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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
We
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
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Love of worker bees
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the(...)
Love of worker bees
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the 1920s. The first piece is set in Russia after the October Revolution and the Civil War, The heroine Vasya struggles to come to terms with her husband and the demands of the new world in which she lives. The second story depicts the way in which three generations of women differ in their attitudes and expectations; and ''Sisters'' is a story of a deserted wife and a prostitute who find a common bond. Each story unfolds against a backdrop populated by the ''ordinary'' Russian people of the time- Party workers, entrepreneurs, prostitutes, manipulators, and idealists.
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In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it(...)
The adventures of Owen Hatherley In the post-soviet space
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In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it didn't become, whether a real Communist utopia or a successful or fair capitalism. In the course of this transcontinental account of what used to be the Soviet Union and is now a patchwork of EU democracies, neoliberal dictatorships and Soviet nostalgic enclaves (often found in the same countries) we might just find the outlines of a way of building cities that is a powerful alternative, both in the past and present.
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Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda; Index; photographs and diagrams.
Film form: essays in film theory
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Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda; Index; photographs and diagrams.
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Roman Cieslewicz
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Tout au long de sa vie professionnelle, Roman Cieslewicz a fait preuve d'une inventivité exceptionnelle. Avec une indomptable énergie créatrice et sans se préoccuper des frontières, il a utilisé le collage et le photo-montage pour détourner des images et créer des associations insolites. L'utilisation quasi systématique des couleurs vives et des formes pures donne à ses(...)
Roman Cieslewicz
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Tout au long de sa vie professionnelle, Roman Cieslewicz a fait preuve d'une inventivité exceptionnelle. Avec une indomptable énergie créatrice et sans se préoccuper des frontières, il a utilisé le collage et le photo-montage pour détourner des images et créer des associations insolites. L'utilisation quasi systématique des couleurs vives et des formes pures donne à ses créations un cachet unique et immédiatement reconnaissable. Au-delà de ses qualités artistiques, Roman Cieslewicz reste aussi inoubliable pour ses prises de position, ses revendications, son engagement mais aussi sa capacité à choquer.
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In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific(...)
Fallout shelter: Designing for civil defense in the Cold War
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In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific assumptions about race, gender, class, and power.
Books by Ettore Sottsass
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This book features the magazines and books which Ettore Sottsass wrote, illustrated or edited over a period of 60 years from 1947-2006. Works on printed paper for which Sottsass set up texts, illustrations and/or graphic inventions. His multi-faceted publishing works are grouped together in eight separate sections - the magazine “Room East 128. Chronicle”, books(...)
March 2011
Books by Ettore Sottsass
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This book features the magazines and books which Ettore Sottsass wrote, illustrated or edited over a period of 60 years from 1947-2006. Works on printed paper for which Sottsass set up texts, illustrations and/or graphic inventions. His multi-faceted publishing works are grouped together in eight separate sections - the magazine “Room East 128. Chronicle”, books published for the “East 128” edition, “Pianeta Fresco”, inserts in architecture and design magazines, illustrated books and theoretical writings, catalogues for the “Memphis” Group, the magazine “Terrazzo” and augural publications for Studio Sottsass Associati - and are accompanied by contributions by Barbara Radice, Andrea Branzi, Michele De Lucchi, Nathalie Du Pasquier, Elio Fiorucci, Christoph Radl, Franco Raggi and Lea Vergine.
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W. G. Sebald completed this extraordinary, important and controversial book before his untimely death in December 2001. It is a harrowing study of the devastation of German cities by Allied bombardment in World War II, and an examination of the silence in German literature and culture about this unprecedented trauma. On the Natural History of Destruction is an essential(...)
On the natural history of destruction
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W. G. Sebald completed this extraordinary, important and controversial book before his untimely death in December 2001. It is a harrowing study of the devastation of German cities by Allied bombardment in World War II, and an examination of the silence in German literature and culture about this unprecedented trauma. On the Natural History of Destruction is an essential and deeply relevant study of war and society, suffering and amnesia.
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Maus: A survivor's tale
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The first volume introduces readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and history itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events(...)
Maus: A survivor's tale
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The first volume introduces readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and history itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. Tragic and comic by turns, it attains a new complexity of theme and a precision of thought new to comics and rare in any medium.
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April 1986
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Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition. Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.
April 2010
Architecture or Techno-utopia: Politics after Modernism
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Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition. Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.