$69.00
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and(...)
El Lissitzky, Vladimir Mayakovsky: For the voice. Facsimile edition
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Reprinted facsimile edition of a masterpiece of modern typography. "For the Voice" is considered to be Lissitzky's masterpiece of modern typography which was originally published in Berlin in 1923. As Lissitzky explained, "I have tried to create an equivalent unity using the poem and the typography," this book is a magnificent example of collaboration between poet and artist. Lissitzky provided visual interpretation of Mayakovsky's poems and each of them is accompanied by a dynamic visual composition with symbolic meaning. Printed letters in red, black and white tones become pictorial signs, contributing to each poem's identity.
Graphic Designers, Monographs
Vox par Vox
$54.95
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Éditeur, illustrateur, typographe, graveur, traducteur, journaliste... Véritable homme-orchestre, Maximilien Vox (1894-1974) a fait du livre et de l’imprimé la grande affaire de sa vie. Sa virtuosité et sa curiosité, à nulles autres pareilles, le placent parmi les grandes figures des arts graphiques et de l’édition. Si tous les amateurs connaissent le nom de Vox pour la(...)
Vox par Vox
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Éditeur, illustrateur, typographe, graveur, traducteur, journaliste... Véritable homme-orchestre, Maximilien Vox (1894-1974) a fait du livre et de l’imprimé la grande affaire de sa vie. Sa virtuosité et sa curiosité, à nulles autres pareilles, le placent parmi les grandes figures des arts graphiques et de l’édition. Si tous les amateurs connaissent le nom de Vox pour la classification des caractères typographiques qui porte son nom, si certains l’associent aux Rencontres de Lure qu’il a fondées et où défile depuis 1952 la fine fleur du métier – Excoffon, Knapp, Frutiger, Massin, Carson, Scher, Robial et tant d’autres –, beaucoup ne mesurent pas l’ampleur de son oeuvre. Dans ses mémoires, restés jusqu’ici inédits, il revient sur cinquante ans d’édition, de créations visuelles et typographiques, sur les grands moments de sa vie, comme la Résistance et la libération de Paris, mais aussi sur ses rencontres dans les milieux très divers qu’il a fréquentés.
Graphic Designers, Monographs
A meaningful order: OK-RM
$105.00
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Across its 328 pages it holds a new history of the distributed realities of design. It depicts designed objects on their own terms to give an account of vision, material, and curiosity—representing a selection of the vast archive of more than 16 years of work from OK-RM through an orchestration of the lithographic process with a special set of colours. It is a site for(...)
Graphic Designers, Monographs
July 2025
A meaningful order: OK-RM
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$105.00
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Across its 328 pages it holds a new history of the distributed realities of design. It depicts designed objects on their own terms to give an account of vision, material, and curiosity—representing a selection of the vast archive of more than 16 years of work from OK-RM through an orchestration of the lithographic process with a special set of colours. It is a site for committed study and experimentation, away from the structures of academe. It generates examples, prototypes, and models. It stages a dialogue rendered in a designerly writing through 26 alphabetised chapters (A–Z). It is unashamedly performative in its play with language, direction, and story. It captures the ongoing, open-ended conversation between the editors, who are makers and thinkers of design, including a long form discussion in the form of an interview with long term collaborator Jack Self and is introduced by poet Lila Matsumoto. In this social arena, the book is considered as everyday object and object of art. It examines designed objects and their meanings, which emerge from the interplay of form and context. What does it do? Why does it do it? How does it do it? It lays out new ideas about how designed objects relate to the cultures that they are borne from and the cultures they can create. It strives for transparency, but not at the cost of transcendence.
Graphic Designers, Monographs
Karel Martens: Unbound
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Unbound accompanies Karel Martens’ first solo exhibition at the Stedelijk Museum Amsterdam, bringing together a wide-ranging body of work Karel made and collected over the entire span of his decades long career. Containing works from the show, collaged, overprinted and juxtaposed with elements found around his studio, the book balances between being an artist book and a(...)
Karel Martens: Unbound
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Unbound accompanies Karel Martens’ first solo exhibition at the Stedelijk Museum Amsterdam, bringing together a wide-ranging body of work Karel made and collected over the entire span of his decades long career. Containing works from the show, collaged, overprinted and juxtaposed with elements found around his studio, the book balances between being an artist book and a catalog. “This publication, thoughtfully designed by Jordi de Vetten and Susu Lee in close collaboration with Martens himself, functions as a handbook to his work. But it’s an unconventional one: unstructured, non-hierarchical, playful, personal, and associative.” With texts by Thomas Castro, curator of the exhibition and Rein Wolfs, director of the Stedelijk Museum.
Graphic Designers, Monographs
$55.00
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A tear-off calendar for 2026 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!
Karel Martens Calendar 2026: every day is a new day
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A tear-off calendar for 2026 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!
