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Le patronyme du typographe français Claude Garamond (v. 1510–1561) est aujourd'hui accolé à plusieurs dizaines de caractères typographiques numériques d'apparence pourtant très dissemblable. De la Renaissance à l'ère contemporaine, cet ouvrage s'attache à décrire et à expliciter les sources de ce qu'il faut bien appeler l'« imbroglio Garamond », au sein duquel le prestige(...)
De quoi Garamond est-il le nom ?
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Le patronyme du typographe français Claude Garamond (v. 1510–1561) est aujourd'hui accolé à plusieurs dizaines de caractères typographiques numériques d'apparence pourtant très dissemblable. De la Renaissance à l'ère contemporaine, cet ouvrage s'attache à décrire et à expliciter les sources de ce qu'il faut bien appeler l'« imbroglio Garamond », au sein duquel le prestige du nom semble avoir, depuis longtemps, remplacé la connaissance des formes. Les enjeux culturels, esthétiques, économiques et techniques qu'il soulève intéresseront tous ceux pour qui la typographie constitue un champ essentiel d'expertise et de pratique professionnelles.
Graphic Designers, Monographs
Karel Martens: Love letters
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''Love Letters'' is a selection of 46 envelopes for the letters that Dutch graphic designer Karel Martens sent to his love, Lous, between 1962 and 1963. The envelopes were all manually crafted using printing ink and a spoon to create the pattern. They were printed during his military service, when he was stationed in the drawing room of the Welfare Service at the Prins(...)
Karel Martens: Love letters
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''Love Letters'' is a selection of 46 envelopes for the letters that Dutch graphic designer Karel Martens sent to his love, Lous, between 1962 and 1963. The envelopes were all manually crafted using printing ink and a spoon to create the pattern. They were printed during his military service, when he was stationed in the drawing room of the Welfare Service at the Prins Hendrik Barracks. Among other things, there he was tasked with designing a poster titled “Don’t croak about military service matters, the enemy is listening”.
Graphic Designers, Monographs
Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans(...)
Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans cette monographie éponyme, il propose une sélection de ses travaux, des scénographies d’exposition à la communication culturelle, en passant par ses croquis quotidiens ou encore ses expérimentations autour des formes et des couleurs. Au delà du catalogue, il commente l’évolution de son œuvre et livre ses maîtres, ses réflexions et recherches graphiques. Un livre de référence pour tout ceux qui s’intéressent au design et à l’illustration.
Graphic Designers, Monographs
Of & About Posters: The lawrence Weiner poster archive 1965-2021 at the Vamcouver Art Gallery
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Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner’s(...)
Of & About Posters: The lawrence Weiner poster archive 1965-2021 at the Vamcouver Art Gallery
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Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner’s production. Lawrence Weiner is considered one of the foremost conceptual artists worldwide. His posters, which are a fundamental part of his practice and are designed by the artist himself, have appeared as promotions for exhibitions as well as works in and of themselves. This publication will include a full presentation of the Lawrence Weiner Poster Archive, consisting of more than 250 posters from the collection of the Vancouver Art Gallery. Together, they convey the evolution of Weiner’s work over a period spanning more than fifty years.
Graphic Designers, Monographs
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Code de création
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John Maeda est, dans le domaine du numérique, probablement le plus grand designer, professeur et artiste actuel. Tandis que son précédent ouvrage maeda@media, qui connut un immense succès, retraçait l'ensemble de son œuvre, Code de création permet aujourd'hui de découvrir une facette moins connue mais ô combien essentielle de ce créateur : son activité d'enseignant au(...)
Code de création
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John Maeda est, dans le domaine du numérique, probablement le plus grand designer, professeur et artiste actuel. Tandis que son précédent ouvrage maeda@media, qui connut un immense succès, retraçait l'ensemble de son œuvre, Code de création permet aujourd'hui de découvrir une facette moins connue mais ô combien essentielle de ce créateur : son activité d'enseignant au sein du célèbre MIT Media Lab. John Maeda nous ouvre en effet pour la toute première fois les portes du mythique Aesthetics and Computation Group (ACG) qu'il dirigea pendant huit années et nous présente les travaux les plus passionnants et innovateur de ses étudiants, dont la plupart jouissent désormais d'une réputation internationale. L'ouvrage, entièrement conçu par Maeda lui-même, s'organise autour de thèmes qui reflètent parfaitement les sujets et interrogations phares du design numérique actuel : la visualisation de l'information, la typographie, l'abstraction, l'interaction, l'enseignement.
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November 2004, Paris
Graphic Designers, Monographs
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W.J.H.B. Sandberg (1897-1984) was a highly individual graphic designer as well as director of the Stedelijk Museum in Amsterdam, which after the Second World War he elevated to a leader among museums of modern art. This book gives a kaleidoscopic picture of Sandberg as the designer of almost all the Stedelijk's posters, catalogues and other printed matter and also shows(...)
