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books
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Title:
Karel Martens: Small prints
Karel Martens: Small prints
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This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is(...)
$50.00
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Summary:
This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is(...)
Title:
Karel Martens: Small prints
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$50.00
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Summary:
This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the contents of the book in three layers on a single print sheet, which was then cut and folded, variations in the cover emerged.
Karel Martens: Small prints
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$50.00
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Summary:
This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the contents of the book in three layers on a single print sheet, which was then cut and folded, variations in the cover emerged.
Form:
books
books
Publication:
April 2023
April 2023
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$35.95
(available to order)
Summary:
Randstad temping agency, Ahrend office supplies, Aid for the Homeless: the life of graphic designer Ben Bos is dominated by clients who remained loyal to him and his design for decades. His name is indissolubly linked with design studio Total Design, where he worked as a manager for 26 years. In this book Bos’s work is considered against the background of developments in(...)
$35.95
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Summary:
Randstad temping agency, Ahrend office supplies, Aid for the Homeless: the life of graphic designer Ben Bos is dominated by clients who remained loyal to him and his design for decades. His name is indissolubly linked with design studio Total Design, where he worked as a manager for 26 years. In this book Bos’s work is considered against the background of developments in(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
January 1900, Amsterdam
January 1900, Amsterdam
Title:
Design of a lifetime : Ben Bos
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$35.95
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Randstad temping agency, Ahrend office supplies, Aid for the Homeless: the life of graphic designer Ben Bos is dominated by clients who remained loyal to him and his design for decades. His name is indissolubly linked with design studio Total Design, where he worked as a manager for 26 years. In this book Bos’s work is considered against the background of developments in Dutch society and graphic design, about working in teams and about his contact with clients. Interviews with fellow designers reveal Bos as a driven designer.
Design of a lifetime : Ben Bos
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$35.95
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Randstad temping agency, Ahrend office supplies, Aid for the Homeless: the life of graphic designer Ben Bos is dominated by clients who remained loyal to him and his design for decades. His name is indissolubly linked with design studio Total Design, where he worked as a manager for 26 years. In this book Bos’s work is considered against the background of developments in Dutch society and graphic design, about working in teams and about his contact with clients. Interviews with fellow designers reveal Bos as a driven designer.
Form:
books
books
Publication:
January 1900, Amsterdam
January 1900, Amsterdam
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Price:
$43.50
(available to order)
Summary:
The first section of this publication reproduces an extensive selection from the variegated posters and programmes that Reitsma designed since 1990 for 84 different DNO productions. Entire pages from several programmes have been reprinted on the original paper. The second half presents earlier and other work by this designer made for other clients, predominantly from(...)
$43.50
(available to order)
Summary:
The first section of this publication reproduces an extensive selection from the variegated posters and programmes that Reitsma designed since 1990 for 84 different DNO productions. Entire pages from several programmes have been reprinted on the original paper. The second half presents earlier and other work by this designer made for other clients, predominantly from(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
December 2001, Amsterdam
December 2001, Amsterdam
Title:
Lex Reitsma : 10 years of posters for De Nederlandse Opera and other works
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$43.50
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Summary:
The first section of this publication reproduces an extensive selection from the variegated posters and programmes that Reitsma designed since 1990 for 84 different DNO productions. Entire pages from several programmes have been reprinted on the original paper. The second half presents earlier and other work by this designer made for other clients, predominantly from the institutional and cultural field. This includes exhibition catalogues as well as books on architecture and photography. This graphic diptych is separated by a text collage composed of statements by and about Reitsma. Contributions by art critic Paul Hefting and dramaturge Klaus Bertisch of De Nederlandse Opera, views expressed by fellow designers, quotes from the professional literature, newspaper articles and- last but not least- Reitsma’s own opinions provide a lively picture of the world of this graphic designer. The reader is given a good impression of the development in Reitsma’s recognizable work and the ideas from which it sprung.
