Bibliodyssey
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Across the world, libraries and institutions are just beginning to make their collections available online, much of this amazing material goes unoticed by the casual surfer. BibliOdyssey's mission has been to search the dustier corners of the internet and retrieve these materials for our enjoyment. Thanks to the efforts of this singular weblog, a myriad of(...)
Bibliodyssey
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Across the world, libraries and institutions are just beginning to make their collections available online, much of this amazing material goes unoticed by the casual surfer. BibliOdyssey's mission has been to search the dustier corners of the internet and retrieve these materials for our enjoyment. Thanks to the efforts of this singular weblog, a myriad of long-forgotten imagery has now resurfaced. Each of these fascinating images is accompanied by a commentary from PK, author and curator of BibliOdyssey, and a link to the source website. With a foreword by artist Dinos Chapman, BibliOdyssey is a journey in discovery and delight, a true cabinet of curiosities.
Illustration
Musée Tomi Ungerer
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On ne présente plus Tomi Ungerer. Les Trois Brigands, le Géant de Zéralda, Pas de baiser pour maman et tant d'autres histoires à succès l'ont hissé depuis longtemps au panthéon des auteurs pour enfants. Ses satires acérées de la société américaine, qui défraient la chronique dans les années 1970, n'ont guère perdu de leur actualité ; ses dessins publicitaires explosifs(...)
Musée Tomi Ungerer
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On ne présente plus Tomi Ungerer. Les Trois Brigands, le Géant de Zéralda, Pas de baiser pour maman et tant d'autres histoires à succès l'ont hissé depuis longtemps au panthéon des auteurs pour enfants. Ses satires acérées de la société américaine, qui défraient la chronique dans les années 1970, n'ont guère perdu de leur actualité ; ses dessins publicitaires explosifs ont fait date ; ses œuvres érotiques continuent d'évoquer avec ambivalence et délectation la place de la femme dans nos sociétés. Tomi Ungerer est aussi l'affichiste virulent de la lutte contre le sida, le nucléaire, le racisme. Mais il sait être tendre envers ce qui lui est cher: en témoignent ses illustrations de contes et de chansons populaires qui accompagnent l'imaginaire de plus d'un lecteur. A l'occasion de l'ouverture du Musée Tomi Ungerer, Centre international de l'Illustration, cet ouvrage présente pour la première fois une analyse rétrospective de son œuvre. Parmi les huit mille dessins et sculptures, les mille trois cents livres, les archives, les revues, les photographies dont Tomi Ungerer a fait donation à sa ville natale, ce livre propose quelques chemins de traverse dans la production protéiforme de l'artiste.
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Woodcutter, painter, cosmopolitan and anti-militarist, Belgium-born Masereel (1889-1972) was an extremely popular artist in 1920s Germany. A contemporary of Kathe Kollwitz and George Grosz, his "novels-without-words"--completely composed of woodcuts--have been neglected in the States. Here, 165 striking woodcuts generate the visual narrative of a young man's initiation(...)
Passionate journey: A vision in woodcut
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Woodcutter, painter, cosmopolitan and anti-militarist, Belgium-born Masereel (1889-1972) was an extremely popular artist in 1920s Germany. A contemporary of Kathe Kollwitz and George Grosz, his "novels-without-words"--completely composed of woodcuts--have been neglected in the States. Here, 165 striking woodcuts generate the visual narrative of a young man's initiation into the urban milieu. The raw power and diversity of the city's day to day events continually expand his understanding of life's possibilities. The hero's fascination with the city's abundance of art and culture, political debate and industrial glory combine with observations on an equal profusion of poignant social trauma. The protagonist travels to distant lands; this journey of vibrant percipience propels him toward an enlarged comprehension of his role in a world of good and evil, love and tenderness and clashing social interests. Mann's effusive introduction discusses Masereel's life and influences and details the ideas that motivated and enliven this vivid work.
Illustration
Botanical sketchbooks
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Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is(...)
Botanical sketchbooks
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Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists,artists, collectors, and explorers behind them. This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.
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À main levée
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Une lecture qui vous plongera dans une époque où de grands débats, aux accents de liberté, animaient la Chambre d'assemblée. Sur le plan artistique, l'album transpose en images cet univers riche en émotions, en rebondissements et en intensité.
À main levée
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Une lecture qui vous plongera dans une époque où de grands débats, aux accents de liberté, animaient la Chambre d'assemblée. Sur le plan artistique, l'album transpose en images cet univers riche en émotions, en rebondissements et en intensité.
Illustration
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Au cœur de la capitale arménienne et de cette révolution architecturale, Yann Kebbi, et l’énergie monumentale de son trait, associé à l’humour absurde de l’écrivain Viken Berberian, dessine un portrait grotesque et terriblement réaliste de notre monde. “Il faut tout reconstruire, terminés les vieux immeubles historiques, place au renouveau !”
