Trix + Robert Haussmann
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The exhibition "The Log-O-Rhythmic Slide Rule" shown in spring 2012 was dedicated to the work of Trix and Robert Haussmann and is the basis for this publication, which, with illustrations, essays, texts by artists and a discussion, provides an in-depth look into the rich creative work of the Swiss architect and designer couple. Trix and Robert Haussmann are two of the(...)
Trix + Robert Haussmann
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$58.00
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The exhibition "The Log-O-Rhythmic Slide Rule" shown in spring 2012 was dedicated to the work of Trix and Robert Haussmann and is the basis for this publication, which, with illustrations, essays, texts by artists and a discussion, provides an in-depth look into the rich creative work of the Swiss architect and designer couple. Trix and Robert Haussmann are two of the most important architects, designers and theoreticians, consequential in influencing and helping to displace classical modernism in Switzerland.
Design Monographs
Olivier Vadro : mêlées
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Première monographie consacrée au travail du designer / scénographe, avec un texte de l'historien du design Tony Côme, des entretiens et une importante iconographie. La trajectoire d'Olivier Vadrot (né en 1970 à Semur-en-Auxois) s'est déterminée à la croisée de nombreux domaines : l'architecture, le design, le commissariat et la scénographie d'exposition, la scène(...)
Olivier Vadro : mêlées
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Première monographie consacrée au travail du designer / scénographe, avec un texte de l'historien du design Tony Côme, des entretiens et une importante iconographie. La trajectoire d'Olivier Vadrot (né en 1970 à Semur-en-Auxois) s'est déterminée à la croisée de nombreux domaines : l'architecture, le design, le commissariat et la scénographie d'exposition, la scène théâtrale et musicale. En parallèle de ses études en architecture, il se lance dans l'aventure collective du Théâtre Pluzdank. Il cofonde le centre d'art contemporain La Salle de bains à Lyon puis le groupe Cocktail Designers au sein duquel il conçoit plusieurs dispositifs d'écoute pour des labels musicaux. Son séjour à la Villa Médicis (2012-2013) en tant que scénographe marque un important tournant dans son parcours, qui le conduit à faire des relevés dans la plupart des édifices de spectacle antiques. Sa pratique personnelle s'est récemment affirmée en se recentrant autour de micro-architectures permettant de faire assemblée. Si certains de ces dispositifs sont nomades et éphémères, d'autres ont été plus durablement implantés dans l'espace public. Olivier Vadrot porte une attention extrême aux conditions d'existence matérielle des objets qu'il produit : économie de fabrication, multiplicité d'usages incluant le transport, le montage, le stockage, possibles adaptations, entretien et renouvellement.
Design Monographs
Jean-Michel Frank
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Assouline presents a portrait of an iconic yet somewhat mysterious artist whose work illuminated the decorative arts in the twentieth century. Jean-Michel Frank never attended a school of architecture or design, yet during the 1920s and 1930s this self-made interior designer honed and perfected his own unique style, which became a benchmark of Art Deco sophistication.(...)
Jean-Michel Frank
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Assouline presents a portrait of an iconic yet somewhat mysterious artist whose work illuminated the decorative arts in the twentieth century. Jean-Michel Frank never attended a school of architecture or design, yet during the 1920s and 1930s this self-made interior designer honed and perfected his own unique style, which became a benchmark of Art Deco sophistication. Gold, silk, marble, and fine wood veneers were employed alongside straw marquetry, parchment, plaster, leather, canvas, and distressed oak. Collaborating with the best artists of the time, including Alberto Giacometti and Christian Bérard, Frank designed and art directed streamlined yet sumptuous interiors for notable patrons from Marie-Laure and Charles de Noailles, Nelson Rockefeller, and Elsa Schiaparelli to French institutions like the Comédie Française and the Hôtel Crillon.
Design Monographs
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This large-format scrapbook, compiling Wendell Castle's press clippings, invitations and ephemera, records both his acclaim and neglect during the golden years of the studio movement. Wendell Castle (1932-2018) is regarded as the father of the American studio movement. His innovative work in stack-laminated wood and gel-coated fiberglass from the '60s and '70s is coveted(...)
Wendell Castle: scrapbook 1958-1980
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This large-format scrapbook, compiling Wendell Castle's press clippings, invitations and ephemera, records both his acclaim and neglect during the golden years of the studio movement. Wendell Castle (1932-2018) is regarded as the father of the American studio movement. His innovative work in stack-laminated wood and gel-coated fiberglass from the '60s and '70s is coveted by museums and collectors all over the world. In 1959, Castle's wife, the artist Nancy Jurs, started collecting press clippings, photographs, invitations and personal notes on Castle's work, eventually assembling them into an oversized scrapbook. This scrapbook, reproduced here in exact facsimile, proves that the work created by Castle during these decades had a more lasting impression on his field than he fully recognized--while also allowing us to better comprehend the challenges he faced for not following the herd.