Lex Reitsma : 10 years of posters for De Nederlandse Opera and other works
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$43.50
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Summary:
The first section of this publication reproduces an extensive selection from the variegated posters and programmes that Reitsma designed since 1990 for 84 different DNO productions. Entire pages from several programmes have been reprinted on the original paper. The second half presents earlier and other work by this designer made for other clients, predominantly from the institutional and cultural field. This includes exhibition catalogues as well as books on architecture and photography. This graphic diptych is separated by a text collage composed of statements by and about Reitsma. Contributions by art critic Paul Hefting and dramaturge Klaus Bertisch of De Nederlandse Opera, views expressed by fellow designers, quotes from the professional literature, newspaper articles and- last but not least- Reitsma’s own opinions provide a lively picture of the world of this graphic designer. The reader is given a good impression of the development in Reitsma’s recognizable work and the ideas from which it sprung.
Form:
books
books
Publication:
December 2001, Amsterdam
December 2001, Amsterdam
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Price:
$45.95
(available to order)
Summary:
First in a new series of monographs on young Dutch design groups that operate at the forefront of a new generation of graphic designers. "From the start Thonik has been at the forefront of a new generation of graphic designers. The designer as director, as conceptual artist, as strategist, as media expert and as obstinate busybody- Thonik cover all these roles with(...)
$45.95
(available to order)
Summary:
First in a new series of monographs on young Dutch design groups that operate at the forefront of a new generation of graphic designers. "From the start Thonik has been at the forefront of a new generation of graphic designers. The designer as director, as conceptual artist, as strategist, as media expert and as obstinate busybody- Thonik cover all these roles with(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
October 2001, Amsterdam
October 2001, Amsterdam
Title:
Thonik
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$45.95
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Summary:
First in a new series of monographs on young Dutch design groups that operate at the forefront of a new generation of graphic designers. "From the start Thonik has been at the forefront of a new generation of graphic designers. The designer as director, as conceptual artist, as strategist, as media expert and as obstinate busybody- Thonik cover all these roles with gusto. And with results." (Ineke Schwartz-new Dutch graphic design)
Thonik
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$45.95
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Summary:
First in a new series of monographs on young Dutch design groups that operate at the forefront of a new generation of graphic designers. "From the start Thonik has been at the forefront of a new generation of graphic designers. The designer as director, as conceptual artist, as strategist, as media expert and as obstinate busybody- Thonik cover all these roles with gusto. And with results." (Ineke Schwartz-new Dutch graphic design)
Form:
books
books
Publication:
October 2001, Amsterdam
October 2001, Amsterdam
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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Price:
$120.00
(available to order)
Summary:
Karl Gerstner is one of the foremost Swiss graphic designers. In 1959, he and Markus Kutter founded the agency Gerstner + Kutter, which later became GGK - Gerstner, Gredinger and Kutter. Before long, the agency had become one of the largest advertising agencies of international renown in Switzerland. After withdrawing from active agency work, Gerstner designed the(...)
$120.00
(available to order)
Summary:
Karl Gerstner is one of the foremost Swiss graphic designers. In 1959, he and Markus Kutter founded the agency Gerstner + Kutter, which later became GGK - Gerstner, Gredinger and Kutter. Before long, the agency had become one of the largest advertising agencies of international renown in Switzerland. After withdrawing from active agency work, Gerstner designed the(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Title:
Karl Gerstner : review of 5 x 10 graphic design etc.
