Type card play book
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The team of Japanese experimenral graphic designers Dainippon Type Organization continually reinvent the art of typography beyond its practical dimension, turning it into an active and essentially playful experience. A retrospective show of ten years of font and graphic production; a book convertible into playing cards.
Graphic Designers, Monographs
October 2003, Barcelona
Type card play book
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$59.95
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The team of Japanese experimenral graphic designers Dainippon Type Organization continually reinvent the art of typography beyond its practical dimension, turning it into an active and essentially playful experience. A retrospective show of ten years of font and graphic production; a book convertible into playing cards.
Graphic Designers, Monographs
$38.95
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A short and strong statement of position by a type designer. The book takes a wide view, taking in the business of present-day font production, and the technics and the ethics of type as software. As always, Smeijers’s arguments are informed by a strong historical sense. The book also shows his own work as a designer, and is published as a conclusion to the award to him(...)
Type now : a manifesto, plus work so far
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A short and strong statement of position by a type designer. The book takes a wide view, taking in the business of present-day font production, and the technics and the ethics of type as software. As always, Smeijers’s arguments are informed by a strong historical sense. The book also shows his own work as a designer, and is published as a conclusion to the award to him of the Gerrit Noordzij Prize.
Graphic Designers, Monographs
Words fail me
$14.95
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This book was originally inspired by the author’s Italian mother and her struggles with the vagaries of the English language. Over the years the author has tried to correct her attempts and explain why the word she has chosen is incorrect, only to be baffled herself by the lack of logic within those explanations. English is full of contradictions and peculiarities (not(...)
Graphic Designers, Monographs
June 2006, London, New York
Words fail me
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This book was originally inspired by the author’s Italian mother and her struggles with the vagaries of the English language. Over the years the author has tried to correct her attempts and explain why the word she has chosen is incorrect, only to be baffled herself by the lack of logic within those explanations. English is full of contradictions and peculiarities (not counting such dull grammatical inconsistencies as ‘i before e except after c’, which are really no fun at all) and hoodwinks us into believing one thing while meaning something quite different. In English, all is not what it seems and with this book the author has brought these illogical oddities to the fore. Questions of spelling, pronunciation or the blatantly nonsensical are illustrated through clever visual representations that are created entirely through artfully manipulated typography. This playful and sometimes hilarious text sorts the homonyms from the heteronyms and introduces the ‘antigram’ (demonstrating how the swift shuffle of certain letters can create words that entirely contradict the first: honestly becomes on the sly, earliest becomes rise late and, fabulously, Elvis = lives!). Monachino goes on to demand an explanation from all those tricky little words that are spelt the same and pronounced the same, but yet have utterly different meanings, while highlighting a few of life`s petty pleonasms and showing off some quite excellent tautologies. A gaggle of one-word oxymorons shines the spotlight on words that harbour contradictory words within them and the final section provides a note on inadvisable hyphenation, which is a useful disco-very, but perhaps not the best place to beg-in.
Graphic Designers, Monographs
Josef Müller-Brockmann
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Illustrated with images of the final designs, sketches, production drawings, and unused design drafts from Müller-Brockmann’s archive - and with long captions explaining in detail the design structure and the brief given by the client - this monograph provides a complete visual understanding of Müller-Brockmann’s growth as a graphic designer.
Josef Müller-Brockmann
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Illustrated with images of the final designs, sketches, production drawings, and unused design drafts from Müller-Brockmann’s archive - and with long captions explaining in detail the design structure and the brief given by the client - this monograph provides a complete visual understanding of Müller-Brockmann’s growth as a graphic designer.
Graphic Designers, Monographs
$99.95
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"Josef Albers: to Open Eyes" takes the reader through Albers’s life in teaching – from his first years at the Bauhaus, to his 1933 emigration to the United States, where he and his wife Anni became founding members and teachers at the experimental start-up Black Mountain College, and again to his 1950 appointment to head up Yale University’s newly restructured Department of Design.
