Of & About Posters: The lawrence Weiner poster archive 1965-2021 at the Vamcouver Art Gallery
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Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner’s(...)
Of & About Posters: The lawrence Weiner poster archive 1965-2021 at the Vamcouver Art Gallery
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Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner’s production. Lawrence Weiner is considered one of the foremost conceptual artists worldwide. His posters, which are a fundamental part of his practice and are designed by the artist himself, have appeared as promotions for exhibitions as well as works in and of themselves. This publication will include a full presentation of the Lawrence Weiner Poster Archive, consisting of more than 250 posters from the collection of the Vancouver Art Gallery. Together, they convey the evolution of Weiner’s work over a period spanning more than fifty years.
Graphic Designers, Monographs
Profile Pentagram design
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Pentagram, founded in 1972, is one of the most influential graphic, product, and architectural design firms in the world. Included is a foreword on Pentagram’s history and evolution by Rick Poynor, founder of the British graphic-design magazine Eye.
Graphic Designers, Monographs
July 2004, London, New York
Profile Pentagram design
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Pentagram, founded in 1972, is one of the most influential graphic, product, and architectural design firms in the world. Included is a foreword on Pentagram’s history and evolution by Rick Poynor, founder of the British graphic-design magazine Eye.
Graphic Designers, Monographs
Massive change
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"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our(...)
Graphic Designers, Monographs
November 2004, New York
Massive change
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"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our lives.” In essays, interviews, and provocative imagery aimed at a broad audience, "Massive Change" explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present. "Massive Change" is a well designed, intelligent, visually provocative exploration of the myriad subjects percolating through popular culture: those we read about in magazines and on Web sites but rarely understand in any meaningful way. It poses the question: “Now that the human race can do almost anything, what will we do next?” Accompanies the internationally touring exhibition produced by Bruce Mau and his Institute without Borders.
Graphic Designers, Monographs
$20.00
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As Bruno Munari wrote in 1961, “The biggest hindrance to understanding a work of art is wanting to understand.” And so he has written this diminutive book of theorems, this witty, sincere book of enlightening poems, for the struggling art viewer. To excerpt from individual poems written between 1945 and 1960: if leonardo's gioconda/had legs/she would leave art/and return(...)
Bruno Munari : teoremi sull'arte / art theorems / art théorèmes
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As Bruno Munari wrote in 1961, “The biggest hindrance to understanding a work of art is wanting to understand.” And so he has written this diminutive book of theorems, this witty, sincere book of enlightening poems, for the struggling art viewer. To excerpt from individual poems written between 1945 and 1960: if leonardo's gioconda/had legs/she would leave art/and return to reality ... is the choice of subject important?/raphael's marriage of the virgin/art/john brown's marriage of the virgin/not art/art isn't the subject ... a hundred lovers can even understand realism/a million admirers/will reject concrete art/with all their might ... in italy art is supposed to be italian/in poland polish/in turkey turkish/and if a turk goes to paint in poland/what sort of art should he do?/and what if poland occupies turkey? ... ministers and dictators/noblemen/the bored rich/sportsmen/dissatisfied professionals/worldly galleries/obliging critics/welcoming newspapers/opening cocktails/lots of people/art no.
Graphic Designers, Monographs
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Bram de Does is among the most important contemporary typographers in the Netherlands. He was the chief typographic designer for the famous Dutch printers Enschedé having started work there in 1958. His typefaces Trinité‚ and Lexicon have become two of the most widely used in the Netherlands and he won the prestigious H.N.Werkman prize in 1991 for the design of the(...)
Bram de Does : typographer & type designer
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Bram de Does is among the most important contemporary typographers in the Netherlands. He was the chief typographic designer for the famous Dutch printers Enschedé having started work there in 1958. His typefaces Trinité‚ and Lexicon have become two of the most widely used in the Netherlands and he won the prestigious H.N.Werkman prize in 1991 for the design of the Trinité‚. His bibliophile publications, many of which he sets and prints himself in his own workshop 'Spectatorpers', quickly become collectors items. This publication is the first major study of his entire oeuvre and contains the commentary of several other designers on the practical use of the Trinité and the Lexicon. The contributors are: Harry Sierman, Bern van Bercum, Walter Nikkels, Brigitte Slangen, Jost Hochuli, Hans Peter Willberg, and Dale Tomlinson.
