Jonas Wood : interiors
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Interiors follows Los Angeles-based painter Jonas Wood's previous thematic monograph, Sports Book. In this new volume, Wood (born 1977) explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorienting combination of scrupulous exactitude and(...)
Jonas Wood : interiors
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Interiors follows Los Angeles-based painter Jonas Wood's previous thematic monograph, Sports Book. In this new volume, Wood (born 1977) explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorienting combination of scrupulous exactitude and absolute flatness.
Contemporary Art Monographs
books
Laura Owens
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Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art scene, and a refreshingly uplifting presence in the world of contemporary painting. This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.
Laura Owens
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Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art scene, and a refreshingly uplifting presence in the world of contemporary painting. This catalogue accompanies the artist's first solo museum exhibition in Germany, and reproduces for the first time a range of her more recent works.
books
March 2012
Contemporary Art Monographs
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"Cyanotypes" documents six series of cyanotypes by artist, performer and composer Christian Marclay. In the course of his career Marclay has often repurposed older or defunct audio technologies as works of collage, sculpture, installation, photography, video and performance. Here he reclaims and combines two near-obsolete technologies at once--the audio cassette and the(...)
Christian Marclay : Cyanotypes
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"Cyanotypes" documents six series of cyanotypes by artist, performer and composer Christian Marclay. In the course of his career Marclay has often repurposed older or defunct audio technologies as works of collage, sculpture, installation, photography, video and performance. Here he reclaims and combines two near-obsolete technologies at once--the audio cassette and the cyanotype. Invented in the 1840s, and commonly known as a "blueprint" because of its distinctive Prussian blue color, the cyanotype is created by a cameraless photographic process in which objects are placed directly onto a photosensitive surface, producing a silhouetted image similar to a photogram.
Contemporary Art Monographs
Mona Hatoum
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Mona Hatoum (born 1952) has established herself as a truly transnational artist: born in Beirut, and working in Berlin and London, her multimedia work explores the dangers inherent to the borderlines between nation and body. This multi-authored and richly illustrated publication reveals all of the different facets of the artist's career, from her overtly political(...)
Mona Hatoum
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Mona Hatoum (born 1952) has established herself as a truly transnational artist: born in Beirut, and working in Berlin and London, her multimedia work explores the dangers inherent to the borderlines between nation and body. This multi-authored and richly illustrated publication reveals all of the different facets of the artist's career, from her overtly political performances of the 1980s to her later installations, photographs, sculptures and videos that examine the human body as a metaphor for oppression in a broader sense. Hatoum's unusual blend of Surrealism and Minimalism both seduces and repels: her endoscopic videos of her organs, blood-red lights, the crackling electricity of wired furniture and glowing globes, a variety of cages and the murderous possibilities of kitchen utensils present us with an alienating intimacy that questions our relationship to our bodies and to the world.
Contemporary Art Monographs
Ann Hamilton: Stylus
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Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping(...)
Ann Hamilton: Stylus
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Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping beans and a set of speakers telling stories to the sky, the Stylus project transformed the Pulitzer space into a unique audio and visual environment. Hamilton’s haunted call and response responded directly to the Tadao Ando-designed building, animated by acoustic elements developed in collaboration with composer and sound designer Shahrokh Yadegari. This volume both documents and builds upon the installation with texts by the artist, exhibition curator Matthias Waschek and Steven Henry Madoff, photographs of the exhibition and an image-based inventory of the artist’s materials and process.
Contemporary Art Monographs
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Published on the occasion of the artist's first institutional solo show in Italy, "Between Art and Life" documents Andrea Zittel's visionary experiments with the structures and design of everyday life. For the past two decades, Zittel has relentlessly advanced the role of art in streamlining our habitats and reclaiming civic agency through her handmade clothing, designed(...)
Andrea Zittel : between art and life
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Published on the occasion of the artist's first institutional solo show in Italy, "Between Art and Life" documents Andrea Zittel's visionary experiments with the structures and design of everyday life. For the past two decades, Zittel has relentlessly advanced the role of art in streamlining our habitats and reclaiming civic agency through her handmade clothing, designed environments, recycling systems and breeding projects, Zittel wears her work, inhabits her work, eats her work and lives her work, and in the catalogue's essay, Francesco Bonami describes Zittel as "one of the last utopian artists around.
Contemporary Art Monographs
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Lotte Reiniger (1899–1981) is a much loved figure in the early history of animated film. At an early age Reiniger discovered the Chinese art of silhouette puppetry, and made her first silhouettes for a school performance. Growing up during the early years of cinema, she fell in love with the films of Georges Méliès and Paul Wegener, and found imaginative ways to adapt the(...)
Contemporary Art Monographs
March 2012
Lotte Reiniger: born with enchanting hands, three silhouette sequels
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Lotte Reiniger (1899–1981) is a much loved figure in the early history of animated film. At an early age Reiniger discovered the Chinese art of silhouette puppetry, and made her first silhouettes for a school performance. Growing up during the early years of cinema, she fell in love with the films of Georges Méliès and Paul Wegener, and found imaginative ways to adapt the craft of silhouette-making and shadow puppetry to the possibilities of animation. Reiniger elicited effects of motion from the inflexibility of silhouettes, and even introduced cultural quotations from the works of Charlie Chaplin or Josephine Baker into her magical films. This book reproduces three of her most beautiful silhouette series: versions of Mozart’s Magic Flute and The Marriage of Figaro, and an animal alphabet.
Contemporary Art Monographs
Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in(...)
Allan Kaprow: a bibliography
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This study catalogues and illustrates all of the artist’s books that Allan Kaprow published to accompany his happenings, from his first artist’s book in 1962 to his final anthology projects of the 1990s: a total of 35 books published over 40 years. Although Kaprow was the acknowledged pioneer of the happening from the 1950s on, he is less often recognized as a pioneer in the genre of artist’s books. Nonetheless, from the start Kaprow produced what he described as “activity booklets”--publications intended to function as tools to help people understand and experience such performances. He likened these booklets to “musical scores”: vehicles of opportunity rather than documents of past events. But the graphic layout of his books, the originality of their structure, the literary character of their texts and their aesthetic quality as objects elevates them from ostensibly practical scores to primary examples of first-generation book art.
Contemporary Art Monographs
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
Louise Bourgeois : artists's portfolio
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Louise Bourgeois' drawings for the La Fabrica Matador series of "Artist Portfolios," originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
Contemporary Art Monographs
Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and(...)
Beatriz Milhazes
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Beatriz Milhazes (born 1960) merges the bright chromatic exhilarations of her native Brazil with a conscious reappraisal of the history of abstract painting. Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a style that allows her to invest even the most traditional of painterly themes with a freshness and energy. This volume reproduces her treatment of the four seasons, inspired by the weather cycles of Rio, where winter registers as a change in mood rather than in temperature.
Contemporary Art Monographs