Graphic Designers, Monographs
June 2006, London / New York
Josef Albers : to open eyes, the Bauhaus, Black Mountain College, and Yale
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"Josef Albers: to Open Eyes" takes the reader through Albers’s life in teaching – from his first years at the Bauhaus, to his 1933 emigration to the United States, where he and his wife Anni became founding members and teachers at the experimental start-up Black Mountain College, and again to his 1950 appointment to head up Yale University’s newly restructured Department of Design.
Graphic Designers, Monographs
Sagmeister: Made you look
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Another self-indulgent design monograph is Stefan Sagmeister's hand-scrawled subtitle for the first book about his work, Made You Look. This, and the book's clear red case and silver-gilded pages, seem contrary to the raw, handwritten style he is known for, already setting us up for a wild and very personal ride through almost the entire corpus of the 39-year-old(...)
Sagmeister: Made you look
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Another self-indulgent design monograph is Stefan Sagmeister's hand-scrawled subtitle for the first book about his work, Made You Look. This, and the book's clear red case and silver-gilded pages, seem contrary to the raw, handwritten style he is known for, already setting us up for a wild and very personal ride through almost the entire corpus of the 39-year-old designer's work. Sagmeister once scratched words into his skin for his own lecture poster at Cranbrook, and this is the book version--sometimes enlightening, sometimes embarrassing, and ultimately touching. The story is a conversation between Peter Hall's text and Sagmeister's handwritten commentary, a perfect and believable device for an absorbing dialogue.
Graphic Designers, Monographs
$78.00
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This book presents all the materials donated by Bruno Munari to the Centro Studi e Archivio della Comunicazione. Thirty years after the first exhibition, the whole fund is being published with new classifications and studies along with two 'historical' essays testifying to the enduring ties between Bruno Munari and the CSAC.
Bruno Munari: Il disegno, il design
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This book presents all the materials donated by Bruno Munari to the Centro Studi e Archivio della Comunicazione. Thirty years after the first exhibition, the whole fund is being published with new classifications and studies along with two 'historical' essays testifying to the enduring ties between Bruno Munari and the CSAC.
Graphic Designers, Monographs
$75.00
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This book presents the typographic experiments and experimental typography of visionary artist and designer Oded Ezer for the first time. A pioneer in the field, Ezer is one of the most influential designers today, who is reinventing the art of typography.Based in Tel Aviv, Ezer has an almost scientific approach to type design in which he explores the anatomy of(...)
The typographer's guide to the galaxy
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This book presents the typographic experiments and experimental typography of visionary artist and designer Oded Ezer for the first time. A pioneer in the field, Ezer is one of the most influential designers today, who is reinventing the art of typography.Based in Tel Aviv, Ezer has an almost scientific approach to type design in which he explores the anatomy of letters and alphabets. His Hebrew and Latin characters and alphabets are influenced by calligraphy and integrate elements that are not typical for font design, such as ornamental and organic shapes that resemble creatures. The book introduces his type art and hybrid typo creatures, including projects from his Biotypography series.
Graphic Designers, Monographs
Helmut Schmid: Typography
$87.00
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German(...)
Graphic Designers, Monographs
November 2023
Helmut Schmid: Typography
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$87.00
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German chancellors Willy Brandt and Helmut Schmidt), Schmid merged Eastern and Western influences in his editorial design, product packaging, political and corporate visual identity. This bilingual monograph explores the typographer's oeuvre in its entirety. The book's generous design allows each image to breathe; accompanying texts narrate Schmid's life and career in an informative but pleasant manner.
Graphic Designers, Monographs
La Fabrique de Rudi Meyer
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore.(...)
La Fabrique de Rudi Meyer
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore. Il dut, pour relever ce défi, inventer quelques outils au passage. Sa capacité à décloisonner a fait de lui un inclassable et donc un marginal au sein du cadastre des champs disciplinaires, plutôt imperméables et hiérarchisés en France. On en est parfois venu à ne plus savoir exactement quel était son métier. Qu’à cela ne tienne. Ne prenant racine dans aucun pré carré spécialisé, il multiplia les incartades, les rencontres, les collaborations et autres fertilisations croisées, sans jamais se sédentariser ni s’attacher. Dans cet entretien, Rudi Meyer revient sur des moments fondateurs de sa carrière et donne à voir sa conception d’un design inclassable, sans cesse réinventé.
Graphic Designers, Monographs