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$120.00
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Summary:
Karl Gerstner is one of the foremost Swiss graphic designers. In 1959, he and Markus Kutter founded the agency Gerstner + Kutter, which later became GGK - Gerstner, Gredinger and Kutter. Before long, the agency had become one of the largest advertising agencies of international renown in Switzerland. After withdrawing from active agency work, Gerstner designed the corporate identities for such companies as Swissair, Burda and Langenscheidt and worked as a world-wide identity consultant and designer for IBM. In this book Karl Gerstner recapitulates his now 50 years of active work as a graphic designer. The ups and downs of a designer's professional life are vividly illustrated with samples of work, both realized and rejected by the client. Despite its didactic structure, the book's tone is never moralizing: It is not Gerstner's intention to tell how it should be done, but rather how he did it. And, like with his other books - Designing Programmes soon became a cult book in the sixties and "Compendium for Literates" was recently published in its fourth edition - Karl Gerstner succeeded in creating an astutely written and designed book.
Karl Gerstner : review of 5 x 10 graphic design etc.
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$120.00
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Summary:
Karl Gerstner is one of the foremost Swiss graphic designers. In 1959, he and Markus Kutter founded the agency Gerstner + Kutter, which later became GGK - Gerstner, Gredinger and Kutter. Before long, the agency had become one of the largest advertising agencies of international renown in Switzerland. After withdrawing from active agency work, Gerstner designed the corporate identities for such companies as Swissair, Burda and Langenscheidt and worked as a world-wide identity consultant and designer for IBM. In this book Karl Gerstner recapitulates his now 50 years of active work as a graphic designer. The ups and downs of a designer's professional life are vividly illustrated with samples of work, both realized and rejected by the client. Despite its didactic structure, the book's tone is never moralizing: It is not Gerstner's intention to tell how it should be done, but rather how he did it. And, like with his other books - Designing Programmes soon became a cult book in the sixties and "Compendium for Literates" was recently published in its fourth edition - Karl Gerstner succeeded in creating an astutely written and designed book.
Form:
books
books
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Actions:
Price:
$52.50
(available to order)
Summary:
Anticipation occurs in al spheres of life. It complements the physics of reaction with the pro-active quality of the living. Sometimes we humans are aware of anticipation, as we plan. Often, we are not aware of it, as when processes embedded in our body and mind take place before we realize their finality. In tennis, for example, the return of a professional serve can be(...)
$52.50
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Summary:
Anticipation occurs in al spheres of life. It complements the physics of reaction with the pro-active quality of the living. Sometimes we humans are aware of anticipation, as we plan. Often, we are not aware of it, as when processes embedded in our body and mind take place before we realize their finality. In tennis, for example, the return of a professional serve can be(...)
Title:
Mihai Nadin : anticipation - the end is where we start from
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Anticipation occurs in al spheres of life. It complements the physics of reaction with the pro-active quality of the living. Sometimes we humans are aware of anticipation, as we plan. Often, we are not aware of it, as when processes embedded in our body and mind take place before we realize their finality. In tennis, for example, the return of a professional serve can be successful only trough anticipatory mechanisms. Anticipation is the engine driving the stock market. Creativity in art and design are fired by anticipation. This publication casts light above all design problems relating to anticipatory processes. The editor, Prof. Mihai Nadin, teaches computational design in Wuppertal, and has been working on anticipation and its associated themes for many years. Design: Uwe Loesch.
Mihai Nadin : anticipation - the end is where we start from
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Summary:
Anticipation occurs in al spheres of life. It complements the physics of reaction with the pro-active quality of the living. Sometimes we humans are aware of anticipation, as we plan. Often, we are not aware of it, as when processes embedded in our body and mind take place before we realize their finality. In tennis, for example, the return of a professional serve can be successful only trough anticipatory mechanisms. Anticipation is the engine driving the stock market. Creativity in art and design are fired by anticipation. This publication casts light above all design problems relating to anticipatory processes. The editor, Prof. Mihai Nadin, teaches computational design in Wuppertal, and has been working on anticipation and its associated themes for many years. Design: Uwe Loesch.
Form:
books
books
Publication:
June 2003, Baden
June 2003, Baden
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Title:
Design by numbers
Design by numbers
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$44.95
(available in store)
Summary:
Most art and technology projects pair artists with engineers or scientists: the artist has the conception, and the technical person provides the know-how. John Maeda is an artist and a computer scientist, and he views the computer not as a substitute for brush and paint but as an artistic medium in its own right. Design By Numbers is a reader-friendly tutorial on both the(...)
