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$27.95
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This book examines Dutch commemorative coins which will continue to be minted, despite the introduction of the Euro. In a lyrical article, Gert Staal explores the sentimental and symbolical significance of coins. The results of a workshop ‘Design by the mm3’, in which eleven artist/designers took part, is discussed in an article by Lilet Breddels and presented in numerous(...)
Industrial Design
January 2002,
Design by the mm3 munt : picturing coins
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This book examines Dutch commemorative coins which will continue to be minted, despite the introduction of the Euro. In a lyrical article, Gert Staal explores the sentimental and symbolical significance of coins. The results of a workshop ‘Design by the mm3’, in which eleven artist/designers took part, is discussed in an article by Lilet Breddels and presented in numerous illustrations. Gerard Unger subverts his own specialization in typography by arguing that artists are perfectly capable of creating their own lettering for coin designs. Hans Jacobi, keeper of the Koninklijke Penningen Kabinet (Royal Coins Cabinet) in Leiden, throws light on the vicissitudes of Dutch coin design during the last twenty years. In an epilogue, Janwillem Schrofer, a member of the Advisory Commission for New Coinage and the president of the Rijksakademie, Amsterdam, presents his outlook on the importance of good coin design.
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January 2002,
Industrial Design
$43.00
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This volume documents MVRDV`s project for the competition for the Musee des Arts et Civilisations in Paris, and includes all aspects of the design: visual as well as written. This book asks such urgent design questions as the meaning of a museum for non-Western art at a time when worldwide mobility is making the ideas of "Western" and "non-Western" meaningless. How does(...)
To object
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This volume documents MVRDV`s project for the competition for the Musee des Arts et Civilisations in Paris, and includes all aspects of the design: visual as well as written. This book asks such urgent design questions as the meaning of a museum for non-Western art at a time when worldwide mobility is making the ideas of "Western" and "non-Western" meaningless. How does one represent authenticity in this context? Designed by MVRDV, this book allows the reader inside the design process to the original ideas conceived and problems faced by an architect.
Industrial Design
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Founded in 1987, the design collection of the Museum of Design Zurich now has more than 15,000 exhibits, 20,000 examples of packaging and the Archive for Swiss Design and is the first and most comprehensive of its type in Switzerland. "Take away" is the first in a series of publications which presents treasures from the collection on a specific theme. Like the(...)
Industrial Design
February 2006, Ludwigsburg, Zürich
Take away
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Founded in 1987, the design collection of the Museum of Design Zurich now has more than 15,000 exhibits, 20,000 examples of packaging and the Archive for Swiss Design and is the first and most comprehensive of its type in Switzerland. "Take away" is the first in a series of publications which presents treasures from the collection on a specific theme. Like the exhibition of the same name, the focus here is the contentious world of items used in mobile food culture: stacking plates, paper cups, pizza boxes, picnic baskets as well as things like mini toothbrushes, folding furniture and much more. This book shows just how much mobile eating shapes our lives, with all its advantages and disadvantages. Not only has it changed what we eat, but also how, where and what we use to eat. Whether fast food, take away, system gastronomy or convenience food.
Industrial Design
$48.00
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Shoes made from discarded rubber, a knife grinder made from a bicycle wheel, an organ made from water pipes, a lamp made from plastic bottle bottoms and a clock made from old flip-flops are a few of the ingenious recycled Kenyan products covered in this fascinating volume. Annelise Della Rosa is a teacher and a scholar, she lives and works in Italy and Kenya.She(...)
The art of recycling in Kenya
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Shoes made from discarded rubber, a knife grinder made from a bicycle wheel, an organ made from water pipes, a lamp made from plastic bottle bottoms and a clock made from old flip-flops are a few of the ingenious recycled Kenyan products covered in this fascinating volume. Annelise Della Rosa is a teacher and a scholar, she lives and works in Italy and Kenya.She received artistic training and also studied psychology and, in herresearch, she has linked her own experience in Africa to her study of theuse of artistic languages.
Industrial Design
$76.00
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Design in the 21st Century has liberated itself from industrial conditions and the associated physical demands. With new technology, expanded choice of materials and the practice of luxurious craftsmanship, designers are embracing design with scintillating attitude, challenging aesthetic boundaries and speculating new expressions in visual codes. "Desire" documents(...)
Desire : the shape of things to come
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Design in the 21st Century has liberated itself from industrial conditions and the associated physical demands. With new technology, expanded choice of materials and the practice of luxurious craftsmanship, designers are embracing design with scintillating attitude, challenging aesthetic boundaries and speculating new expressions in visual codes. "Desire" documents current developments in furniture and object design today, showcasing recent work by the most exciting and influential designers from around the globe categorized into four distinct trends and groups : Modernists, Taletellers, Inventors and Entertainers.
Industrial Design
$55.00
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This publication studies methods for creating flexible looks for public and cultural institutions. The classic logos normally used by companies are the result of a unique process of compression and abstraction. By contrast, flexible looks do not conceal their diverse components of identity in a logo, forming instead a complex family of symbols from them. In the(...)
