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De Stijl was a magazine;De Stijl was an art movement; and De Stijl was an idea, a world view, and an approach to life. And from the 1930s onwards, De Stijl was recognized internationally as the most important contribution to modern culture made by The Netherlands. In The Story of De Stijl, the authors challenge the understanding of De Stijl as a coherent movement,(...)
The story of De Stijl: Mondrian to Van Doesburg
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De Stijl was a magazine;De Stijl was an art movement; and De Stijl was an idea, a world view, and an approach to life. And from the 1930s onwards, De Stijl was recognized internationally as the most important contribution to modern culture made by The Netherlands. In The Story of De Stijl, the authors challenge the understanding of De Stijl as a coherent movement, presenting a series of "scenes" focused on crucial turning points in the history of De Stijl and bringing to the foreground the key relationships and interactions that brought De Stijl to life. It is profusely illustrated with a range of images, many previously unseen, from artworks and buildings to photographs, letters, and documents, that, along with anecdotes, articles, and even footnotes combine to convey the texture of the world De Stijl emerged from.
Design, Periods and Styles
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In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions....It has developed out of our own preferences for living in a modern way."California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which(...)
Living in a modern way: California design 1930-1965
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In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions....It has developed out of our own preferences for living in a modern way."California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds others pecific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use(exemplified by Charles and Ray Eames's plywood and fiberglass furniture).
Design, Periods and Styles
L'art nouveau
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Gabriele Fahr-Becker nous restitue dans ce livre une image complexe de l’Art Nouveau sous toutes ses formes. L’art et la vie ne font qu’un – voilà ce que prônait l’Art Nouveau qui allait s’adapter aux exigences de la vie moderne et ouvrir la voie à l’art moderne. Sur la base d’idées communes se développa un style à la fois homogène et diversifié dans ses formes d’expression.
L'art nouveau
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Gabriele Fahr-Becker nous restitue dans ce livre une image complexe de l’Art Nouveau sous toutes ses formes. L’art et la vie ne font qu’un – voilà ce que prônait l’Art Nouveau qui allait s’adapter aux exigences de la vie moderne et ouvrir la voie à l’art moderne. Sur la base d’idées communes se développa un style à la fois homogène et diversifié dans ses formes d’expression.
Design, Periods and Styles
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book(...)
Postmodernism: Style and subversion, 1970-1990
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book assesses the impact of the phenomenon on all areas of art and design. It covers architecture, interiors and urban planning; product, graphic and furniture design; the fashion and style industries; and photography, film, television and video
Design, Periods and Styles
20 years of design in Mexico
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For 20 years, the Mexican Design Gallery - founded and directed by the hyper-influential Bruno Newman - has exhibited and promoted contemporary design, becoming essential in its contribution to the development of all kinds of design. This slip-covered book - with a sewn binding that reveals the folded signatures normally hidden beneath the spine - is a retrospective of(...)
20 years of design in Mexico
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For 20 years, the Mexican Design Gallery - founded and directed by the hyper-influential Bruno Newman - has exhibited and promoted contemporary design, becoming essential in its contribution to the development of all kinds of design. This slip-covered book - with a sewn binding that reveals the folded signatures normally hidden beneath the spine - is a retrospective of over 100 art and design exhibitions during the life of the gallery, involving almost 600 designers, architects, and artists from Mexico and abroad. The book gives an inspiring and stylish account of this story, showing the relevance of the gallery's role in Mexico. Jewelry, housewares, textiles, furniture, commercial graphics, lighting, decorative objects: this is an essential compendium of two decades of design in Mexico.
Design, Periods and Styles
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Art nouveau
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Ce livre propose un parcours à travers les techniques et les matériaux de l'art nouveau.
Design, Periods and Styles
November 2011
Art nouveau
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Ce livre propose un parcours à travers les techniques et les matériaux de l'art nouveau.
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November 2011
Design, Periods and Styles
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Art nouveau in/en europe
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From Barcelona to Ljubljana, from Turin to Helsinki, this book persents Art Nouveau buildings in Europe.
Art nouveau in/en europe
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From Barcelona to Ljubljana, from Turin to Helsinki, this book persents Art Nouveau buildings in Europe.
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November 2011
Design, Periods and Styles
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at(...)
Century of the child: growing by design 1900-2000
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at The Museum of Modern Art, examines individual and collective visions for the material world of children, from utopian dreams for the "citizens of the future" to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking-engendering, in the process, reappraisals of some of the iconic names in twentieth-century design and enriching the unfolding narrative of modern design with other, less familiar figures.
Design, Periods and Styles
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Ce catalogue se parcourt comme un récit, comme une partition, une composition d'auteur qui s'adresse tout particulièrement aux nouvelles générations, les plus jeunes, celles qui - comme le disait Bruno Munari - représentent le futur. La Massimo & Sonia Cirulli Archive, fondée à New York en 1985, a pour objet le made in Italy au XXe siècle à travers l'art, le design, la(...)
March 2012
Lo stile italiano : arte e design / Le style italien : art et design / Italian style : art and design
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Ce catalogue se parcourt comme un récit, comme une partition, une composition d'auteur qui s'adresse tout particulièrement aux nouvelles générations, les plus jeunes, celles qui - comme le disait Bruno Munari - représentent le futur. La Massimo & Sonia Cirulli Archive, fondée à New York en 1985, a pour objet le made in Italy au XXe siècle à travers l'art, le design, la publicité et la photographie. Avec plus de deux cent mille oeuvres, elle est considérée comme la plus importante archive historique privée d'art italien. Depuis plus de vingt ans, elle poursuit sa mission en racontant l'Italie et le faire italien dans les musées du monde entier.
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation:(...)
The brittle decade: visualizing Japan in the 1930s
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation: bustling streets of department stores, cafés and teahouses, movie theaters and ballroom dance halls. Modern architecture, industrial design and fashion overshadowed traditional arts as Japan strove to take its place in a cosmopolitan world. The Brittle Years examines the different ways in which designers and artists visualized what it meant to be modern in Japan in the years leading up to World War II. Its 160 full-color illustrations of paintings, textiles and graphic arts are astonishing not only for their great visual impact but also for the insight they provide into a rapidly transforming nation.
Design, Periods and Styles