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La Ville de Rimbaud a inauguré le 1er octobre 2011, à l’occasion de la Nuit Blanche, l’oeuvre d’art public Alchimie des Ailleurs de l’artiste québécois Michel Goulet. L’oeuvre est constituée au total de dix-huit chaises en acier inoxydable. Cet ensemble est conçu à partir d’éléments prélevés sur près de 500 croquis dessinés par les visiteurs de la Nuit Blanche 2010 lors(...)
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La Ville de Rimbaud a inauguré le 1er octobre 2011, à l’occasion de la Nuit Blanche, l’oeuvre d’art public Alchimie des Ailleurs de l’artiste québécois Michel Goulet. L’oeuvre est constituée au total de dix-huit chaises en acier inoxydable. Cet ensemble est conçu à partir d’éléments prélevés sur près de 500 croquis dessinés par les visiteurs de la Nuit Blanche 2010 lors(...)
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Michel Goulet: Alchimie des Ailleurs. Les chaises-poèmes de Charleville-Mézières
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La Ville de Rimbaud a inauguré le 1er octobre 2011, à l’occasion de la Nuit Blanche, l’oeuvre d’art public Alchimie des Ailleurs de l’artiste québécois Michel Goulet. L’oeuvre est constituée au total de dix-huit chaises en acier inoxydable. Cet ensemble est conçu à partir d’éléments prélevés sur près de 500 croquis dessinés par les visiteurs de la Nuit Blanche 2010 lors de la manifestation « Dessine-moi une chaise »; figurent également 18 extraits de l’oeuvre d'Arthur Rimbaud ainsi que de poèmes inédits commandés à 18 poètes contemporains issus de la francophonie invités dans le cadre de résidences ou de lectures. Cette publication documente cette très belle installation qui est une invitation lancée au passant pour qu'il puisse contribuer à faire vivre cette oeuvre; le promeneur va effectivement déambuler, s'asseoir, lire, s'arrêter, méditer et échanger avec d'autres passants.
Michel Goulet: Alchimie des Ailleurs. Les chaises-poèmes de Charleville-Mézières
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La Ville de Rimbaud a inauguré le 1er octobre 2011, à l’occasion de la Nuit Blanche, l’oeuvre d’art public Alchimie des Ailleurs de l’artiste québécois Michel Goulet. L’oeuvre est constituée au total de dix-huit chaises en acier inoxydable. Cet ensemble est conçu à partir d’éléments prélevés sur près de 500 croquis dessinés par les visiteurs de la Nuit Blanche 2010 lors de la manifestation « Dessine-moi une chaise »; figurent également 18 extraits de l’oeuvre d'Arthur Rimbaud ainsi que de poèmes inédits commandés à 18 poètes contemporains issus de la francophonie invités dans le cadre de résidences ou de lectures. Cette publication documente cette très belle installation qui est une invitation lancée au passant pour qu'il puisse contribuer à faire vivre cette oeuvre; le promeneur va effectivement déambuler, s'asseoir, lire, s'arrêter, méditer et échanger avec d'autres passants.
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books
books
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May 2012
May 2012
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Contemporary Art Monographs
Contemporary Art Monographs
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books
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The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others.
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The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others.
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An open system meets an open system. Sarah Morris and Hans Ulrich Obrist in Coversation
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The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others.
An open system meets an open system. Sarah Morris and Hans Ulrich Obrist in Coversation
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The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others.
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books
books
Publication:
May 2012
May 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$26.95
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Ce catalogue d'exposition évoque les différentes oeuvres vidéo de Kimsooja au travers d'une soixantaine de reproductions et d'une courte anthologie sélective des derniers textes écrits par des critiques sur son travail artistique, allant de Marcella Beccaria à Robert Morgan ou Isabelle Commandeur.
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Ce catalogue d'exposition évoque les différentes oeuvres vidéo de Kimsooja au travers d'une soixantaine de reproductions et d'une courte anthologie sélective des derniers textes écrits par des critiques sur son travail artistique, allant de Marcella Beccaria à Robert Morgan ou Isabelle Commandeur.
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Kimsooja
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Ce catalogue d'exposition évoque les différentes oeuvres vidéo de Kimsooja au travers d'une soixantaine de reproductions et d'une courte anthologie sélective des derniers textes écrits par des critiques sur son travail artistique, allant de Marcella Beccaria à Robert Morgan ou Isabelle Commandeur.