Sandberg : designer + director of the Stedelijk
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W.J.H.B. Sandberg (1897-1984) was a highly individual graphic designer as well as director of the Stedelijk Museum in Amsterdam, which after the Second World War he elevated to a leader among museums of modern art. This book gives a kaleidoscopic picture of Sandberg as the designer of almost all the Stedelijk's posters, catalogues and other printed matter and also shows the decisive influence he had on the modernizing of the museum building. The war years 1940-45 brought a turning-point in Sandberg's life. During the German occupation he took an active part in the artists' resistance movement, where he became convinced of the stimulating and provocative role artists could play in society. After the war, with few means at his disposal but with a great sense of purpose, he set about transforming the Stedelijk into a meeting ground where the public could become acquainted with a wealth of contemporary art and design in an informal setting. He gave the old-fashioned building a bright, airy interior and added a transparent new wing. He also provided a generally accessible library at the core of the museum together with a restaurant and terrace. The atmosphere pervading Sandberg's Stedelijk could be attributed to his zestful personality, his talents as a designer and his tireless efforts on behalf of artists and art, driven by a firm social commitment. The author and compiler of this book (born in 1931) spent many years working at the Stedelijk Museum and was a friend of Sandberg.
Graphic Designers, Monographs
Tanaka Ikko : graphic master
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Tanaka Ikko (b. 1930) is one of the established masters of Japanese graphic design. His work draws together influences from East and West, acknowledging the vocabulary of European Modernism while remaining characteristically Japanese. Inspired by sources as diverse as traditional Japanese illustration techniques and his passion for American jazz, he is renowned for(...)
Tanaka Ikko : graphic master
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Tanaka Ikko (b. 1930) is one of the established masters of Japanese graphic design. His work draws together influences from East and West, acknowledging the vocabulary of European Modernism while remaining characteristically Japanese. Inspired by sources as diverse as traditional Japanese illustration techniques and his passion for American jazz, he is renowned for numerous cultural posters and programmes for theatre and ballet, many for Kanze Noh Drama.
Graphic Designers, Monographs
Chris Ware
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As one of today’s most renowned cartoonists, Chris Ware is widely considered an artist of genius. Combining innovative comic book art, hand lettering, and graphic design, Ware’s uniquely appealing work is characterized by ceaseless experimentation with narrative and graphic forms. The publication of his novel "Jimmy Corrigan: The Smartest Kid on Earth" in 2000 inspired a(...)
Graphic Designers, Monographs
September 2004, New Haven
Chris Ware
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As one of today’s most renowned cartoonists, Chris Ware is widely considered an artist of genius. Combining innovative comic book art, hand lettering, and graphic design, Ware’s uniquely appealing work is characterized by ceaseless experimentation with narrative and graphic forms. The publication of his novel "Jimmy Corrigan: The Smartest Kid on Earth" in 2000 inspired a near avalanche of praise from critics and general readers alike. This book is the first to explore the life and work of Chris Ware.
Graphic Designers, Monographs
H.N. Werkman
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Dutch designer and printmaker Hendrick Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of "De blauwe schuitt", a series of undergroud booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was arrested and imprisoned by German secret police in 1945 and(...)
Graphic Designers, Monographs
September 2004, New Haven
H.N. Werkman
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Dutch designer and printmaker Hendrick Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of "De blauwe schuitt", a series of undergroud booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was arrested and imprisoned by German secret police in 1945 and executed without trial just three days before the country's liberation. This illustrated book is the first in English to focus on Werkman's remarkable graphic work and extraordinary life.
Graphic Designers, Monographs
Notes on book design
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In a career spanning more than forty years, Derek Birdsall has achieved renown as a leading book designer in Britain. This practical and inspirational book distils a lifetime’s professional experience. It presents and discusses nearly fifty books he has designed, showing 360 spreads and covers, all in full color and to scale. The designs range from Penguin paperback(...)
Notes on book design
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In a career spanning more than forty years, Derek Birdsall has achieved renown as a leading book designer in Britain. This practical and inspirational book distils a lifetime’s professional experience. It presents and discusses nearly fifty books he has designed, showing 360 spreads and covers, all in full color and to scale. The designs range from Penguin paperback covers in the 1960s to a recent complete redesign of The Church of England’s book of Common Worship. Among Birdsall’s projects are award-winning art catalogues, catalogues raisonné on such major artists as Mark Rothko and Georgia O’Keeffe, and books on wine, chess, astronomy, architecture, and fine paper. Birdsall discusses and illustrates the process of book design, from brief to deadline (which he calls the designer’s muse). He includes specimen settings of his favorite text faces as well as an innovative metric grid system for designing books. In addition, he lists books he himself has found useful or inspiring. For every reader curious about the design or production of books, this is a uniquely informative and instructive book.
Graphic Designers, Monographs