Beyond the collaboration
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How do you tell the story of a friendship? How do you trace the roots of one of the most significant cross-disciplinary unions in fashion today? Artist Sterling Ruby and fashion designer Raf Simons did just that when they sat on stage with curator Jessica Morgan at the Harvard University Graduate School of Design. Offering complimentary perspectives on a bond that has(...)
Beyond the collaboration
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How do you tell the story of a friendship? How do you trace the roots of one of the most significant cross-disciplinary unions in fashion today? Artist Sterling Ruby and fashion designer Raf Simons did just that when they sat on stage with curator Jessica Morgan at the Harvard University Graduate School of Design. Offering complimentary perspectives on a bond that has matured over the span of a decade, and a body of work that transcends boundaries, Ruby and Simons spoke with mutual respect, trust, and a deep investment in the future. This is a story, and an exchange, that is beyond collaboration. The Incidents is a book series based on uncommon events at the Harvard University Graduate School of Design from 1936 to tomorrow.
Fashion Design
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The bicycle in Victorian Britain is often celebrated as a vehicle of women's liberation. Less noted is another critical technology with which women forged new and mobile public lives—cycle wear. This illustrated account of women's cycle wear from Goldsmiths Press brings together Victorian engineering and radical feminist invention to supply a missing chapter in the(...)
Bikes and bloomers: Victorian women inventors and their extraordinary cycle wear
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The bicycle in Victorian Britain is often celebrated as a vehicle of women's liberation. Less noted is another critical technology with which women forged new and mobile public lives—cycle wear. This illustrated account of women's cycle wear from Goldsmiths Press brings together Victorian engineering and radical feminist invention to supply a missing chapter in the history of feminism.
Fashion Design
Le musée de la mode
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Ce guide présente, par ordre alphabétique, 500 personnalités de la mode : stylistes, accessoiristes, photographes, mannequins, icônes qui ont inspiré ou symbolisé un mouvement de mode de 1850 à aujourd'hui. Avec pour chacune une photographie ou un dessin illustrant un aspect majeur de son travail, ainsi qu'un guide des musées et des galeries dans divers pays.
Le musée de la mode
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Ce guide présente, par ordre alphabétique, 500 personnalités de la mode : stylistes, accessoiristes, photographes, mannequins, icônes qui ont inspiré ou symbolisé un mouvement de mode de 1850 à aujourd'hui. Avec pour chacune une photographie ou un dessin illustrant un aspect majeur de son travail, ainsi qu'un guide des musées et des galeries dans divers pays.
Fashion Design
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British-American designer Charles James (1906–78), “America’s First Couturier,” is famed for the extraordinarily elegant evening gowns he created in the 1930s through the 1950s for society ladies on both sides of the Atlantic. From the beginning of his career, James also designed revolutionary unisex styles. The famous eiderdown evening jacket, designed in 1937 for women,(...)
Charles James: the couture secrets of shape
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British-American designer Charles James (1906–78), “America’s First Couturier,” is famed for the extraordinarily elegant evening gowns he created in the 1930s through the 1950s for society ladies on both sides of the Atlantic. From the beginning of his career, James also designed revolutionary unisex styles. The famous eiderdown evening jacket, designed in 1937 for women, was revived as a cult unisex design object in 1970s New York. The eiderdown jacket and James’ other unisex designs share with his ball gowns a sculptural, architectural presence and a rigorously cerebral design process grounded in science and mathematics. James is regarded as a visionary thinker in the world of fashion, introducing lasting innovations in both technique and methodology.
Fashion Design
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Connecting significant religious art and artifacts to their sartorial expressions, 'Heavenly Bodies: Fashion and the Catholic Imagination' provides a critical analysis of fashion’s engagement with notions of the divine. Exploring fashion’s complex and often controversial relationship with Catholicism, Heavenly Bodies probes what dress reveals about the state of religion(...)
Heavenly bodies: fashion and the Catholic imagination
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Connecting significant religious art and artifacts to their sartorial expressions, 'Heavenly Bodies: Fashion and the Catholic Imagination' provides a critical analysis of fashion’s engagement with notions of the divine. Exploring fashion’s complex and often controversial relationship with Catholicism, Heavenly Bodies probes what dress reveals about the state of religion and spirituality within contemporary culture, and how it may manifest—or subvert—Catholic values and ideology. Art objects, such as devotional paintings and altarpieces from The Met’s collection, are presented alongside fashions from designers including Cristóbal Balenciaga, Callot Soeurs, Domenico Dolce and Stefano Gabbana, John Galliano, Jean-Paul Gaultier, Madame Grès, Christian Lacroix, Karl Lagerfeld, Jeanne Lanvin, Claire McCardell, Alexander McQueen, Elsa Schiaparelli, and Gianni Versace.
Fashion Design
Mending matters
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'Mending Matters' explores sewing on two levels: first, it includes more than 20 hands-on projects that showcase current trends in visible mending that are edgy, modern, and bold-but draw on traditional stitching. It does all this through just four very simple mending techniques: exterior patches, interior patches, slow stitches, darning, and weaving. In addition, the(...)
