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"Scents of the City" is a collection of small samples and patterns from a wide range of the public spaces in a city; it is the result of an obsession of many years, an obsession to collect what visually denotes the flavour of a city which is so difficult to describe with words. Without claiming completeness, this collection represents a pictorial archive documenting two(...)
Graphic Designers, Monographs
March 2004, Baden, Switzerland
Scents of the city : guide to visual stumbling blocks in urban spaces
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"Scents of the City" is a collection of small samples and patterns from a wide range of the public spaces in a city; it is the result of an obsession of many years, an obsession to collect what visually denotes the flavour of a city which is so difficult to describe with words. Without claiming completeness, this collection represents a pictorial archive documenting two very different kinds of expeditions through large and small cities of the world.
Graphic Designers, Monographs
$54.95
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This 'image book' presents a themed overview of the work of the graphic designer Piet Gerards. Fifty works chosen and provided with a commentary by Gerards himself show how playful perfectionism and ironic aestheticization have come to typify his iconoclastic style of designing. A recalcitrant commitment and an interest in art history set Piet Gerards on the trail of(...)
Working title : Piet Gerards, graphic designer
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This 'image book' presents a themed overview of the work of the graphic designer Piet Gerards. Fifty works chosen and provided with a commentary by Gerards himself show how playful perfectionism and ironic aestheticization have come to typify his iconoclastic style of designing. A recalcitrant commitment and an interest in art history set Piet Gerards on the trail of modernism and the historical avant-garde at an early stage. Experimenting in that spirit, he developed during the course of three decades a wholly individual approach that strikes a balance between aesthetic ideals and usefulness. Ben van Melick describes and interprets Piet Gerards's development step by step: from self-taught man and left-wing activist specializing in posters and pamphlets to publisher and premiated maker of books, organizer of special cultural productions and graphic designer of many facets. Van Melick's penetrating scrutiny of Gerards's work is complemented by an exhaustive documentary overview of major biographical and culture-historical backgrounds. These forge links, unfold narratives and introduce friends in a telling account of Gerards's world. Working title: Piet Gerards, graphic designer is an unconventional portrait of an unconventional designer, agitating against the vagaries of the day.
Graphic Designers, Monographs
Type card play book
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The team of Japanese experimenral graphic designers Dainippon Type Organization continually reinvent the art of typography beyond its practical dimension, turning it into an active and essentially playful experience. A retrospective show of ten years of font and graphic production; a book convertible into playing cards.
Graphic Designers, Monographs
October 2003, Barcelona
Type card play book
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The team of Japanese experimenral graphic designers Dainippon Type Organization continually reinvent the art of typography beyond its practical dimension, turning it into an active and essentially playful experience. A retrospective show of ten years of font and graphic production; a book convertible into playing cards.
Graphic Designers, Monographs
$38.95
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A short and strong statement of position by a type designer. The book takes a wide view, taking in the business of present-day font production, and the technics and the ethics of type as software. As always, Smeijers’s arguments are informed by a strong historical sense. The book also shows his own work as a designer, and is published as a conclusion to the award to him(...)
Type now : a manifesto, plus work so far
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A short and strong statement of position by a type designer. The book takes a wide view, taking in the business of present-day font production, and the technics and the ethics of type as software. As always, Smeijers’s arguments are informed by a strong historical sense. The book also shows his own work as a designer, and is published as a conclusion to the award to him of the Gerrit Noordzij Prize.
Graphic Designers, Monographs
$48.95
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MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland. In this publication, "MetaWorx" presents the next generation of Swiss artists and designers, providing a challenging contribution to the research into the theory and expression of interactivity which must surely be one of the most stimulating and fascinating fields of art(...)
Graphic Designers, Monographs
January 2003, Basel
MetaWorx : approaches to interactivity
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MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland. In this publication, "MetaWorx" presents the next generation of Swiss artists and designers, providing a challenging contribution to the research into the theory and expression of interactivity which must surely be one of the most stimulating and fascinating fields of art and design in our time. The transdisciplinary perspective opens a wide field where moments of interactivity are expressed in surprising and visionary installations. In this publication, the artists and designers present their projects themselves, and their contributions are accompanied by theoretical texts which reflect on interactivity in general and set the projects within the broader context of modern day culture.
Graphic Designers, Monographs
Helmut Schmid: Typography
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German(...)
