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The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, "Wassily Kandinsky:(...)
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The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, "Wassily Kandinsky:(...)
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Wassily Kandinsky: The Sketchbooks
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The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, "Wassily Kandinsky: The sketchbooks" is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism.
Wassily Kandinsky: The Sketchbooks
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The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, "Wassily Kandinsky: The sketchbooks" is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism.
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books
books
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February 2025
February 2025
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Contemporary Art Monographs
Contemporary Art Monographs
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry.(...)
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry.(...)
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Nikki de Saint-Phalle: The Sketchbooks
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry. "Niki de Saint Phalle: The Sketchbooks" presents a beautiful collection of previously unpublished drawings, notes, and other preparatory work from Saint Phalle’s private sketchbooks. Culled from a vast archive of never-before-seen materials, these drawings shed new light on Saint Phalle’s fascinating artistic evolution, style, and interior life.
Nikki de Saint-Phalle: The Sketchbooks
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry. "Niki de Saint Phalle: The Sketchbooks" presents a beautiful collection of previously unpublished drawings, notes, and other preparatory work from Saint Phalle’s private sketchbooks. Culled from a vast archive of never-before-seen materials, these drawings shed new light on Saint Phalle’s fascinating artistic evolution, style, and interior life.
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books
books
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December 2025
December 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Title:
Minter-isms
Minter-isms
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines,(...)
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines,(...)
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Minter-isms
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women’s faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it’s appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, ''Minter-isms'' is a compelling collection of quotations that presents Minter’s revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist.
Minter-isms
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Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women’s faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it’s appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, ''Minter-isms'' is a compelling collection of quotations that presents Minter’s revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist.
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books
books
Publication:
March 2025
March 2025
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Contemporary Art Monographs
Contemporary Art Monographs
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a(...)
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a(...)
Title:
Sahli Hansjörg: Rhonegletscher
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a couple of alpinists up there. We chatted briefly... At the time, the covered glacier made a very tidy impression. The blankets were nice and white, stretched taut, the ice beneath them voluminous... The function of the blankets, which was to shield the ice, along with the ice grotto beneath it, from solar radiation, was plain to see. When I came back a fortnight later, everything looked different. There had been a storm and lots of rain. Some of the blankets were torn off, shredded, dirty. The glacier was a pitiful sight to behold... "
Sahli Hansjörg: Rhonegletscher
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a couple of alpinists up there. We chatted briefly... At the time, the covered glacier made a very tidy impression. The blankets were nice and white, stretched taut, the ice beneath them voluminous... The function of the blankets, which was to shield the ice, along with the ice grotto beneath it, from solar radiation, was plain to see. When I came back a fortnight later, everything looked different. There had been a storm and lots of rain. Some of the blankets were torn off, shredded, dirty. The glacier was a pitiful sight to behold... "
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books
books
Publication:
November 2018
November 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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"Monumento" (2022) is an installation by Edoardo Tresoldi, commissioned by Generali, promoter of the restoration of the building carried out by the David Chipperfield Architects studio. The installation is located in the space around which the monumental circular staircase of the Procuratie Vecchie ascends. Monumento uses the rhetorical language of the monumental column(...)
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"Monumento" (2022) is an installation by Edoardo Tresoldi, commissioned by Generali, promoter of the restoration of the building carried out by the David Chipperfield Architects studio. The installation is located in the space around which the monumental circular staircase of the Procuratie Vecchie ascends. Monumento uses the rhetorical language of the monumental column(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2025
January 2025
Title:
Monumento
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"Monumento" (2022) is an installation by Edoardo Tresoldi, commissioned by Generali, promoter of the restoration of the building carried out by the David Chipperfield Architects studio. The installation is located in the space around which the monumental circular staircase of the Procuratie Vecchie ascends. Monumento uses the rhetorical language of the monumental column as a reflection both on our times and on the rhetoric surrounding those values to which our society aspires: a society that reiterates the need to redefine the concept of strength, reinterpreting the role of fragility and which proposes listening and dialogue as the fundamental points of intercultural relations.