$44.95
(available in store)
Summary:
Most art and technology projects pair artists with engineers or scientists: the artist has the conception, and the technical person provides the know-how. John Maeda is an artist and a computer scientist, and he views the computer not as a substitute for brush and paint but as an artistic medium in its own right. Design By Numbers is a reader-friendly tutorial on both the(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
October 2001, Cambridge, Mass.
October 2001, Cambridge, Mass.
Title:
Design by numbers
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$44.95
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Summary:
Most art and technology projects pair artists with engineers or scientists: the artist has the conception, and the technical person provides the know-how. John Maeda is an artist and a computer scientist, and he views the computer not as a substitute for brush and paint but as an artistic medium in its own right. Design By Numbers is a reader-friendly tutorial on both the philosophy and nuts-and-bolts techniques of programming for artists. Practicing what he preaches, Maeda composed Design By Numbers using a computational process he developed specifically for the book. He introduces a programming language and development environment, available on the Web, which can be freely downloaded or run directly within any JAVA-enabled Web browser. Appropriately, the new language is called DBN (for "design by numbers"). Designed for "visual" people--artists, designers, anyone who likes to pick up a pencil and doodle--DBN has very few commands and consists of elements resembling those of many other languages, such as LISP, LOGO, C/JAVA, and BASIC. Throughout the book Maeda emphasizes the importance--and delights--of understanding the motivation behind computer programming, as well as the many wonders that emerge from well-written programs. Sympathetic to the "mathematically challenged," he places minimal emphasis on mathematics in the first half of the book. Because computation is inherently mathematical, the books second half uses intermediate mathematical concepts that generally do not go beyond high-school algebra. The reader who masters the skills so clearly set out by Maeda will be ready to exploit the true character of digital media design.
Design by numbers
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$44.95
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Summary:
Most art and technology projects pair artists with engineers or scientists: the artist has the conception, and the technical person provides the know-how. John Maeda is an artist and a computer scientist, and he views the computer not as a substitute for brush and paint but as an artistic medium in its own right. Design By Numbers is a reader-friendly tutorial on both the philosophy and nuts-and-bolts techniques of programming for artists. Practicing what he preaches, Maeda composed Design By Numbers using a computational process he developed specifically for the book. He introduces a programming language and development environment, available on the Web, which can be freely downloaded or run directly within any JAVA-enabled Web browser. Appropriately, the new language is called DBN (for "design by numbers"). Designed for "visual" people--artists, designers, anyone who likes to pick up a pencil and doodle--DBN has very few commands and consists of elements resembling those of many other languages, such as LISP, LOGO, C/JAVA, and BASIC. Throughout the book Maeda emphasizes the importance--and delights--of understanding the motivation behind computer programming, as well as the many wonders that emerge from well-written programs. Sympathetic to the "mathematically challenged," he places minimal emphasis on mathematics in the first half of the book. Because computation is inherently mathematical, the books second half uses intermediate mathematical concepts that generally do not go beyond high-school algebra. The reader who masters the skills so clearly set out by Maeda will be ready to exploit the true character of digital media design.
Form:
books
books
Publication:
October 2001, Cambridge, Mass.
October 2001, Cambridge, Mass.
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Actions:
Price:
$53.50
(available to order)
Summary:
Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his(...)
$53.50
(available to order)
Summary:
Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his(...)
Title:
Otto Treumann : graphic design in the Netherlands
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Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. He enjoyed a special relationship with industrial clients, invariably achieving top quality and innovation in the arena where economics meets culture. His work has proved eminently suitable for house styles and logos, including those for Wolters Noordhoff the publishers, the Kröller-Müller Museum, the Royal Institute of Dutch Architects and El Al Airlines. He also designed posters for the Industries Fair in Utrecht, the Rotterdam Ahoy' and Tattoo in Delft. The book is designed by Irma Boom.
