Why not associates ? 2
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Bringing together work from the last six years, this book shows how the designers have refined their typographic style to set new standards. A spectrum of projects, in all media and contexts, demonstrates how versatile, innovative and progressive Why Not's work has become, with explorations into exhibition design, new media, public art and architecture scale urban(...)
Graphic Designers, Monographs
June 2004, New York
Why not associates ? 2
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Bringing together work from the last six years, this book shows how the designers have refined their typographic style to set new standards. A spectrum of projects, in all media and contexts, demonstrates how versatile, innovative and progressive Why Not's work has become, with explorations into exhibition design, new media, public art and architecture scale urban pieces. With an introduction by Alice Twemlow.
Graphic Designers, Monographs
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Pentagram : the compendium
$59.95
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to(...)
Pentagram : the compendium
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This book documents the unique working methods and products of one of the world’s best-known design companies. For the first time a wide range of the Pentagram partners’ internationally acclaimed work – from corporate identity to architecture and book design – is surveyed and used to illustrate the many different forms of thinking that design may take, from narrative to parody and pun. All the Pentagram partners have contributed essays on their particular preoccupations, while special sections examine the implications of the client–designer relationship and the Pentagram company’s own structure, personnel and methodology.
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October 2002, London
Graphic Designers, Monographs
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Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the(...)
Graphic Designers, Monographs
February 2002, Baden
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the designer is committed to function and reduced graphics. He trust the power of the idea. This small-format book is conceived as something that will inspire designers with courage.
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February 2002, Baden
Graphic Designers, Monographs
books
$17.95
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A type specimen book for "Dolly", the new typface from Underware, with an introduction by Erik Spiekermann.
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$75.00
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
Vaughan Oliver : visceral pleasures
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Vaughan Oliver is an influential member of the small group that changed the face of British graphics in the 1980s. Designed by Oliver himself, and written by Rick Poynor, this book illustrates Oliver's intensely visual and emotive work in detail for the first time - most notably his sumptuous sleeve imagery for London's 4AD label.
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January 2000, London
Graphic Designers, Monographs
books
$49.00
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Over the course of 13 controversial issues, influential designer Tibor Kalman (1949–1999) used his position as Editor in Chief of the international magazine Colors to challenge the status quo. Through a highly visual language, he creatively explored the world’s problems—racism, AIDS—and preoccupations—sports, shopping—to propel social change. That Colors was sponsored by(...)
Graphic Designers, Monographs
May 2002, New York
Colors Tibor Kalman : issues 1 - 13
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Over the course of 13 controversial issues, influential designer Tibor Kalman (1949–1999) used his position as Editor in Chief of the international magazine Colors to challenge the status quo. Through a highly visual language, he creatively explored the world’s problems—racism, AIDS—and preoccupations—sports, shopping—to propel social change. That Colors was sponsored by the Benetton clothing company made the media experiment all the more intriguing. Following the success of Abrams’ (un)Fashion, also by Kalman, this visually powerful book features spreads from each issue and reproduces in full a facsimile of the word-free 13th and final Colors. Kalman’s previously unpublished notes and sketches, plus commentary by his partner, Maira, complete the collection.
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May 2002, New York
Graphic Designers, Monographs
Make it bigger
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In Make in Bigger, Scher candidly reveals her thoughts on design practice, drawing on her own experiences as one of the leading designers in the United States. It is an instructive guide for all those who navigate the difficult path between clients, employees, corporate structures, artists, and design professionals. Make it Bigger provides a survey of Scher's(...)
Make it bigger
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In Make in Bigger, Scher candidly reveals her thoughts on design practice, drawing on her own experiences as one of the leading designers in the United States. It is an instructive guide for all those who navigate the difficult path between clients, employees, corporate structures, artists, and design professionals. Make it Bigger provides a survey of Scher's groundbreaking work, from her designs as art director at Columbia Records, to her identity for New York's Public Theater, to her recent work for the New York Times, Herman Miller, and the American Museum of Natural History's Rose Center planetarium.
Graphic Designers, Monographs
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$35.95
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Randstad temping agency, Ahrend office supplies, Aid for the Homeless: the life of graphic designer Ben Bos is dominated by clients who remained loyal to him and his design for decades. His name is indissolubly linked with design studio Total Design, where he worked as a manager for 26 years. In this book Bos’s work is considered against the background of developments in(...)
Graphic Designers, Monographs
January 1900, Amsterdam
Design of a lifetime : Ben Bos
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Randstad temping agency, Ahrend office supplies, Aid for the Homeless: the life of graphic designer Ben Bos is dominated by clients who remained loyal to him and his design for decades. His name is indissolubly linked with design studio Total Design, where he worked as a manager for 26 years. In this book Bos’s work is considered against the background of developments in Dutch society and graphic design, about working in teams and about his contact with clients. Interviews with fellow designers reveal Bos as a driven designer.
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January 1900, Amsterdam
Graphic Designers, Monographs
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$43.50
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The first section of this publication reproduces an extensive selection from the variegated posters and programmes that Reitsma designed since 1990 for 84 different DNO productions. Entire pages from several programmes have been reprinted on the original paper. The second half presents earlier and other work by this designer made for other clients, predominantly from(...)
Graphic Designers, Monographs
December 2001, Amsterdam
Lex Reitsma : 10 years of posters for De Nederlandse Opera and other works
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The first section of this publication reproduces an extensive selection from the variegated posters and programmes that Reitsma designed since 1990 for 84 different DNO productions. Entire pages from several programmes have been reprinted on the original paper. The second half presents earlier and other work by this designer made for other clients, predominantly from the institutional and cultural field. This includes exhibition catalogues as well as books on architecture and photography. This graphic diptych is separated by a text collage composed of statements by and about Reitsma. Contributions by art critic Paul Hefting and dramaturge Klaus Bertisch of De Nederlandse Opera, views expressed by fellow designers, quotes from the professional literature, newspaper articles and- last but not least- Reitsma’s own opinions provide a lively picture of the world of this graphic designer. The reader is given a good impression of the development in Reitsma’s recognizable work and the ideas from which it sprung.
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December 2001, Amsterdam
Graphic Designers, Monographs
books
$45.95
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First in a new series of monographs on young Dutch design groups that operate at the forefront of a new generation of graphic designers. "From the start Thonik has been at the forefront of a new generation of graphic designers. The designer as director, as conceptual artist, as strategist, as media expert and as obstinate busybody- Thonik cover all these roles with(...)
Graphic Designers, Monographs
October 2001, Amsterdam
Thonik
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First in a new series of monographs on young Dutch design groups that operate at the forefront of a new generation of graphic designers. "From the start Thonik has been at the forefront of a new generation of graphic designers. The designer as director, as conceptual artist, as strategist, as media expert and as obstinate busybody- Thonik cover all these roles with gusto. And with results." (Ineke Schwartz-new Dutch graphic design)
books
October 2001, Amsterdam
Graphic Designers, Monographs