Design Monographs
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Besides his work as a painter, designer, and prolific writer of picture books, the Italian artist Bruno Munari (1907–1998) devoted himself to children’s art education. Although it is difficult to grasp the scope of his wide-ranging activities, regardless of the genre, Munari’s works are based on a simple idea and are immediately appealing to anyone of any age. The(...)
Bruno Munari: The man who made the useless machines (Japanese text)
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Besides his work as a painter, designer, and prolific writer of picture books, the Italian artist Bruno Munari (1907–1998) devoted himself to children’s art education. Although it is difficult to grasp the scope of his wide-ranging activities, regardless of the genre, Munari’s works are based on a simple idea and are immediately appealing to anyone of any age. The itinerant Japanese exhibition ''Bruno Munari: The Man Who Made the Useless Machines'' looks back at his career, which began with the Italian Futurists, by examining approximately 300 works. This comprehensive monograph complements and broadens the exhibition’s overview of his visionary life and work.
Design Monographs
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To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the(...)
Gio Ponti, Life and works 1923-1979
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To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy’s mid-century Renaissance and the modernist values it sought to realize. This new book is the most comprehensive account of Ponti’s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life’s work. Materializing Ponti’s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity.
Design Monographs
$48.00
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Best known for New York’s Central Park luminaires (1982), the ornamentation at Rice University’s Baker Hall in Houston (1997), and his work on Yale University’s Bass Library entrance pavilion and Sterling Memorial Library stairwell entrance (2007), the sculptor Kent Bloomer (b. 1935) has not only influenced the discussion around ornament in contemporary architectural(...)
Kent Bloomer: Nature as ornament
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Best known for New York’s Central Park luminaires (1982), the ornamentation at Rice University’s Baker Hall in Houston (1997), and his work on Yale University’s Bass Library entrance pavilion and Sterling Memorial Library stairwell entrance (2007), the sculptor Kent Bloomer (b. 1935) has not only influenced the discussion around ornament in contemporary architectural practice, but has inspired developments in a range of disciplines that include history, music, art, philosophy, and biology. With a retrospective look at Bloomer’s work as a point of departure, scholars from a variety of different fields explore his contributions to the history of ornament as both a social and an artistic phenomenon.
Design Monographs
Konstantin Grcic: figures
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The exhibition Abbildungen at Kunsthalle Bielefeld, which was on display in spring 2016, is the underpinning for the conception of this publication, which turns its gaze on the media framing of Konstantin Grcic’s design objects. First researched in early magazines, company prospectuses, flyers and other print media, the selected pieces are presented as reproductions of(...)
Konstantin Grcic: figures
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The exhibition Abbildungen at Kunsthalle Bielefeld, which was on display in spring 2016, is the underpinning for the conception of this publication, which turns its gaze on the media framing of Konstantin Grcic’s design objects. First researched in early magazines, company prospectuses, flyers and other print media, the selected pieces are presented as reproductions of reproductions. Abbildungen/Figures is neither a survey nor a retrospective, but an overview of Grcic’s work. The publication is accompanied by an in-depth analysis by Robin Schuldenfrei, Professor at the Courtauld Institute of Art in London, who, in presenting Konstantin Grcic’s oeuvre to the German-speaking world, examines it from a historical perspective for the first time.
Design Monographs
Bruno Munari: Total artist
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Bruno Munari’s artistic experimentation gave rise to a plethora of creative activities, ranging from drawings to designs, collages, paintings, sculptures, readable and not-so-readable books, new image reproduction techniques, industrial design, editorial graphics, architecture and new pedagogical ideas. 'Bruno Munari Total Artist' is the printed edition that accompanies(...)
Bruno Munari: Total artist
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Bruno Munari’s artistic experimentation gave rise to a plethora of creative activities, ranging from drawings to designs, collages, paintings, sculptures, readable and not-so-readable books, new image reproduction techniques, industrial design, editorial graphics, architecture and new pedagogical ideas. 'Bruno Munari Total Artist' is the printed edition that accompanies the exhibition on show at Museo Ettore Fico in Turin from 16 February to 11 June 2017.
Design Monographs
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and(...)
Eileen Gray: the private painter
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Irish-born designer Eileen Gray (1878-1976) is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. Much less well known is that throughout her life as a designer and an architect she never stopped producing small paintings and drawings. This book is the first to focus on Eileen Gray's important but essentially private work as a painter. Eileen Gray considered herself a designer and an architect, not a painter: she viewed her work as a painter with great modesty, treating it as a private occupation and a vehicle for artistic expression during periods when she could not design furniture. Much of her artwork has disappeared, either lost in the Second World War or destroyed by the artist herself. But a body of works on paper, produced between the 1920s and the 1950s, has survived: elegant, geometric drawings and gouaches of muted tonality and subtle power. This book, which reproduces unseen material from the Eileen Gray archive and draws on Gray's correspondence with her niece Prunella Clough on the nature of painting, will be a revelation to her many followers and admirers.
Design Monographs