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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et(...)
L'Herbier: plantes sauvages des villes
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Cet herbier est consacré aux plantes qui puisent la force de s’insinuer dans notre espace urbain, dans les joints des caniveaux et des trottoirs, dans les fissures des murs, au pied des arbres, dans les pelouses des parcs, le long des grillages, sur les toits… Ces plantes sauvages des villes peuvent aussi bien être arborescentes que rampantes, florales que graminées, et possèdent, tout autant que leurs cousines des bois, une histoire, un usage, une mythologie. Comme les précédents herbiers, ce livre d’images présente, pour chaque plante, la découpe de sa feuille, de son fruit et de sa graine.
Cheerful in 3 1/2 months
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Do things differently than you’re used to, and things will seem a lot more fun straight away. Like a fake cigarette, send a gift to someone you don’t know, practice to do a wheelie, replace all your filler words in Hawaiian. With the course you find in this book you say goodbye to dreary, miserable days and aloha to cheerful madness.
Cheerful in 3 1/2 months
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Do things differently than you’re used to, and things will seem a lot more fun straight away. Like a fake cigarette, send a gift to someone you don’t know, practice to do a wheelie, replace all your filler words in Hawaiian. With the course you find in this book you say goodbye to dreary, miserable days and aloha to cheerful madness.
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$37.00
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La série de dessins (Seven Months in Brazil) de Yann L. Popper propose des environnements impossibles. Un lemmings est coincé dans une forme carrée, une toile, un monochrome, une façade sans fin, et semble être aux prises avec une urbanisation galopante. Dans un module carré, ce personnage nous propose un regard critique sur les lignes qui l’oppressent. Arrivera-t-il à(...)
Yann L. Popper : seven months in Brazil
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La série de dessins (Seven Months in Brazil) de Yann L. Popper propose des environnements impossibles. Un lemmings est coincé dans une forme carrée, une toile, un monochrome, une façade sans fin, et semble être aux prises avec une urbanisation galopante. Dans un module carré, ce personnage nous propose un regard critique sur les lignes qui l’oppressent. Arrivera-t-il à s'en évader? Yann L. Popper’s series of drawings (Seven Months in Brazil) features impossible environments. A lemmings is stuck within a square shape, a canvas, a monochrome, or an endless façade, and seems to be facing rampant urbanisation. From a square module, this character casts a critical eye on the lines that oppress him. Will he be able to escape from there?
Dans ma maison...
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La maison ou l'on vit, la maison de vacances, la maison imaginaire, la cabane-maison... La maison est un lieu de souvenirs, d'émotions, de rêves... Ce livre est une visite-découverte de maisons imaginées par 76 personnalités de l'illustration. Elles sont accompagées de courts textes sensibles, sortes de petites annonces poétiques empreintes de rêve, d'humour et de(...)
Dans ma maison...
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La maison ou l'on vit, la maison de vacances, la maison imaginaire, la cabane-maison... La maison est un lieu de souvenirs, d'émotions, de rêves... Ce livre est une visite-découverte de maisons imaginées par 76 personnalités de l'illustration. Elles sont accompagées de courts textes sensibles, sortes de petites annonces poétiques empreintes de rêve, d'humour et de douceur, inventés par Thomas Scotto.
Illustration
Emiliano Ponzi: 10 X 10
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10x10 is an account of 10 years of Emiliano Ponzi’s work, spent designing ideas whilst comfortably seated in a 10x10 sq m room in Milan - the illustrator’s home and office. Four walls, a white screen and a window, the only means of escape through which the artist’s images, like carrier pigeons, fly away to editors and art directors. Some of these modern visual metaphors(...)