Kimsooja
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Ce catalogue d'exposition évoque les différentes oeuvres vidéo de Kimsooja au travers d'une soixantaine de reproductions et d'une courte anthologie sélective des derniers textes écrits par des critiques sur son travail artistique, allant de Marcella Beccaria à Robert Morgan ou Isabelle Commandeur.
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books
books
Publication:
May 2012
May 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Publication documenting two recent bodies of work by New York-based artist Gareth Long. Untitled (Stories) is a set of lenticular prints accompanied by the book series that pivots around a disjunction between the oeuvre of J.D. Salinger and the design of his books: the original Little, Brown & Co. book cover designs are a starting point for nine large-scale prints. An(...)
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Publication documenting two recent bodies of work by New York-based artist Gareth Long. Untitled (Stories) is a set of lenticular prints accompanied by the book series that pivots around a disjunction between the oeuvre of J.D. Salinger and the design of his books: the original Little, Brown & Co. book cover designs are a starting point for nine large-scale prints. An(...)
Title:
Gareth Long: Never odd or even
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Publication documenting two recent bodies of work by New York-based artist Gareth Long. Untitled (Stories) is a set of lenticular prints accompanied by the book series that pivots around a disjunction between the oeuvre of J.D. Salinger and the design of his books: the original Little, Brown & Co. book cover designs are a starting point for nine large-scale prints. An unfinished Gustave Flaubert novel is the central point around which the other works revolve. Bouvard and Pécuchet's Invented Desk for Copying is a suite of two-sided desk-sculptures that form the core of a related suite of projects. At the heart of both works lies a fascination with books as uniquely flexible vehicles of meaning, as complex compendia to be read, re-read and mis-read.
Gareth Long: Never odd or even
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Publication documenting two recent bodies of work by New York-based artist Gareth Long. Untitled (Stories) is a set of lenticular prints accompanied by the book series that pivots around a disjunction between the oeuvre of J.D. Salinger and the design of his books: the original Little, Brown & Co. book cover designs are a starting point for nine large-scale prints. An unfinished Gustave Flaubert novel is the central point around which the other works revolve. Bouvard and Pécuchet's Invented Desk for Copying is a suite of two-sided desk-sculptures that form the core of a related suite of projects. At the heart of both works lies a fascination with books as uniquely flexible vehicles of meaning, as complex compendia to be read, re-read and mis-read.
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books
books
Publication:
May 2012
May 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$65.00
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at(...)
$65.00
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Summary:
Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2012
May 2012
Title:
Arnaud Maggs : identification
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at Massey Hall released by Charles Mingus in 1955), Arnaud Maggs decided to become a visual artist at the age of 47. For nearly 40 years his work has been marked by questions of mortality and reverberates with historical and anthropological meaning. This first career-overview showcases his monumental photographic installations, documentation of found ephemera, books, typography, classification systems and diagrammatic drawings.
Arnaud Maggs : identification
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at Massey Hall released by Charles Mingus in 1955), Arnaud Maggs decided to become a visual artist at the age of 47. For nearly 40 years his work has been marked by questions of mortality and reverberates with historical and anthropological meaning. This first career-overview showcases his monumental photographic installations, documentation of found ephemera, books, typography, classification systems and diagrammatic drawings.
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books
books
Publication:
May 2012
May 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Six semaines de parallèles confondues: trente allers-retours entre ici et le centre radiothérapie
Six semaines de parallèles confondues: trente allers-retours entre ici et le centre radiothérapie
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Caroline Bernard aime les machines et enregistre scrupuleusement leur activité: voiture, calendrier, horloge, compteur, téléphone portable, GPS, à gauche, à droite, tout droit... Pendant trente jours, elle fait un aller-retour dans un centre de radiothérapie et prélève les enregistrements de toutes les machines embarquées dans les taxis qui la transportent, instaurant un(...)
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Caroline Bernard aime les machines et enregistre scrupuleusement leur activité: voiture, calendrier, horloge, compteur, téléphone portable, GPS, à gauche, à droite, tout droit... Pendant trente jours, elle fait un aller-retour dans un centre de radiothérapie et prélève les enregistrements de toutes les machines embarquées dans les taxis qui la transportent, instaurant un(...)
