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$79.25
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
Bruno Ninaber van Eyben with compliments
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
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January 2002, Rotterdam
Design Monographs
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Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by(...)
Design Monographs
January 2002, Rotterdam
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by the width of his scope. He designs on the run as it were and the objects he creates seem to be of minor importance among the ideas and activities that surround them. Some products take less than a minute to come alive. He can be sketching ideas about material qualities, production, use and image without having a particular functionality in mind and seeks to minimize effort for everyone involved, the producer, the person who makes the product, the one who sells it and the user too. As a teacher he may be maximizing the effort his students must make in order for them to discover what it means to be a designer. This monography, written by Ida van Zijl, Gert Staal, Schwartz and Ed van Hinte (ed.) and including interviews with, among others, commissioners from VITRA and Authentics, describes and analyses Annink's work as an exhibition and product designer, an educator and a project initiator.
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January 2002, Rotterdam
Design Monographs
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
Less + more : droog design in context
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
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April 2002, Rotterdam
Design Monographs
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Japanese design
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The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern(...)
Japanese design
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The Museum of Modern Art and 5 Continents Editions recently launched this series of books dedicated to industrial and graphic design. Each volume offers an overview of a single country's design achievements and illustrates its particular design history and aesthetic by showcasing renowned architects and designers through exemplary works drawn from The Museum of Modern Art's unmatched collection. This season, they take on Japan. Japanese designers' special ability to combine aesthetic tradition with contemporary visual culture and material innovation has created a distinctive and exceptionally successful design industry in Japan, which has produced such divergent icons of Modern design as Sori Yanagi's Butterfly Stool, the Sony Walkman, the Honey-Pop Armchair by Tokujin Yoshioka and the Toyota Prius. This volume traces the development of Japanese design from the country's craft revival in the early twentieth century to the extraordinary objects of high technology that have been a specialty of Japanese designers since the middle of the century. Antonelli's lively introduction provides an overview of Japan's design culture, while an essay and timeline by Penny Sparke illuminate the masterpieces of Modern Japanese design that are superbly reproduced in this volume's plate section.
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January 2009
Design Monographs
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This catalogue has been published in conjunction with the exhibition Josef Hoffmann Interiors 1902-1913 Neue Galerie New York, November 2, 2006 - February 26, 2007.
Josef Hoffmann interiors 1902-1913 the making of an exhibition
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This catalogue has been published in conjunction with the exhibition Josef Hoffmann Interiors 1902-1913 Neue Galerie New York, November 2, 2006 - February 26, 2007.
Design Monographs
Ron Arad no discipline
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Ouvrage publié à l'occasion de l'exposition «Ron Arad no discipline», présentée au Centre Pompidou, Galerie Sud, du 19 novembre 2008 au 16 mars 2009.
Ron Arad no discipline
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Ouvrage publié à l'occasion de l'exposition «Ron Arad no discipline», présentée au Centre Pompidou, Galerie Sud, du 19 novembre 2008 au 16 mars 2009.
Design Monographs
$94.95
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Invitée en 1940 par le gouvernement japonais pour orienter la production d’art industriel du pays, Charlotte Perriand découvre une pensée, une mode de vie et une architecture conforme aux préceptes modernistes qu’elle a défendus avec Le Corbusier et Pierre Jeanneret. Les expositions qu’elle organise au Japon, «Sélection, Tradition, Création» et «Proposition d’une synthèse(...)
Charlotte Perriand et le Japon
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Invitée en 1940 par le gouvernement japonais pour orienter la production d’art industriel du pays, Charlotte Perriand découvre une pensée, une mode de vie et une architecture conforme aux préceptes modernistes qu’elle a défendus avec Le Corbusier et Pierre Jeanneret. Les expositions qu’elle organise au Japon, «Sélection, Tradition, Création» et «Proposition d’une synthèse des arts», ses publications, ses meubles, ses réalisations à Tôkyô comme à Paris témoignent des liens qu’elle a tissés entre les deux cultures occidentale et orientale. Conçu à partir d’archives inédites de Charlotte Perriand, des notes et des dessins.
Design Monographs
123 ideas by Helmut Smits
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This publication was presented at the finnisage of the exhibition '7 works' by Helmut Smits at De Krabbendans, from 18 April - 25 May 2008.
123 ideas by Helmut Smits
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This publication was presented at the finnisage of the exhibition '7 works' by Helmut Smits at De Krabbendans, from 18 April - 25 May 2008.
Design Monographs
Peter Saville estate 1-127
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This publication arose from the exhibition Peter Saville Estate at the migros museum für gegenwartskunst Zürich 12 th November, 2008 - 8th January, 2006. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration(...)
Peter Saville estate 1-127
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This publication arose from the exhibition Peter Saville Estate at the migros museum für gegenwartskunst Zürich 12 th November, 2008 - 8th January, 2006. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration with Saville; as such, it is the first publication to be designed by the artist.
Design Monographs
$26.95
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This book arise from the wish to meet some Italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term design, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with(...)
Design interviews: Richard Sapper
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This book arise from the wish to meet some Italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term design, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with its transcription. The latter has been edited in order to keep the spontaneity and immediacy of the conversation, in which the expression of experiences, reflections and considerations about life and work of planning freely flowed.
Design Monographs