Mending matters
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'Mending Matters' explores sewing on two levels: first, it includes more than 20 hands-on projects that showcase current trends in visible mending that are edgy, modern, and bold-but draw on traditional stitching. It does all this through just four very simple mending techniques: exterior patches, interior patches, slow stitches, darning, and weaving. In addition, the book addresses the way mending leads to a more mindful relationship to fashion and to overall well-being. In essays that accompany each how-to chapter, Katrina Rodabaugh explores mending as a metaphor for appreciating our own naturally flawed selves, and she examines the ways in which mending teaches us new skills, self-reliance, and confidence, all gained from making things with our own hands.
Fashion Design
$74.95
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Les toques et turbans de Rembrandt, les foulards d'Élisabeth Vigée Le Brun, George Sand en costume masculin, le pantalon de Rosa Bonheur, la robe de chambre de Balzac par Rodin, Marcel Duchamp en Rrose Sélavy, les Robes simultanées de Sonia Delaunay, la Robe serpent de Niki de Saint Phalle ou encore la perruque d'Andy Warhol... L'habit ferait-il l'artiste ? Dans une(...)
S'habiller en artiste : L'artiste et le vêtement
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Les toques et turbans de Rembrandt, les foulards d'Élisabeth Vigée Le Brun, George Sand en costume masculin, le pantalon de Rosa Bonheur, la robe de chambre de Balzac par Rodin, Marcel Duchamp en Rrose Sélavy, les Robes simultanées de Sonia Delaunay, la Robe serpent de Niki de Saint Phalle ou encore la perruque d'Andy Warhol... L'habit ferait-il l'artiste ? Dans une exploration inédite du vêtement d'artiste de la Renaissance à nos jours, cet ouvrage présente plus de deux cents oeuvres - peintures, sculptures mais aussi vêtements, créations de haute couture, photographies et performances - et livre une autre manière de tisser ensemble histoire de la mode et histoire de l'art.
Fashion Design
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La mode québécoise peut-elle réinventer son modèle pour devenir plus responsable et locale ? Les fibres naturelles sont-elles la clé pour réconcilier la mode et le respect de l'environnement ? Découvrez comment vos choix vestimentaires transforment ce secteur grâce à « Tisser l'avenir : Vers une mode québécoise responsable ». Entre histoire, innovation et durabilité, ce(...)
Tisser l'avenir: vers une mode québécoise responsable
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La mode québécoise peut-elle réinventer son modèle pour devenir plus responsable et locale ? Les fibres naturelles sont-elles la clé pour réconcilier la mode et le respect de l'environnement ? Découvrez comment vos choix vestimentaires transforment ce secteur grâce à « Tisser l'avenir : Vers une mode québécoise responsable ». Entre histoire, innovation et durabilité, ce manifeste pour la mode durable explore l'évolution de cet écosystème, de la production des fibres – naturelles, artificielles et synthétiques – jusqu'à leur commercialisation. Il valorise le savoir-faire régional, encourage les pratiques circulaires et appelle une communauté diversifiée – agriculteurs, designers, entrepreneurs – à repenser leurs pratiques. Une invitation à imaginer la mode non plus comme une simple industrie, mais comme un dialogue vivant entre tradition et innovation, de la ferme à la mode.
Fashion Design
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This exceedingly seductive volume documents "Katharina prospekt : the Russians", a tour de force exhibition put together by the innovative Belgian fashion house, A.F. Vandevorst, of Russian cultural artifacts borrowed from the State Historical Museum in Moscow, coupled with contemporary fashion designs by A.F. Vandevorst and others - including Yves Saint Laurent, Bless,(...)
Fashion Design
July 2007, Brussels, Moscow
Katharina prospekt : the Russians by A.F. Vandevorst
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This exceedingly seductive volume documents "Katharina prospekt : the Russians", a tour de force exhibition put together by the innovative Belgian fashion house, A.F. Vandevorst, of Russian cultural artifacts borrowed from the State Historical Museum in Moscow, coupled with contemporary fashion designs by A.F. Vandevorst and others - including Yves Saint Laurent, Bless, Martin Margiela and Jean-Paul Gaultier. There are sections on Propaganda, Military Design, Fur, Chess and even the iconic Russian dolls that fit one inside another. The bold typography riffs on Constructivist design, and we see antique objects, artifacts, textiles and costumes alongside vintage photographs and contemporary fashion design.
Fashion Design
Yves Saint-Laurent
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Sous la direction de Florence Müller et Farid Chenoune, on découvre un entretien inédit avec Pierre Bergé, une longue chronologie richement illustrée, le vestiaire des femmes modernes inventé par Yves Saint Laurent, des portraits de "femmes Saint Laurent" (Loulou de la Falaise, Lauren Bacall, Betty Catroux, Paloma Picasso...), des photographies de Richard Avedon, Jeanloup(...)
Yves Saint-Laurent
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Sous la direction de Florence Müller et Farid Chenoune, on découvre un entretien inédit avec Pierre Bergé, une longue chronologie richement illustrée, le vestiaire des femmes modernes inventé par Yves Saint Laurent, des portraits de "femmes Saint Laurent" (Loulou de la Falaise, Lauren Bacall, Betty Catroux, Paloma Picasso...), des photographies de Richard Avedon, Jeanloup Sieff, Helmut Newton, Pierre Boulat..., ainsi que le catalogue complet des modèles présentés.
Fashion Design