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The County Court House, symbolic center of each community from the Colonial era to the present, reflects the attitudes and aspirations of each generation up to our time. This exploration of a vital part of American life tells us much about the people who left their mark on these spaces over a period of two and a half centuries and makes an important contribution to the(...)
January 1978
Court house: a photographic document
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The County Court House, symbolic center of each community from the Colonial era to the present, reflects the attitudes and aspirations of each generation up to our time. This exploration of a vital part of American life tells us much about the people who left their mark on these spaces over a period of two and a half centuries and makes an important contribution to the knowledge of the architecture of the United States. From log cabin to high rise, the photographs and texts encompass modest Colonial buildings and flamboyant structures which are the reflections of properity and pride. The court house stands for the dignity of the law and the democratic principle and is the most significant single building widely distributed across the country.
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central(...)
January 2022
Breathe: investigations into our environmentally tangled future
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central agents in the conception and design of our planetary existence.
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Hailed as the first female photographer (and first to publish a book of photographs), Victorian botanist Anna Atkins made stunning cyanotypes-blueprints-of hundreds of different plants. Sunprint presents twelve of her contact photograms- of algae, ferns, and irises-in rich hues and stunning detail. Matching envelopes are printed on the inside with cyanotype images of the(...)
Sunprint notecards: the cyanotypes of Anna Atkins
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Hailed as the first female photographer (and first to publish a book of photographs), Victorian botanist Anna Atkins made stunning cyanotypes-blueprints-of hundreds of different plants. Sunprint presents twelve of her contact photograms- of algae, ferns, and irises-in rich hues and stunning detail. Matching envelopes are printed on the inside with cyanotype images of the handwritten pages of Atkins's books.
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Private paradises nestled in the backyards of homes. Rooftops that act as community gardens. Edible patches of beauty hidden within city blocks. 'Evergreen' shows the verdant aesthetic statement that allows city dwellers to bring nature back into the every day and quenches urban gardening desires. 'Evergreen' also inspires those who already live in the midst of lush(...)
Evergreen: living with plants
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Private paradises nestled in the backyards of homes. Rooftops that act as community gardens. Edible patches of beauty hidden within city blocks. 'Evergreen' shows the verdant aesthetic statement that allows city dwellers to bring nature back into the every day and quenches urban gardening desires. 'Evergreen' also inspires those who already live in the midst of lush horticultural and sustainable oases. Straightforward plans and examples illustrate how to transform unused spaces, both indoors and out, into flourishing and functional patches.
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Published on the centenary of the Russian Revolution, this book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and(...)
July 2017
Revolutsiia! Demonstratsiia! Soviet art put to the test
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Published on the centenary of the Russian Revolution, this book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions.
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Six date palm characteristics provide the structure of this book: Form, Fruit, Hydration, Metamorphosis, Shade and Shadow, and Gender. Each investigation draws on Emirati traditions and tacit knowledge to share a narrative that is infused with sensitivity, genuine curiosity, and human inventiveness. This is the story of a species that continues to provide great value to(...)
The secret life of date palms
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Six date palm characteristics provide the structure of this book: Form, Fruit, Hydration, Metamorphosis, Shade and Shadow, and Gender. Each investigation draws on Emirati traditions and tacit knowledge to share a narrative that is infused with sensitivity, genuine curiosity, and human inventiveness. This is the story of a species that continues to provide great value to the Middle East. The hope is that the spirit of engagement and ingenuity employed throughout history inspires others to find value in their own regional resources, climates and cultures.
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the(...)
Roman Architecture: Architecture without content 14
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the sixteenth century, partyly reusing the accumulated knowledge in order to deal with urgent challenges in contemporary Flanders. The oeuvre by Palladio represents on of the most prototypical incarnations, almost literal indeed, of a possible Roman project. His prolific work for the venetian inlandrepresents a tremendous effort to systematise the complexity of an entire territory, from the city proper (i.e. Vicenza), to the countryside proper 9the sprawl still to come).
Current Exhibitions
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. For the second incarnation of Metropolitan Architecture, Architecture Without Content 18, we went to Japan. There we found an array of buildings whose small size seemed capable of negotiating the scale between the interior and(...)
Metropolitan architecture: Specific interiors. Architecture without content 18
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. For the second incarnation of Metropolitan Architecture, Architecture Without Content 18, we went to Japan. There we found an array of buildings whose small size seemed capable of negotiating the scale between the interior and the metropolis. The small houses depicted here mediate between an individual city dweller and the shared infrastructure.
Current Exhibitions
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity(...)
Trouble with classicists: The commons. Architecture without content 21
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity and economy (of means) was central to our argument, we felt it necessary to refine our recent arguments with a more Spartan catalogue. Classicism, acting as a catalyst for simplification, results in this collection of The Commons; an ambiguous collection of possible architecture themes. The catalogue spans from the obelisk, as pure architecture, to the fatto urbano, as a collection of architectural events in which the urban layout becomes the dominant factor.
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.'(...)
Neon Palladian: Architecture without content 16. Harvard GSD
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.' Thus, the studio was both formalistic and pragmatic and tried to inflate Palladian architecture to the scale of the strip: Neon Palladian. In the vast landscape of the United States of America, the scale of food production has always been gigantic. At the same time, it has seldom regained an architectural form similar to that of its most defining orgins. In this book, you will find projects that are organising an aspect of food production. In one way or another, they reconnect to the long-lost virtues of Jefferson's Palladianism.
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