Karel Martens: Small prints
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This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is(...)
Karel Martens: Small prints
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This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the contents of the book in three layers on a single print sheet, which was then cut and folded, variations in the cover emerged.
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many(...)
octobre 2005, New York
Chip Kidd : work : 1986-2006, book one
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students.
Kleur Colour
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Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the(...)
avril 2005, Amstelveen, Netherlands
Kleur Colour
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Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the double page reveals an abstract colour interpretation of a particular art work and provides for a reflection on the artist's palette.
Make it bigger
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An outspoken voice in the world of graphic design for more than twenty years, Paula Scher has developed a worldwide reputation for her bold, modern graphics and her incisive, sometimes stinging, critiques of the design profession. In "Make in Bigger", Scher candidly reveals her thoughts on design practice, drawing on her own experiences as one of the leading designers in(...)
Make it bigger
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An outspoken voice in the world of graphic design for more than twenty years, Paula Scher has developed a worldwide reputation for her bold, modern graphics and her incisive, sometimes stinging, critiques of the design profession. In "Make in Bigger", Scher candidly reveals her thoughts on design practice, drawing on her own experiences as one of the leading designers in the United States, and possibly the most famous female graphic designer in the world. Pointed and funny, it is an instructive guide for all those who navigate the difficult path between clients, employees, corporate structures, artists, and design professionals. "Make it Bigger" provides a survey of Scher's groundbreaking work, from her designs as art director at Columbia Records, to her identity for New York's Public Theater, to her recent work for the New York Times, Herman Miller, and the American Museum of Natural History's Rose Center planetarium. Paula Scher is a partner in the design firm Pentagram and a member of the Art Directors Club Hall of Fame. She has won numerous awards for her work, including the Chrysler Design Award and an AIGA Medal for distinguished service to the profession. Her album cover designs have earned her 4 Grammy award nominations.
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"Robert Brownjohn: Sex and Typography" tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. "Robert Brownjohn: Sex and Typography" illustrates the dynamic work Brownjohn(...)
Robert Brownjohn : sex and typography
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"Robert Brownjohn: Sex and Typography" tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. "Robert Brownjohn: Sex and Typography" illustrates the dynamic work Brownjohn produced on his own and as a cofounder of the firms Brownjohn, Chermayeff, and Geismar in New York, and Cammell, Hudson, and Brownjohn in London, including campaigns for such giants as Pirelli, IBM, and Midland Bank.
Topography
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An exploration of the architectural relationship between the inhabited and natural landscapes. Charting a different path from the usual urban/rural design strategies, the research and teaching practice of Richard Black and Martin Hook has worked through alternative ways of reading the landscape as a generator for architectural projects. By investigating mapping, drawing,(...)
janvier 1900, Melbourne
Topography
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An exploration of the architectural relationship between the inhabited and natural landscapes. Charting a different path from the usual urban/rural design strategies, the research and teaching practice of Richard Black and Martin Hook has worked through alternative ways of reading the landscape as a generator for architectural projects. By investigating mapping, drawing, diagramming and photography they construct an alternative reading of place, making familiar places strange and strange places familiar.
Lifestyle
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More manifesto than monograph, 'Life Style' is the first book to document Bruce Mau's creative process and his studio practice. This collection of Mau's essays, observations, anecdotes, and project documentation embodies his unique world view and his belief that form and content are inseparable.
mars 2005, London
Lifestyle
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More manifesto than monograph, 'Life Style' is the first book to document Bruce Mau's creative process and his studio practice. This collection of Mau's essays, observations, anecdotes, and project documentation embodies his unique world view and his belief that form and content are inseparable.
VAS : an opera in Flatland
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Printed in the colors of flesh and blood, VAS: an opera in Flatland - a hybrid image-text novel - demonstrates how differing ways of imagining the body generate diverse stories of history, gender, politics, and, ultimately, the literature of who we are. "VAS" combines a variety of voices, from journalism and libretto to poem and comic book. Often these voices meet in(...)
janvier 2004, Chicago
VAS : an opera in Flatland
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Printed in the colors of flesh and blood, VAS: an opera in Flatland - a hybrid image-text novel - demonstrates how differing ways of imagining the body generate diverse stories of history, gender, politics, and, ultimately, the literature of who we are. "VAS" combines a variety of voices, from journalism and libretto to poem and comic book. Often these voices meet in counterpoint, and the meaning of the narrative emerges from their juxtapositions, harmonies, or discords. Utilizing a wide and historical sweep of representations of the body - from pedigree charts to genetic sequences - "VAS" is, finally, the story of finding one's identity within the double helix of language and lineage. A novel by Steve Tomasula. Art & design by Stephen Farrell.
livres
Code de création
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John Maeda est, dans le domaine du numérique, probablement le plus grand designer, professeur et artiste actuel. Tandis que son précédent ouvrage maeda@media, qui connut un immense succès, retraçait l'ensemble de son œuvre, Code de création permet aujourd'hui de découvrir une facette moins connue mais ô combien essentielle de ce créateur : son activité d'enseignant au(...)
Code de création
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John Maeda est, dans le domaine du numérique, probablement le plus grand designer, professeur et artiste actuel. Tandis que son précédent ouvrage maeda@media, qui connut un immense succès, retraçait l'ensemble de son œuvre, Code de création permet aujourd'hui de découvrir une facette moins connue mais ô combien essentielle de ce créateur : son activité d'enseignant au sein du célèbre MIT Media Lab. John Maeda nous ouvre en effet pour la toute première fois les portes du mythique Aesthetics and Computation Group (ACG) qu'il dirigea pendant huit années et nous présente les travaux les plus passionnants et innovateur de ses étudiants, dont la plupart jouissent désormais d'une réputation internationale. L'ouvrage, entièrement conçu par Maeda lui-même, s'organise autour de thèmes qui reflètent parfaitement les sujets et interrogations phares du design numérique actuel : la visualisation de l'information, la typographie, l'abstraction, l'interaction, l'enseignement.
livres
novembre 2004, Paris
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W.J.H.B. Sandberg (1897-1984) was a highly individual graphic designer as well as director of the Stedelijk Museum in Amsterdam, which after the Second World War he elevated to a leader among museums of modern art. This book gives a kaleidoscopic picture of Sandberg as the designer of almost all the Stedelijk's posters, catalogues and other printed matter and also shows(...)
Sandberg : designer + director of the Stedelijk
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W.J.H.B. Sandberg (1897-1984) was a highly individual graphic designer as well as director of the Stedelijk Museum in Amsterdam, which after the Second World War he elevated to a leader among museums of modern art. This book gives a kaleidoscopic picture of Sandberg as the designer of almost all the Stedelijk's posters, catalogues and other printed matter and also shows the decisive influence he had on the modernizing of the museum building. The war years 1940-45 brought a turning-point in Sandberg's life. During the German occupation he took an active part in the artists' resistance movement, where he became convinced of the stimulating and provocative role artists could play in society. After the war, with few means at his disposal but with a great sense of purpose, he set about transforming the Stedelijk into a meeting ground where the public could become acquainted with a wealth of contemporary art and design in an informal setting. He gave the old-fashioned building a bright, airy interior and added a transparent new wing. He also provided a generally accessible library at the core of the museum together with a restaurant and terrace. The atmosphere pervading Sandberg's Stedelijk could be attributed to his zestful personality, his talents as a designer and his tireless efforts on behalf of artists and art, driven by a firm social commitment. The author and compiler of this book (born in 1931) spent many years working at the Stedelijk Museum and was a friend of Sandberg.