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À la manière d’un carnet de bord, ce Journal donne à voir la méthode de travail et les sources d’inspiration de Jochen Gerner. Le travail quotidien de dessinateur impose d’apprendre à regarder avant de pouvoir créer. Il est amené à ressentir le réel et à interpréter les choses vues, afin de retranscrire graphiquement ses propres perceptions. Dans ce livre, Jochen(...)
Journal : Choses vues et dessinées (2019-2023)
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À la manière d’un carnet de bord, ce Journal donne à voir la méthode de travail et les sources d’inspiration de Jochen Gerner. Le travail quotidien de dessinateur impose d’apprendre à regarder avant de pouvoir créer. Il est amené à ressentir le réel et à interpréter les choses vues, afin de retranscrire graphiquement ses propres perceptions. Dans ce livre, Jochen Gerner revient sur quatre années d’observation et de création d’images. Il détaille son processus de travail lui permettant de publier chaque semaine des dessins de presse, de créer des livres illustrés ou des expositions. Le dessin est perçu comme un réservoir de trames, de pictogrammes, et se décline à travers le principe du recouvrement à l’encre sur une multitude de supports imprimés pour en étudier les détails.
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Le regard et le dessin
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En racontant, non sans humour, ses années d’apprentissage aux Arts déco puis dans l’atelier qu’elle partage avec d’autres dessinateurs, Lorène Gaydon livre les plus précieuses leçons qu’elle a reçues, celles qui l’ont véritablement fait avancer. Joyeusement accompagnée par de nombreuses figures tutélaires (enseignants, artistes, mais aussi écrivains...) et munie d’une(...)
Le regard et le dessin
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En racontant, non sans humour, ses années d’apprentissage aux Arts déco puis dans l’atelier qu’elle partage avec d’autres dessinateurs, Lorène Gaydon livre les plus précieuses leçons qu’elle a reçues, celles qui l’ont véritablement fait avancer. Joyeusement accompagnée par de nombreuses figures tutélaires (enseignants, artistes, mais aussi écrivains...) et munie d’une foison d’exemples, elle revient au fondement du dessin : le regard. En cela, cette bande dessinée ne propose pas une méthode ordinaire, mais une série de conseils fondamentaux qui permettent de trouver son propre style, sa propre voie.
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Situé dans le contexte politique tumultueux du Chicago de la fin des années 1960, Moi, ce que j’aime, c’est les monstres Livre Deuxième est la suite très attendue du roman graphique le plus acclamé de la dernière décennie. Il est présenté comme le journal graphique fictif de Karen Reyes, dix ans, qui tente de résoudre le meurtre de sa bien-aimée et énigmatique voisine(...)
Moi, ce que j'aime, c'est les monstres : tome 2
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Situé dans le contexte politique tumultueux du Chicago de la fin des années 1960, Moi, ce que j’aime, c’est les monstres Livre Deuxième est la suite très attendue du roman graphique le plus acclamé de la dernière décennie. Il est présenté comme le journal graphique fictif de Karen Reyes, dix ans, qui tente de résoudre le meurtre de sa bien-aimée et énigmatique voisine d’étage, Anka Silverberg, une survivante de l’holocauste, tandis que les histoires interconnectées de ceux qui l’entourent se déroulent.
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape(...)
Hard as rock, old as stone: Of humans and war
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A stone falls to the Earth. It picks up speed, rolling down the steep side of a mountain until it comes to rest in an empty plain. But the plain won’t remain empty for long: out of the shadows emerge two figures, who immediately start to grapple, using that very stone as a weapon to kill. But those same hands, our human hands, holding the same weight of stone, also shape and forge, chisel and build, creating as they destroy, rendering beauty and violence alike. What is the relationship of those twin impulses? In these pages, artist Alessandaro Sanna uses the shaping force of his hands to explore the seemingly endless, perversely steadfast human capacity for destruction. Unflinchingly tracing humanity’s long history of war, from the havoc of armies on horseback, to the violence of the conquistadores, to the carnage of the First World War, to the ghastly terror of the atomic bomb, and the cruel, shockingly intentional attack on the Twin Towers, Sanna records our compulsion to destroy. The hands mold clay, streak color across a sky, define a world, give beauty to the eye; and yet fires burn, an acrid smell arises, smoke blots out the sun. For what and why?