Graphic Designers, Monographs
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"Scents of the City" is a collection of small samples and patterns from a wide range of the public spaces in a city; it is the result of an obsession of many years, an obsession to collect what visually denotes the flavour of a city which is so difficult to describe with words. Without claiming completeness, this collection represents a pictorial archive documenting two(...)
Graphic Designers, Monographs
March 2004, Baden, Switzerland
Scents of the city : guide to visual stumbling blocks in urban spaces
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"Scents of the City" is a collection of small samples and patterns from a wide range of the public spaces in a city; it is the result of an obsession of many years, an obsession to collect what visually denotes the flavour of a city which is so difficult to describe with words. Without claiming completeness, this collection represents a pictorial archive documenting two very different kinds of expeditions through large and small cities of the world.
Graphic Designers, Monographs
$54.95
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This 'image book' presents a themed overview of the work of the graphic designer Piet Gerards. Fifty works chosen and provided with a commentary by Gerards himself show how playful perfectionism and ironic aestheticization have come to typify his iconoclastic style of designing. A recalcitrant commitment and an interest in art history set Piet Gerards on the trail of(...)
Working title : Piet Gerards, graphic designer
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This 'image book' presents a themed overview of the work of the graphic designer Piet Gerards. Fifty works chosen and provided with a commentary by Gerards himself show how playful perfectionism and ironic aestheticization have come to typify his iconoclastic style of designing. A recalcitrant commitment and an interest in art history set Piet Gerards on the trail of modernism and the historical avant-garde at an early stage. Experimenting in that spirit, he developed during the course of three decades a wholly individual approach that strikes a balance between aesthetic ideals and usefulness. Ben van Melick describes and interprets Piet Gerards's development step by step: from self-taught man and left-wing activist specializing in posters and pamphlets to publisher and premiated maker of books, organizer of special cultural productions and graphic designer of many facets. Van Melick's penetrating scrutiny of Gerards's work is complemented by an exhaustive documentary overview of major biographical and culture-historical backgrounds. These forge links, unfold narratives and introduce friends in a telling account of Gerards's world. Working title: Piet Gerards, graphic designer is an unconventional portrait of an unconventional designer, agitating against the vagaries of the day.
Graphic Designers, Monographs
Type card play book
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The team of Japanese experimenral graphic designers Dainippon Type Organization continually reinvent the art of typography beyond its practical dimension, turning it into an active and essentially playful experience. A retrospective show of ten years of font and graphic production; a book convertible into playing cards.
Graphic Designers, Monographs
October 2003, Barcelona
Type card play book
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The team of Japanese experimenral graphic designers Dainippon Type Organization continually reinvent the art of typography beyond its practical dimension, turning it into an active and essentially playful experience. A retrospective show of ten years of font and graphic production; a book convertible into playing cards.
Graphic Designers, Monographs
$38.95
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A short and strong statement of position by a type designer. The book takes a wide view, taking in the business of present-day font production, and the technics and the ethics of type as software. As always, Smeijers’s arguments are informed by a strong historical sense. The book also shows his own work as a designer, and is published as a conclusion to the award to him(...)
Type now : a manifesto, plus work so far
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A short and strong statement of position by a type designer. The book takes a wide view, taking in the business of present-day font production, and the technics and the ethics of type as software. As always, Smeijers’s arguments are informed by a strong historical sense. The book also shows his own work as a designer, and is published as a conclusion to the award to him of the Gerrit Noordzij Prize.
Graphic Designers, Monographs
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MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland. In this publication, "MetaWorx" presents the next generation of Swiss artists and designers, providing a challenging contribution to the research into the theory and expression of interactivity which must surely be one of the most stimulating and fascinating fields of art(...)
Graphic Designers, Monographs
January 2003, Basel
MetaWorx : approaches to interactivity
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MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland. In this publication, "MetaWorx" presents the next generation of Swiss artists and designers, providing a challenging contribution to the research into the theory and expression of interactivity which must surely be one of the most stimulating and fascinating fields of art and design in our time. The transdisciplinary perspective opens a wide field where moments of interactivity are expressed in surprising and visionary installations. In this publication, the artists and designers present their projects themselves, and their contributions are accompanied by theoretical texts which reflect on interactivity in general and set the projects within the broader context of modern day culture.
Graphic Designers, Monographs