Otto Treumann : graphic design in the Netherlands
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$53.50
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Summary:
Otto Treumann (1919-2001) is regarded as a major pioneer in the modernization of graphic design in the Netherlands. Premised on Swiss typography and the Bauhaus, Treumann's oeuvre is distinguished by an easy-to-read combination of visual elements and an iconoclastic treatment of colour. These benefit from his wide knowledge of printing techniques acquired during the Second World War when he forged documents for the resistance. He enjoyed a special relationship with industrial clients, invariably achieving top quality and innovation in the arena where economics meets culture. His work has proved eminently suitable for house styles and logos, including those for Wolters Noordhoff the publishers, the Kröller-Müller Museum, the Royal Institute of Dutch Architects and El Al Airlines. He also designed posters for the Industries Fair in Utrecht, the Rotterdam Ahoy' and Tattoo in Delft. The book is designed by Irma Boom.
Form:
books
books
Publication:
June 2001, Rotterdam
June 2001, Rotterdam
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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$31.50
(available to order)
Summary:
Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes(...)
$31.50
(available to order)
Summary:
Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
October 2005, Corte Madera
October 2005, Corte Madera
Title:
Vladimir Nabokov : alphabet in color
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$31.50
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Summary:
Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes hard g (vulcanized rubber) and r (a sooty rag being ripped). Oatmeal n, noodle-limp l, and the ivory-backed hand mirror of o take care of the whites". For anyone who has ever wondered how the colors Nabokov heard might manifest themselves visually, "Alphabet in color" is a remarkable journey of discovery. Jean Holabird’s interpretation of the colored alphabets of one of the twentieth century’s literary greats is a revelation. Nabokov saw rich colors in letters and sounds and noted the deficiency of color in literature, praising Gogol as the first Russian writer to truly appreciate yellow and violet. This book masterfully brings to life the charming and vibrant synesthetic colored letters that until now existed only in Nabokov’s mind. In "Alphabet in color" Jean Holabird’s grasp of form and space blends perfectly with Nabokov’s idea that a subtle interaction exists between sound and shape. He saw q as browner than k, while s is not the light blue of c, but a curious mixture of azure and mother-of-pearl. . . . "Dull green, combined somehow with violet, is the best I can do for w".
Vladimir Nabokov : alphabet in color
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Summary:
Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes hard g (vulcanized rubber) and r (a sooty rag being ripped). Oatmeal n, noodle-limp l, and the ivory-backed hand mirror of o take care of the whites". For anyone who has ever wondered how the colors Nabokov heard might manifest themselves visually, "Alphabet in color" is a remarkable journey of discovery. Jean Holabird’s interpretation of the colored alphabets of one of the twentieth century’s literary greats is a revelation. Nabokov saw rich colors in letters and sounds and noted the deficiency of color in literature, praising Gogol as the first Russian writer to truly appreciate yellow and violet. This book masterfully brings to life the charming and vibrant synesthetic colored letters that until now existed only in Nabokov’s mind. In "Alphabet in color" Jean Holabird’s grasp of form and space blends perfectly with Nabokov’s idea that a subtle interaction exists between sound and shape. He saw q as browner than k, while s is not the light blue of c, but a curious mixture of azure and mother-of-pearl. . . . "Dull green, combined somehow with violet, is the best I can do for w".
Form:
books
books
Publication:
October 2005, Corte Madera
October 2005, Corte Madera
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
Price:
$99.95
(available to order)
Summary:
Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to(...)
$99.95
(available to order)
Summary:
Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
January 2005, London, New York
January 2005, London, New York
Title:
Max Huber
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$99.95
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Summary:
Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant-garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life.
Max Huber
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$99.95
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant-garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life.
Form:
books
books
Publication:
January 2005, London, New York
January 2005, London, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