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L'atelier de Jojo et Yvan
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Chaque mois, Jojo et Yvan t'ouvre la porte de leur atelier pour te parler de leur métier de dessinateur et te dévoiler tous les secrets de la BD!
L'atelier de Jojo et Yvan
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Chaque mois, Jojo et Yvan t'ouvre la porte de leur atelier pour te parler de leur métier de dessinateur et te dévoiler tous les secrets de la BD!
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Despite Julie Doucet’s renunciation of her comics-centric lifestyle more than five years ago, 365 Days is imbued with the iconic talent and studied aesthetic of her seminal comic book series Dirty Plotte, which catapulted her into being one of the world’s greatest cartoonists. This visual journal, starting in late 2002, is an idiosyncratic collision of her various(...)
365 days
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Despite Julie Doucet’s renunciation of her comics-centric lifestyle more than five years ago, 365 Days is imbued with the iconic talent and studied aesthetic of her seminal comic book series Dirty Plotte, which catapulted her into being one of the world’s greatest cartoonists. This visual journal, starting in late 2002, is an idiosyncratic collision of her various creative interests, wherein personal narrative, collage, and drawing begin to tell the story of her pursuits into printmaking and beyond, chronicling her maturation as a mid-career artist and her fluid extension into a broader arts community. Now exhibiting internationally, Doucet blurs the boundaries between high art, illustration, craft, and comics: where panel borders once divided pages, collage creeps in; events and doodles merge; recollection and narrative blend with the abstract. The surreal neurosis of her comics has subsided to reveal a more relaxed creativity that is unrestricted by form or definition and is as engaging as ever.
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This new edition presents Seth's first book in it's definitive form, collecting the extensive, beautilly illustrated storyline from his popular comic book series Palookaville. Here, he vividly recounts his search for meaning in the life and work of Kalo a forgotten gagcartoonist of the 1940's and '50's, This compulsive task takes him through stacks of crumbling books and(...)
It's a good life, if you don't weaken
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This new edition presents Seth's first book in it's definitive form, collecting the extensive, beautilly illustrated storyline from his popular comic book series Palookaville. Here, he vividly recounts his search for meaning in the life and work of Kalo a forgotten gagcartoonist of the 1940's and '50's, This compulsive task takes him through stacks of crumbling books and magazines in the hope of finding, and ultimately holding onto, a piece of the past. With this remarkable novella, Seth has demonstrated to power of comics as a narrative form. The story unfolds slowly, opening windows onto haunting scenes of old factories, remote towns, and distant train routes: taking us back, on a voyage across both distance and time.
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GRR30: urban recordings
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
June 2006, Zurich/Berlin
GRR30: urban recordings
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
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The theme of illustrations is often created as how the illustrators or designers would like to present themselves. As a bank of resources, we spotlight on the characteristic of the purpose of how visual impact is transferred through illustrations. Thus, the collection showcased in the book is divided into 5 sections - Dream & Fantasy; Fun & Playful; Gloomy & Mystery;(...)
It's a matter of illustration
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The theme of illustrations is often created as how the illustrators or designers would like to present themselves. As a bank of resources, we spotlight on the characteristic of the purpose of how visual impact is transferred through illustrations. Thus, the collection showcased in the book is divided into 5 sections - Dream & Fantasy; Fun & Playful; Gloomy & Mystery; Structural & Complex; and Distinctive & Unique, to uncover the diversity of illustrations, its global trends and its influence.
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Bibliodyssey
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Across the world, libraries and institutions are just beginning to make their collections available online, much of this amazing material goes unoticed by the casual surfer. BibliOdyssey's mission has been to search the dustier corners of the internet and retrieve these materials for our enjoyment. Thanks to the efforts of this singular weblog, a myriad of(...)
Bibliodyssey
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Across the world, libraries and institutions are just beginning to make their collections available online, much of this amazing material goes unoticed by the casual surfer. BibliOdyssey's mission has been to search the dustier corners of the internet and retrieve these materials for our enjoyment. Thanks to the efforts of this singular weblog, a myriad of long-forgotten imagery has now resurfaced. Each of these fascinating images is accompanied by a commentary from PK, author and curator of BibliOdyssey, and a link to the source website. With a foreword by artist Dinos Chapman, BibliOdyssey is a journey in discovery and delight, a true cabinet of curiosities.
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