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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to(...)
Weaving modernist art: The life and work of Mariette Rousseau-Vermette
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art and their rejection of the conservatism of Maurice Duplessis' mid-century Quebec. By the early 1960s, Rousseau-Vermette had forged collaborations with fellow artists, designers and architects with like ideas about public art. Over the next 40 years, she scaled the heights of her profession, weaving hundreds of radiant large-scale tapestries that complemented the cool interiors of modern architecture. She exhibited across Canada and internationally and attracted prestigious commissions from the private and public sectors, including commissions for theater curtains at the National Arts Centre, Ottawa and the Kennedy Center in Washington, DC. Yet three years after Rousseau-Vermette's death in 2006, Newlands discovered there wasn't a single book that told her story as a pioneer of modernist tapestry and one of Canada's most prolific and influential artist-weavers.
Current Exhibitions
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This book shows how architectural design can improve housing. It looks at 14 innovative multiunit dwelling projects through the lenses of current research on urban housing systems, driven by questions on social, environmental, and economic sustainability. Residential buildings designed for diverse cultural contexts are brought together and examined according to spatial(...)
August 2024
Architecture for housing: Understanding the value of design through 14 case studies
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This book shows how architectural design can improve housing. It looks at 14 innovative multiunit dwelling projects through the lenses of current research on urban housing systems, driven by questions on social, environmental, and economic sustainability. Residential buildings designed for diverse cultural contexts are brought together and examined according to spatial antonyms: the individual and communal, the interior and exterior, and the determined and undetermined, to create a resource for future architectural practice. The book concentrates on design decisions and incorporates rich illustrations and conversations with architects and residents. It follows a series of talks curated by the Melbourne School of Design to extend the debate on the missing links between architectural practice and housing research.
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This publication examines the economic conditions of architecture, which are all too often disregarded in the day-to-day life of people working in the profession. The focus is on contracts, jobs, and office structures, on profitability and phases in the construction industry’s economic cycles, on work processes, authorship, and labour rights, on digital outsourcing, and(...)
ARCH+ The business of architecture
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This publication examines the economic conditions of architecture, which are all too often disregarded in the day-to-day life of people working in the profession. The focus is on contracts, jobs, and office structures, on profitability and phases in the construction industry’s economic cycles, on work processes, authorship, and labour rights, on digital outsourcing, and digital out- sourcing. The book sets out to reveal the business footing on which architecture stands: How does it operate today in economic terms? "ARCH+ The Business of Architecture" is intended as a stimulus, offering tools that will empower budding and practising architects alike. A rich variety of (for the most part) up-and-coming offices are presented that have developed new, forward-looking business models, organizational strategies, and resource concepts: these include ARGE c/o, Assemble, Chybik+Kristof, Ana Filipovic, IFUB*, L’atelier—Nomadic Architecture Studio, and Space & Matter.
Current Exhibitions
Radically legal
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Right in the middle of the German constitution, a group of ordinary citizens discovers a forgotten clause that allows them to take 240,000 homes back from multi-billion corporations. In this work of creative non-fiction, scholar-activist and Nine Dots Prize winner Joanna Kusiak tells the story of a grassroots movement that convinced a million Berliners to pop the(...)
Radically legal
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Right in the middle of the German constitution, a group of ordinary citizens discovers a forgotten clause that allows them to take 240,000 homes back from multi-billion corporations. In this work of creative non-fiction, scholar-activist and Nine Dots Prize winner Joanna Kusiak tells the story of a grassroots movement that convinced a million Berliners to pop the speculative housing bubble. She offers a vision of urban housing as democratically held commons, legally managed by a radically new institutional model that works through democratic conflicts. Moving between interdisciplinary analysis and her own personal story, Kusiak connects the dots between the past and the present, the local and the global, and shows the potential of radically legal politics as a means of strengthening our democracies and reviving the rule of law.
Current Exhibitions
Sous le vent de la mer
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« Je me rendis compte que la mer elle-même devait être le personnage central de mon récit, que je le veuille ou non. Car la mer, tenant pouvoir de vie et de mort sur chacune de ses créatures, de la plus petite à la plus grande, allait inévitablement pénétrer chaque page. » À la fin des années 1930, une jeune biologiste marine passionnée de littérature imagine un projet(...)
October 2024
Sous le vent de la mer
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« Je me rendis compte que la mer elle-même devait être le personnage central de mon récit, que je le veuille ou non. Car la mer, tenant pouvoir de vie et de mort sur chacune de ses créatures, de la plus petite à la plus grande, allait inévitablement pénétrer chaque page. » À la fin des années 1930, une jeune biologiste marine passionnée de littérature imagine un projet inédit : raconter la mer du point de vue des espèces qui la peuplent. Paru en 1941, ce grand récit polyphonique et poétique est le premier livre de Rachel Carson. C’est aussi son préféré.
$37.95
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
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What fuels and sustains activism and organizing when it feels like our worlds are collapsing? ''Let This Radicalize You" is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the(...)
Let this radicalize you: organizing and the revolution of reciprocal care
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What fuels and sustains activism and organizing when it feels like our worlds are collapsing? ''Let This Radicalize You" is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.
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Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a(...)
Sahli Hansjörg: Rhonegletscher
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a couple of alpinists up there. We chatted briefly... At the time, the covered glacier made a very tidy impression. The blankets were nice and white, stretched taut, the ice beneath them voluminous... The function of the blankets, which was to shield the ice, along with the ice grotto beneath it, from solar radiation, was plain to see. When I came back a fortnight later, everything looked different. There had been a storm and lots of rain. Some of the blankets were torn off, shredded, dirty. The glacier was a pitiful sight to behold... "
Current Exhibitions
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
Bunker research: the hidden history of modernism in the mountains
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.