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Six semaines de parallèles confondues: trente allers-retours entre ici et le centre radiothérapie
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Caroline Bernard aime les machines et enregistre scrupuleusement leur activité: voiture, calendrier, horloge, compteur, téléphone portable, GPS, à gauche, à droite, tout droit... Pendant trente jours, elle fait un aller-retour dans un centre de radiothérapie et prélève les enregistrements de toutes les machines embarquées dans les taxis qui la transportent, instaurant un rassurant protocole de répétition routinière et contrôlable: «Attendre que les journées se mécanisent. J’arrive, je repars sans voir vraiment. La machine accomplit sa tâche, et les machinistes orchestrent son déploiement.» Cette publication tient lieu de ces enregistrements. Pendant que le taxi va et vient sur la route qui mène à la machine, le sens – l’écriture — naît de la machine qui va et vient sur le corps cartographié. En ce sens, Six semaines de parallèles confondues n’est pas un livre que Caroline Bernard a écrit, mais un livre où Caroline Bernard organise et décrit le dispositif où elle est écrite. Le texte est accompagné d’une carte décrivant l’itinéraire avec des QR codes qui, scannés par un smartphone, permettent un accès via Internet aux images en ligne et à la vidéo du projet.
Six semaines de parallèles confondues: trente allers-retours entre ici et le centre radiothérapie
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Caroline Bernard aime les machines et enregistre scrupuleusement leur activité: voiture, calendrier, horloge, compteur, téléphone portable, GPS, à gauche, à droite, tout droit... Pendant trente jours, elle fait un aller-retour dans un centre de radiothérapie et prélève les enregistrements de toutes les machines embarquées dans les taxis qui la transportent, instaurant un rassurant protocole de répétition routinière et contrôlable: «Attendre que les journées se mécanisent. J’arrive, je repars sans voir vraiment. La machine accomplit sa tâche, et les machinistes orchestrent son déploiement.» Cette publication tient lieu de ces enregistrements. Pendant que le taxi va et vient sur la route qui mène à la machine, le sens – l’écriture — naît de la machine qui va et vient sur le corps cartographié. En ce sens, Six semaines de parallèles confondues n’est pas un livre que Caroline Bernard a écrit, mais un livre où Caroline Bernard organise et décrit le dispositif où elle est écrite. Le texte est accompagné d’une carte décrivant l’itinéraire avec des QR codes qui, scannés par un smartphone, permettent un accès via Internet aux images en ligne et à la vidéo du projet.
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books
books
Publication:
May 2012
May 2012
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books
books
Title:
Paul Graham: films
Paul Graham: films
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Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
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Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
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Paul Graham: films
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Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
Paul Graham: films
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Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$49.95
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Few writers have had a greater impact on the methods of art-making in the twentieth century than Raymond Roussel (1877-1933). Marcel Duchamp acknowledged Roussel as the foremost influence on his "Large Glass"; André Breton described him as the "greatest magnetizer of modern times"; and at least two generations of conceptual artists, from Allen Ruppersberg and Guy de(...)
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Few writers have had a greater impact on the methods of art-making in the twentieth century than Raymond Roussel (1877-1933). Marcel Duchamp acknowledged Roussel as the foremost influence on his "Large Glass"; André Breton described him as the "greatest magnetizer of modern times"; and at least two generations of conceptual artists, from Allen Ruppersberg and Guy de(...)
Title:
Locus Solus : impressions of Raymond Roussel
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Few writers have had a greater impact on the methods of art-making in the twentieth century than Raymond Roussel (1877-1933). Marcel Duchamp acknowledged Roussel as the foremost influence on his "Large Glass"; André Breton described him as the "greatest magnetizer of modern times"; and at least two generations of conceptual artists, from Allen Ruppersberg and Guy de Cointet to Rodney Graham and Paul Etienne Lincoln have borrowed or adapted Roussel's "procédé" for writing, which involved selecting two similar-sounding words, elaborating them into two similar-sounding sentences and then "writing a tale which can start with the first and finish by the second." Reproducing a wealth of archival materials, artworks and writings, this volume - a kind of Roussel encyclopedia - assesses the writer's legacy in art for the first time. Alongside works by the above, it includes art by Max Ernst, Salvador Dalí, Joseph Cornell, Ree Morton and others; and writings on Roussel by Jean Cocteau, Paul Eluard, Michel Leiris, Duchamp, Dalí, Philippe Soupault, Ernst, Breton, Ruppersberg, Michel Foucault, Jacques Brunius and Michel Butor.