Graphic Designers, Monographs
November 2023
Helmut Schmid: Typography
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The Austrian typographer and graphic designer Helmut Schmid (1942–2018) was acknowledged globally as a master of his craft. Schmid put his own spin on Emil Ruder's teachings while remaining faithful to his principles of clarity, simplicity and elegance. Living in Osaka, Vancouver and Germany (where he worked for the German Social Democratic Party and the German chancellors Willy Brandt and Helmut Schmidt), Schmid merged Eastern and Western influences in his editorial design, product packaging, political and corporate visual identity. This bilingual monograph explores the typographer's oeuvre in its entirety. The book's generous design allows each image to breathe; accompanying texts narrate Schmid's life and career in an informative but pleasant manner.
Graphic Designers, Monographs
La Fabrique de Rudi Meyer
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore.(...)
La Fabrique de Rudi Meyer
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En 1976, lorsque la SNCF lui commande le dessin de la carte voyageurs, c’est une première pour le designer suisse Rudi Meyer qui n’a jusque-là jamais dessiné de plans de réseaux ferrés. Des logos, des affiches, des caractères typographiques, du mobilier, des scénographies d’exposition, des montres, des dispositifs de projection vidéo, oui. Mais des cartes ? Aucune encore. Il dut, pour relever ce défi, inventer quelques outils au passage. Sa capacité à décloisonner a fait de lui un inclassable et donc un marginal au sein du cadastre des champs disciplinaires, plutôt imperméables et hiérarchisés en France. On en est parfois venu à ne plus savoir exactement quel était son métier. Qu’à cela ne tienne. Ne prenant racine dans aucun pré carré spécialisé, il multiplia les incartades, les rencontres, les collaborations et autres fertilisations croisées, sans jamais se sédentariser ni s’attacher. Dans cet entretien, Rudi Meyer revient sur des moments fondateurs de sa carrière et donne à voir sa conception d’un design inclassable, sans cesse réinventé.
Graphic Designers, Monographs
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Ouvrage monographique consacré à Jost Hochuli, « Typobiographie » revient sur l'ensemble de la longue et prolifique carrière du designer et typographe suisse. Rassemblant plusieurs textes de Jost Hochuli lui-même, des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d'images d'archives(...)
Typobiographie : Jost Hochuli, 60 ans de travaux
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Ouvrage monographique consacré à Jost Hochuli, « Typobiographie » revient sur l'ensemble de la longue et prolifique carrière du designer et typographe suisse. Rassemblant plusieurs textes de Jost Hochuli lui-même, des contributions de personnalités reconnues (notamment une préface de John Morgan et un entretien avec Robin Kinross) et un corpus d'images d'archives inédites, cette monographie entend générer des réflexions sur la question du design de livres et en particulier sur les inspirations et les personnalités qui jalonnèrent le parcours du designer.
Graphic Designers, Monographs
$99.00
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''Paula Scher: Works'' is the definitive visual record of the groundbreaking graphic designer and Pentagram partner. Co-edited by Tony Brook and Adrian Shaughnessy, the book organizes Scher’s work chronologically into several thematic sections. It opens with a long interview with the designer, then moves into her record covers from the 1970s and 80s. Central chapters look(...)
Paula Scher: Works. 2nd edition
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''Paula Scher: Works'' is the definitive visual record of the groundbreaking graphic designer and Pentagram partner. Co-edited by Tony Brook and Adrian Shaughnessy, the book organizes Scher’s work chronologically into several thematic sections. It opens with a long interview with the designer, then moves into her record covers from the 1970s and 80s. Central chapters look at her innovative approach to identity design and environmental graphics and its impact on contemporary New York’s urban fabric — as seen in work for clients from MoMA to Charter Schools; from the High Line to Shake Shack — as well as her logos for global corporations and cultural institutions. A large section on authorship is devoted to the designer’s socially and politically-motivated posters, New York Times Op-Ed illustrations and campaign work. The book also provides the most up-to-date look at Scher’s idiosyncratic hand-painted maps, a prolific artistic practice that complements her still-growing graphic legacy, as well as her longstanding collaboration with The Public Theater, which spans over twenty years.
Graphic Designers, Monographs
$77.00
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Twelve chapters with apparently completely heterogeneous themes : colors, content, identity,philosophy, experiment... Conway Lloyd Morgan's study of MKS weaves from this nexus of logics a vivid portrait of one of German's leading design offices. Combining essay and documentation creates an insight into how the individual actual designs : unexpected combinations, like(...)
Graphic Designers, Monographs
December 2002, Ludwigsburg
KMS : twelve chapters about a design office
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Twelve chapters with apparently completely heterogeneous themes : colors, content, identity,philosophy, experiment... Conway Lloyd Morgan's study of MKS weaves from this nexus of logics a vivid portrait of one of German's leading design offices. Combining essay and documentation creates an insight into how the individual actual designs : unexpected combinations, like making an exhibition stand for the new Lamborghini out the idea of nothingness.
Graphic Designers, Monographs