La structure est pourrie, camarade
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Au cœur de la capitale arménienne et de cette révolution architecturale, Yann Kebbi, et l’énergie monumentale de son trait, associé à l’humour absurde de l’écrivain Viken Berberian, dessine un portrait grotesque et terriblement réaliste de notre monde. “Il faut tout reconstruire, terminés les vieux immeubles historiques, place au renouveau !”
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Le collectionneur de briques
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Après la faillite de son cabinet, Valerio, un architecte, devient la curiosité de son quartier en érigeant une singulière tour de briques au motif encore plus incompréhensible. Au-delà des manifestations de compassion ou de crainte des voisins, l’édifice du vieil homme renvoie un déconcertant constat : celui de la déconstruction de nos villes, de nos sociétés, et de la(...)
Le collectionneur de briques
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Après la faillite de son cabinet, Valerio, un architecte, devient la curiosité de son quartier en érigeant une singulière tour de briques au motif encore plus incompréhensible. Au-delà des manifestations de compassion ou de crainte des voisins, l’édifice du vieil homme renvoie un déconcertant constat : celui de la déconstruction de nos villes, de nos sociétés, et de la dislocation de nos vies modernes. Tandis que son gendre, agent immobilier, mène d’intenses tractations pour revendre l’immeuble familial, on en vient à se demander où commence la folie quand elle se bâtit au milieu d’un austère champ de ruines. Une perspective biaisée où économie, police, mais aussi famille et lien social, semblent tous glisser le long d’un fil à plomb... Sur un fond de crise économique, l’histoire romantique et singulière de Valerio, aidé par Chiara, une bénévole du samu social lisboète, nous parle du déclassement des citoyens européens à l’heure de la dégradation de nos conditions de vie, alimentée par une mondialisation nivelant par le bas. Poétique, tragique mais combatif.
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In his own lifetime, William Blake (1757–1827) was a relatively unknown nonconventional artist with a strong political bent. William Blake and the Age of Aquarius is a beautifully illustrated look at how, some two hundred years after his birth, the antiestablishment values embodied in Blake’s art and poetry became a model for artists of the American counterculture. This(...)
William Blake and the age of Aquarius
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In his own lifetime, William Blake (1757–1827) was a relatively unknown nonconventional artist with a strong political bent. William Blake and the Age of Aquarius is a beautifully illustrated look at how, some two hundred years after his birth, the antiestablishment values embodied in Blake’s art and poetry became a model for artists of the American counterculture. This book provides new insights into the politics and protests of Blake’s own lifetime, and the generation of artists who revived and reimagined his work in the mid-1940s through 1970, or what might be called the “long sixties.” Contributors explore Blake’s outsider status in Georgian England and how his individualistic vision spoke to members of the Beat Generation, hippies, radical poets and writers, and other voices of the counterculture. Among the artists, musicians, and writers who looked to Blake were such diverse figures as Diane Arbus, Jay DeFeo, the Doors, Sam Francis, Allen Ginsberg, Jess, Agnes Martin, Ad Reinhardt, Charles Seliger, Maurice Sendak, Robert Smithson, Clyfford Still, and many others. This book also explores visual cultures around such galvanizing moments of the 1960s as Woodstock and the Summer of Love.
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Nigel Peake produces meticulous hand-drawn maps and obsessively detailed pencil illustrations. Architecture plays a prominent role in his work, as is also the case with ‘There’, the result of his spending a month in an apartment in Paris while working on a series of drawings. There he soon found another drawing project when looking outside the apartment’s windows, a yard(...)
There
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Nigel Peake produces meticulous hand-drawn maps and obsessively detailed pencil illustrations. Architecture plays a prominent role in his work, as is also the case with ‘There’, the result of his spending a month in an apartment in Paris while working on a series of drawings. There he soon found another drawing project when looking outside the apartment’s windows, a yard that was in fact inaccessible to him. The yard was always devoid of people, so he began to draw it using blue pencil. Each picture is a fragment of the whole, interpretations and perspectives that can be pieced together, interchanged, or float freely without context. The book includes a twelve-page insert with texts.
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Un sedicesimo 45
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In this issue of Un Sedicesimo, playgrounds are the protagonists. Luca Terraneo plays with lines and complementary colors, in a never ending bounce between a game and another. Among tennis and hokey playgrounds, we can find ping pong table’s perimeter and diving trampolines too. Once opened, this Sedicesimo becomes a big basket playground ready to be hang at your(...)
Un sedicesimo 45
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In this issue of Un Sedicesimo, playgrounds are the protagonists. Luca Terraneo plays with lines and complementary colors, in a never ending bounce between a game and another. Among tennis and hokey playgrounds, we can find ping pong table’s perimeter and diving trampolines too. Once opened, this Sedicesimo becomes a big basket playground ready to be hang at your favourite wall. Luca Terraneo is a graphic designer born in Milan in 1982.
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