Locus Solus : impressions of Raymond Roussel
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Few writers have had a greater impact on the methods of art-making in the twentieth century than Raymond Roussel (1877-1933). Marcel Duchamp acknowledged Roussel as the foremost influence on his "Large Glass"; André Breton described him as the "greatest magnetizer of modern times"; and at least two generations of conceptual artists, from Allen Ruppersberg and Guy de Cointet to Rodney Graham and Paul Etienne Lincoln have borrowed or adapted Roussel's "procédé" for writing, which involved selecting two similar-sounding words, elaborating them into two similar-sounding sentences and then "writing a tale which can start with the first and finish by the second." Reproducing a wealth of archival materials, artworks and writings, this volume - a kind of Roussel encyclopedia - assesses the writer's legacy in art for the first time. Alongside works by the above, it includes art by Max Ernst, Salvador Dalí, Joseph Cornell, Ree Morton and others; and writings on Roussel by Jean Cocteau, Paul Eluard, Michel Leiris, Duchamp, Dalí, Philippe Soupault, Ernst, Breton, Ruppersberg, Michel Foucault, Jacques Brunius and Michel Butor.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Eduardo Terrazas (Guadalajara 1936) is a Mexican architect who has taken an interest in looking at and thinking about the world as he makes his way through it. For more than thirty years he has worked in a range of disciplines to understand and reflect on changing reality. The book presents all the works that Terrazas has created in the visual arts over the past four(...)
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Eduardo Terrazas (Guadalajara 1936) is a Mexican architect who has taken an interest in looking at and thinking about the world as he makes his way through it. For more than thirty years he has worked in a range of disciplines to understand and reflect on changing reality. The book presents all the works that Terrazas has created in the visual arts over the past four(...)
Title:
Eduardo Terrazas : possibilities of a structure
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Eduardo Terrazas (Guadalajara 1936) is a Mexican architect who has taken an interest in looking at and thinking about the world as he makes his way through it. For more than thirty years he has worked in a range of disciplines to understand and reflect on changing reality. The book presents all the works that Terrazas has created in the visual arts over the past four decades. The content is structured as a visual tour that mixes the works of the various series that make up Terrazas' oeuvre, establishing analogies, contrasts and affinities presented in pairs.
Eduardo Terrazas : possibilities of a structure
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Eduardo Terrazas (Guadalajara 1936) is a Mexican architect who has taken an interest in looking at and thinking about the world as he makes his way through it. For more than thirty years he has worked in a range of disciplines to understand and reflect on changing reality. The book presents all the works that Terrazas has created in the visual arts over the past four decades. The content is structured as a visual tour that mixes the works of the various series that make up Terrazas' oeuvre, establishing analogies, contrasts and affinities presented in pairs.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$79.95
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Summary:
Thombu was a term used by the Dutch to describe a public land registry. The Incomplete Thombu poses as a bureaucratic document file and covers the subject of Tamil displacement during the civil conflict in Sri Lanka between 1983 and 2009. Though numerous documents of statistical data have recorded the displacement of civilians, few have highlighted the personal plights of(...)
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Summary:
Thombu was a term used by the Dutch to describe a public land registry. The Incomplete Thombu poses as a bureaucratic document file and covers the subject of Tamil displacement during the civil conflict in Sri Lanka between 1983 and 2009. Though numerous documents of statistical data have recorded the displacement of civilians, few have highlighted the personal plights of(...)
Title:
T. Shanaathanan : the incomplete Thombu
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Thombu was a term used by the Dutch to describe a public land registry. The Incomplete Thombu poses as a bureaucratic document file and covers the subject of Tamil displacement during the civil conflict in Sri Lanka between 1983 and 2009. Though numerous documents of statistical data have recorded the displacement of civilians, few have highlighted the personal plights of those involved. This project records the stories of civilians removed from their homes and the memories that they took with them. T. Shanaathanan examines the subject of displacement through a series of drawings that overlay ground plans of houses drawn from memory by displaced Tamil-speaking civilians, with architect’s renderings and dry pastel drawings.
T. Shanaathanan : the incomplete Thombu
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Thombu was a term used by the Dutch to describe a public land registry. The Incomplete Thombu poses as a bureaucratic document file and covers the subject of Tamil displacement during the civil conflict in Sri Lanka between 1983 and 2009. Though numerous documents of statistical data have recorded the displacement of civilians, few have highlighted the personal plights of those involved. This project records the stories of civilians removed from their homes and the memories that they took with them. T. Shanaathanan examines the subject of displacement through a series of drawings that overlay ground plans of houses drawn from memory by displaced Tamil-speaking civilians, with architect’s renderings and dry pastel drawings.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