Graphic Designers, Monographs
books
Typography
$192.00
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Since the 70s Wolfgang Weingart has exerted a decisive influence on the international development of typography. In the late 60s he instilled creativity and a desire for experimentation into the ossified Swiss typographical industry and reflected this renewal in his own work. Weingart teaches his students to learn from their own experiments and experiences. Countless(...)
Typography
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Since the 70s Wolfgang Weingart has exerted a decisive influence on the international development of typography. In the late 60s he instilled creativity and a desire for experimentation into the ossified Swiss typographical industry and reflected this renewal in his own work. Weingart teaches his students to learn from their own experiments and experiences. Countless designers have been inspired by his teaching at the Basle School of Design and by his lectures. In "Typography" Weingart gives an unusual and frank narrative of his early life and development as a designer. For the first time he gives a comprehensive survey of his works over the past forty years, most of which are unknown.
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December 1999, Baden
Graphic Designers, Monographs
books
$71.95
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"Soak Wash Rinse Spin" investigates the cycles of the Tolleson Design creative process through a textual and graphic layering of information involving four phases: research (the intake of as much information as they can gather), collaboration (with the client and with the(...)
Soak wash rinse spin : Tolleson Design
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"Soak Wash Rinse Spin" investigates the cycles of the Tolleson Design creative process through a textual and graphic layering of information involving four phases: research (the intake of as much information as they can gather), collaboration (with the client and with the other members of the creative team), visual exploration (the workbook process, which includes refinements and the examination of multiple options), and environmental influences (consideration of the ultimate purpose of the solution). Tolleson Design, located in San Francisco since its inception in 1984, produces corporate and product identity, annual reports, web and interactive design, packaging, and environmental graphics for a broad client base that includes Kodak, Nike, Microsoft, Virgin Interactive, Urban Outfitters, and the San Francisco Ballet. Their work has appeared in design publications such as Communication Arts, Graphis, and I.D. Magazine, and has received hundreds of awards.
books
November 1999, New York
Graphic Designers, Monographs
books
The new typography
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This first English-language edition of the 1928 document is translated by Ruari McLean with an introduction by Robin Kinross.
The new typography
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This first English-language edition of the 1928 document is translated by Ruari McLean with an introduction by Robin Kinross.
books
November 1995, Berkeley
Graphic Designers, Monographs
books
$54.00
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book(...)
Graphic Designers, Monographs
January 1999, New York
Paul Renner : the art of typography
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book Christopher Burke provides the first extended account of an essential and still underrated figure. Beginning his career in the thick of the Munich cultural renaissance, Paul Renner worked as a ‘book artist’, applying values he had learnt as a painter to this everyday item of multiple production. An early and prominent member of the Deutscher Werkbund, he was committed to the values of quality in design, always tempered by a certain sobriety of attitude and style. In the 1920s Renner engaged with the radical modernism of that time, briefly in Frankfurt, and then in a more extended phase at the printing school at Munich. Under Renner’s leadership, and with teachers such as Georg Trump and Jan Tschichold, the school produced work of quiet significance. In those years Renner undertook the design of the now ubiquitous typeface Futura. Christopher Burke’s analysis of the design process reveals the characteristic Renner approach: he took up with current tendencies, but through an extended process of finely judged development, helped to deliver a product that has long-lasting quality. In the Nazi seizure of power of 1933, Renner was dismissed from his teaching post — in days recounted here in dramatic detail — and entered a state of ‘inner emigration’. Burke’s account of the Nazi years shows Renner negotiating events with dignity. After 1945, Renner lived in retirement, but entered public discussion of design issues as a voice of experience and sanity. "Paul Renner" is a work of discovery. As part of its fresh narrative and analysis, it includes much new illustrative material and the first full bibliography of Renner’s writings.
books
January 1999, New York
Graphic Designers, Monographs
books
$88.00
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Summary:
No other region of the world currently has such a high concentration of top-quality graphic design as Switzerland. Traditionally understated, Swiss design is now creating an international sensation as young designers successfully combine radical approaches to design with unerring lightness of touch, craftsmanship and attention to detail. Their use of forms is often(...)
Graphic Designers, Monographs
May 2001, Basel
Benzin : young Swiss graphic design
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No other region of the world currently has such a high concentration of top-quality graphic design as Switzerland. Traditionally understated, Swiss design is now creating an international sensation as young designers successfully combine radical approaches to design with unerring lightness of touch, craftsmanship and attention to detail. Their use of forms is often reduced, which also meets the standards for use on the Internet and enhances the international reputation of Swiss design. "Benzin" reviews the work of the most talented of the younger generation of Swiss designers. The book strikingly shows how local scenes can shape developments in design despite globalisation.
books
May 2001, Basel
Graphic Designers, Monographs