Contemporary Art Monographs
Contemporary Art Monographs
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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The work of wind : air, land, sea
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
The work of wind : air, land, sea
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
Form:
books
books
Publication:
March 2019
March 2019
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
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Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
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books
books
Publication:
April 2019
April 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Louise Bourgeois: Spiral
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The(...)
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The(...)
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Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The cursive blue-paper word drawings also included, in English and French, complement the purely visual works by conveying the spirit of Bourgeois' writing in extraordinary pictorial forms. Bourgeois called the spiral ''an attempt at controlling the chaos. It has two directions. Where do you place yourself, at the periphery or at the vortex?''
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The cursive blue-paper word drawings also included, in English and French, complement the purely visual works by conveying the spirit of Bourgeois' writing in extraordinary pictorial forms. Bourgeois called the spiral ''an attempt at controlling the chaos. It has two directions. Where do you place yourself, at the periphery or at the vortex?''
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books
books
Publication:
February 2019
February 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
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Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.
Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.
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books
books
Publication:
January 2019
January 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
The Richter interviews
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a(...)
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The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
The Richter interviews
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''The Richter Interviews'' collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold(...)
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold(...)
Title:
Louise Nevelson: I must recompose the environment
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. “Louise Nevelson: I Must Recompose the Environment “ includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
Louise Nevelson: I must recompose the environment
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. “Louise Nevelson: I Must Recompose the Environment “ includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
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books
books
Publication:
June 2019
June 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$55.00
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
Title:
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