Monumento
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"Monumento" (2022) is an installation by Edoardo Tresoldi, commissioned by Generali, promoter of the restoration of the building carried out by the David Chipperfield Architects studio. The installation is located in the space around which the monumental circular staircase of the Procuratie Vecchie ascends. Monumento uses the rhetorical language of the monumental column as a reflection both on our times and on the rhetoric surrounding those values to which our society aspires: a society that reiterates the need to redefine the concept of strength, reinterpreting the role of fragility and which proposes listening and dialogue as the fundamental points of intercultural relations.
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books
books
Publication:
January 2025
January 2025
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Summary:
Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
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Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
Title:
Les années 70 : l'art en cause
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Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
Les années 70 : l'art en cause
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Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
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books
books
Publication:
October 2002, Paris
October 2002, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of(...)
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of(...)
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Earthworks : art and the landscape of the sixties
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult. Boettger overturns many commonly held notions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrains, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pino Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while acknowledging the social and cultural complexities of the period. Insightful discussions of Carl André, Sol LeWitt, and Claes Oldenburg - in addition to the artists mentioned above - are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chronologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary notions of art, nature, society, and their relationship to each other.
Earthworks : art and the landscape of the sixties
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult. Boettger overturns many commonly held notions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrains, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pino Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while acknowledging the social and cultural complexities of the period. Insightful discussions of Carl André, Sol LeWitt, and Claes Oldenburg - in addition to the artists mentioned above - are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chronologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary notions of art, nature, society, and their relationship to each other.
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books
books
Publication:
March 2004, Berkeley
March 2004, Berkeley
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Colin Rose : edge to edge
Colin Rose : edge to edge
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Colin Rose has been working since the mid 70s on sculptural and site specific work. This is the first major publication on Rose, providing an overview of his career so far, from his early conceptual pieces to the most recent commissions in public spaces and sculpture parks across Europe and Australia. Edge to Edge explores the background to Rose’s practice, situating it(...)
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Colin Rose has been working since the mid 70s on sculptural and site specific work. This is the first major publication on Rose, providing an overview of his career so far, from his early conceptual pieces to the most recent commissions in public spaces and sculpture parks across Europe and Australia. Edge to Edge explores the background to Rose’s practice, situating it(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2002, London
July 2002, London
Title:
Colin Rose : edge to edge
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Colin Rose has been working since the mid 70s on sculptural and site specific work. This is the first major publication on Rose, providing an overview of his career so far, from his early conceptual pieces to the most recent commissions in public spaces and sculpture parks across Europe and Australia. Edge to Edge explores the background to Rose’s practice, situating it within the traditions of land art and site specific public art, but recognising it, as well, as being a markedly individual body of work.
Colin Rose : edge to edge
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Colin Rose has been working since the mid 70s on sculptural and site specific work. This is the first major publication on Rose, providing an overview of his career so far, from his early conceptual pieces to the most recent commissions in public spaces and sculpture parks across Europe and Australia. Edge to Edge explores the background to Rose’s practice, situating it within the traditions of land art and site specific public art, but recognising it, as well, as being a markedly individual body of work.
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books
books
Publication:
July 2002, London
July 2002, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$67.50
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Summary:
This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
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This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2002, Ostfildern-Ruit
August 2002, Ostfildern-Ruit
Title:
Rodchenko : spatial constructions
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This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
Rodchenko : spatial constructions
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This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
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books
books
Publication:
August 2002, Ostfildern-Ruit
August 2002, Ostfildern-Ruit
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$63.95
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Documented here for the first time is the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.
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Documented here for the first time is the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.
Title:
Donald Judd : early work 1955-1968
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Documented here for the first time is the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.
Donald Judd : early work 1955-1968
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Documented here for the first time is the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.
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books
books
Publication:
September 2002, New York
September 2002, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