Dynamic identities in cultural and public contexts
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This publication studies methods for creating flexible looks for public and cultural institutions. The classic logos normally used by companies are the result of a unique process of compression and abstraction. By contrast, flexible looks do not conceal their diverse components of identity in a logo, forming instead a complex family of symbols from them. In the combination of a basic logo and a family of symbols, the look is in a position to represent the fundamentals (the philosophy of the institution, its program) and the specifics (e.g., temporary exhibitions and events). The author describes the effect and potential of looks and offers the criteria that distinguish fully developed, dynamic looks. Case studies of famous designers such as Karl Gerstner and Ruedi Baur enhance the analysis.
Industrial Design
$74.95
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Through design prototypes, limited editions and design-as-art objects, this publication documents a new phenomenon in contemporary furniture design. This volume is illustrated with a selection of works that reflect the very best of this new area. As well as new and behind-the-scenes images from some of its leading protagonists, including Gaetano Pesce, Marc Newson,(...)
Limited edition : prototypes, one-offs and design art furniture
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Through design prototypes, limited editions and design-as-art objects, this publication documents a new phenomenon in contemporary furniture design. This volume is illustrated with a selection of works that reflect the very best of this new area. As well as new and behind-the-scenes images from some of its leading protagonists, including Gaetano Pesce, Marc Newson, Maarten Baas, Tom Dixon, Studio Job, Zaha Hadid and Johanna Grawunder, this book contains a collection of works by newcomers and comparative unknowns. From over 40 interviews with key designers, manufacturers, gallerists, auctioneers and critics, the author Sophie Lovell has catalogued and compiled an overview of one of the most exciting creative fields of our age.
Industrial Design
$55.00
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'The Hard Life' by Jasper Morrison is a book of photographs taken by Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. This book explores the effect that generations of trial and error, individual craftsmanship and an instinct to carve out the essential with the slenderest of means brought to objects that made life both livable(...)
The hard life: homage to the beauty of ancient commodities
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'The Hard Life' by Jasper Morrison is a book of photographs taken by Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. This book explores the effect that generations of trial and error, individual craftsmanship and an instinct to carve out the essential with the slenderest of means brought to objects that made life both livable and meaningful to a pre-industrial society. The objects photographed and described by designer Jasper Morrison may be appreciated both for their beauty and for the example they set of design at its purest. 'The Hard Life' is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy. It’s an homage to the beauty of ancient commodities.
Industrial Design
$32.95
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Heju a été créé par Hélène Pinaud et Julien Schwartzmann, deux architectes parisiens de 25 ans. Dans ce livre, ils vous proposent des DIY pour réaliser vous-même des objets design pratiques, de qualité et à petits prix. Vous découvrirez 35 idées pour chaque pièce de la maison, de l’objet décoratif au mobilier, mais aussi des astuces pour créer un intérieur épuré ponctué(...)
Design it yourself : 35 objets design à petits prix et à faire soi-même
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Heju a été créé par Hélène Pinaud et Julien Schwartzmann, deux architectes parisiens de 25 ans. Dans ce livre, ils vous proposent des DIY pour réaliser vous-même des objets design pratiques, de qualité et à petits prix. Vous découvrirez 35 idées pour chaque pièce de la maison, de l’objet décoratif au mobilier, mais aussi des astuces pour créer un intérieur épuré ponctué de bois clair, de motifs graphiques et de touches pastel. Plongez dans leur univers né d’influences japonaises et scandinaves et retrouvez leurs idées au quotidien sur leur blog.
Industrial Design
$59.95
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Cet ouvrage, consacré au jeune designer Amaury Poudray, s’articule autour de questions concrètes que pose une pratique d’un design raisonné à nos sociétés contemporaines. Rencontres, concept, fabrique et échanges ponctuent ce livre témoin du parcours d’un jeune créateur en prise directe avec les doutes et les interrogations de son temps. Les œuvres produites résultent(...)
Arrangements : design et produits
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Cet ouvrage, consacré au jeune designer Amaury Poudray, s’articule autour de questions concrètes que pose une pratique d’un design raisonné à nos sociétés contemporaines. Rencontres, concept, fabrique et échanges ponctuent ce livre témoin du parcours d’un jeune créateur en prise directe avec les doutes et les interrogations de son temps. Les œuvres produites résultent d’une tension assumée entre forme et fonction, entre savoir-faire et innovation ; la notion de processus expérimental domine ici dans l’acte créateur. Une certaine doctrine de l’action et du déplacement, une immersion dans le domaine technique à tous les stades de l’élaboration mêlées à une éthique de la décroissance sont des éléments caractéristiques du style Poudray qui ne peut s’appréhender que dans la prise en compte de la notion de « networks » et du « Y » dont il a fait son logotype. Réseaux, rhizomes et filets sont autant d’images pour signifier et caractériser ce travail et exprimer les points de vue à la fois structurels, économiques, sociaux et esthétiques à l’œuvre chez Amaury Poudray. Le livre est conçu lui-même comme une expérience proposée au lecteur par sa forme et ses contenus. Une quinzaine d’œuvres sont présentées et discutées. Marie Pok, directrice du Grand Hornu, propose une réflexion critique sur le travail d’Amaury Poudray en prise avec la société contemporaine. Les autres textes — sous la forme d’entretiens avec le designer lui-même et quelques-uns de ses partenaires (fabricants, entrepreneurs, galeristes, éditeurs…) — sont les traces et l’empreinte de ce réseau en action. Il regroupe des dessins préparatoires et des croquis, des photographies de création (Laure Mélone) et des documents.
Industrial Design