Emiliano Ponzi: 10 X 10
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10x10 is an account of 10 years of Emiliano Ponzi’s work, spent designing ideas whilst comfortably seated in a 10x10 sq m room in Milan - the illustrator’s home and office. Four walls, a white screen and a window, the only means of escape through which the artist’s images, like carrier pigeons, fly away to editors and art directors. Some of these modern visual metaphors are lost in space, while others return to the window-sill, bringing welcome and, sometimes, unwelcome replies. With an introduction by Nicholas Blechman (art director of the New York Times Book Review), this publication brings us a collection of these images with four different cover choices and a selection of e-mails, sent as Emiliano Ponzi received them. Some amusing, some scathing, but all anonymous. Vividly illustrated for the international press and advertising companies, Ponzi’s sharp accounts record the joys and sorrows of his captivating profession.
Illustration
$28.00
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Michael Pollan and Maira Kalman come together to create an enhanced "Food Rules" for hardcover, now beautifully illustrated and with even more food wisdom. Michael Pollan's definitive compendium, "Food Rules," is here brought to colorful life with the addition of Maira Kalman's beloved illustrations. This brilliant pairing is rooted in Pollan's and Kalman's(...)
Food rules : an eater's manual
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Michael Pollan and Maira Kalman come together to create an enhanced "Food Rules" for hardcover, now beautifully illustrated and with even more food wisdom. Michael Pollan's definitive compendium, "Food Rules," is here brought to colorful life with the addition of Maira Kalman's beloved illustrations. This brilliant pairing is rooted in Pollan's and Kalman's shared appreciation for eating's pleasures, and their understanding that eating doesn't have to be so complicated. Written with the clarity, concision, and wit that is Michael Pollan's trademark, this indispensable handbook lays out a set of straightforward, memorable rules for eating wisely. Kalman's paintings remind us that there is delight in learning to eat well.
Illustration
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A collection of 150 vintage educational charts that celebrates the art of education. Complete with a brief introduction surveying the history of educational charts and their production, it offers both a visual wonder and a glimpse into a design heritage that is still of significance today.
The art of instruction: vintage educational charts from the 19th and the 20th centuries
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A collection of 150 vintage educational charts that celebrates the art of education. Complete with a brief introduction surveying the history of educational charts and their production, it offers both a visual wonder and a glimpse into a design heritage that is still of significance today.
Illustration
Hosukai Manga
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The legendary masterpieces of Hokusai-fifteen volumes in a single chunky book. Hokusai Manga is one of the masterpieces by Katsushika Hokusai (1760-1849), a master of Ukiyo-e art, depicting ordinary people's lives, animals, plants, landscapes and human figures, historical and supernatural, even demons and monsters, as if it were a visual encyclopedia, amounting to fifteen volumes.
Hosukai Manga
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The legendary masterpieces of Hokusai-fifteen volumes in a single chunky book. Hokusai Manga is one of the masterpieces by Katsushika Hokusai (1760-1849), a master of Ukiyo-e art, depicting ordinary people's lives, animals, plants, landscapes and human figures, historical and supernatural, even demons and monsters, as if it were a visual encyclopedia, amounting to fifteen volumes.
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious(...)
Un sedicesimo 21: rue Morgue, Edgar Allan Poe
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious and unexplainable, it can only be solved by brilliant detective, Auguste Dupin. The lugubrious details of the story are transferred to an unprecedented black and white issue of Un Sedicesimo. The pages are crowded with quick ink strokes, differing shades of tempera and daubs of colour, to recreate in dark and urgent images the murky atmosphere of the tale.
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The new issue of Un Sedicesimo pays tribute to the comic strip. Without text or bubbles, the story is created here by the rhythm of the panels on the page, and by their alternating figures and colours. Gianpaolo Pagni creates patterns, people and geometric shapes using specially designed stamps of different shapes and sizes, coated in ink and used like a pencil or(...)
Un sedicesimo 22: Senza Nuvole, rubber stamp drawings
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The new issue of Un Sedicesimo pays tribute to the comic strip. Without text or bubbles, the story is created here by the rhythm of the panels on the page, and by their alternating figures and colours. Gianpaolo Pagni creates patterns, people and geometric shapes using specially designed stamps of different shapes and sizes, coated in ink and used like a pencil or paintbrush to make drawings. Graphics combine with overlapping figures and mass production to create an abstract cartoon that uses geometric figures and human silhouettes in a personal interpretation of wordless narrative.
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