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Cet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou.
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Cet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou.
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2017
September 2017
Title:
Guy de Cointet : théâtre complet
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Cet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou.
Guy de Cointet : théâtre complet
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Cet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou.
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books
books
Publication:
September 2017
September 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2013
September 2013
Title:
Esther Tielemans : New scenes - OMP 57
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
Esther Tielemans : New scenes - OMP 57
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
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books
books
Publication:
September 2013
September 2013
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within(...)
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within(...)
Title:
Louise Bourgeois: an unfolding portrait
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within the context of related sculptures, drawings and early paintings. This investigation sheds light on Bourgeois’ creative process overall, most vividly through the evolving print states and variants that led to her final compositions; seeing these sequences unfold is akin to looking over the artist’s shoulder as she worked.
Louise Bourgeois: an unfolding portrait
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within the context of related sculptures, drawings and early paintings. This investigation sheds light on Bourgeois’ creative process overall, most vividly through the evolving print states and variants that led to her final compositions; seeing these sequences unfold is akin to looking over the artist’s shoulder as she worked.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$69.00
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic(...)
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic(...)
Title:
Paranormal: Tony Oursler vs. Gustavo Rol
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic painter Gustavo Rol. The selection has been made by Oursler himself together with the curator Paolo Colombo and the director of the Pinacoteca Marcella Pralormo.
Paranormal: Tony Oursler vs. Gustavo Rol
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic painter Gustavo Rol. The selection has been made by Oursler himself together with the curator Paolo Colombo and the director of the Pinacoteca Marcella Pralormo.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$55.95
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Summary:
American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Title:
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
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books
books
Publication:
June 2018
June 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making(...)
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Summary:
Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making(...)
Title:
Inhabiting : The works of Isabelle Hayeur / Habiter : les oeuvres d'Isabelle Hayeur
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making an acerbic comment on the residential folly that has led to the exponential growth of the suburbs.
Inhabiting : The works of Isabelle Hayeur / Habiter : les oeuvres d'Isabelle Hayeur
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Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making an acerbic comment on the residential folly that has led to the exponential growth of the suburbs.
Form:
books
books
Publication:
July 2006, Oakville
July 2006, Oakville
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$21.95
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art,(...)
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art,(...)
Title:
Josef Albers : poems and drawings
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. Printed initially in a limited edition and long out of print, this new edition of "Poems and drawings" replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber.
Josef Albers : poems and drawings
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In "Poems and drawings", first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. Printed initially in a limited edition and long out of print, this new edition of "Poems and drawings" replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber.
Form:
books
books
Publication:
August 2006, New Haven
August 2006, New Haven
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2006, Seattle
September 2006, Seattle
Title:
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Form:
books
books
Publication:
September 2006, Seattle
September 2006, Seattle
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$37.50
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Summary:
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
$37.50
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Summary:
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2006, Cambridge, Mass.
October 2006, Cambridge, Mass.
Title:
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Sensorium : embodied experience, technology, and contemporary art
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$37.50
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Summary:
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Form:
books
books
Publication:
October 2006, Cambridge, Mass.
October 2006, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$42.00
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Summary:
Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
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Summary:
Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Title:
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Dan Flavin : rooms of light : works of the Panza collection from Villa Panza, Vaerese and The Solomon R. Guggenheim Museum New York
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$42.00
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Summary:
Monography with text " Dan Flavin : light as fact and as sign" by Angela Vettese; an interview with Giuseppe Panza di Biumo; pages from a diary; works; appendix; biography; essential exhibition and bibliographical references.
Form:
books
books
Publication:
September 2004, Milano
September 2004, Milano
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
