Simply material
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In the fields of design - interior, product, industrial, fashion and architecture, no single creative element matters more than the materials used to create the product. Materials underpin all of the design criteria implemented by the designers and unequivocally influence the end result. Simply Materials presents a broad selection of objects created using a range of(...)
Simply material
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$46.95
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In the fields of design - interior, product, industrial, fashion and architecture, no single creative element matters more than the materials used to create the product. Materials underpin all of the design criteria implemented by the designers and unequivocally influence the end result. Simply Materials presents a broad selection of objects created using a range of sophisticated new technologies and many born of traditional handcraftsmanship. This book introduces the reader to a variety of materials that can be used to create objects or art forms of great beauty in an array of irregular shapes, sizes and compositions. It demonstrates clearly how composition alone is able to liberate materials from the category of raw junk into materials that arouse great visual interest. With contributors including BOEK (PIET HEIN EEK), Tim Parsons, Sand & Birch Design, Contraforma, and many more. This is the first volume in the groundbreaking new series Simply.. From Victionary.
Industrial Design
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Activité noble par excellence, le design consiste à rechercher une réponse intelligente, fonctionnelle et si possible esthétique à nos besoins, des plus quotidiens aux plus extraordinaires. Pourtant, aujourd'hui il s'apparente plus à un label de mode ou de style. Le mot «design» a-t-il été vidé de son sens? Est-il devenu un vague concept de marketing et de communication?(...)
Prodesign : Éloge du design utile
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Activité noble par excellence, le design consiste à rechercher une réponse intelligente, fonctionnelle et si possible esthétique à nos besoins, des plus quotidiens aux plus extraordinaires. Pourtant, aujourd'hui il s'apparente plus à un label de mode ou de style. Le mot «design» a-t-il été vidé de son sens? Est-il devenu un vague concept de marketing et de communication? La réponse est oui, et en voici la démonstration. S'appuyant sur de nombreux exemples d'objets, l'intervention de quelques uns des plus grands designers et le parcours de James Dyson, une nouvelle démarche de création est proposée: le ProDesign un design axé sur l'innovation et une approche responsable, ergonomique, économique et durable au service des utilisateurs-consommateurs du monde entier.
Industrial Design
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We all know what a tool is, and what toys are. But what happens if the two concepts are combined? Manu's message is that many of the succesful products of the future will be – ToolToys.
January 1995, Kobenhavn
Tooltoys : redskaber med et element af leg / tools with an element of play
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We all know what a tool is, and what toys are. But what happens if the two concepts are combined? Manu's message is that many of the succesful products of the future will be – ToolToys.
Dutch design meets bamboo
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This book consists of three parts. The first part contains the result of the design workshop "Bamboo labs", supplemented with the designers personal comments. The second part consists of an introduction on bamboo as a plant and as a material, and an analysis of the causes of the low market share of bamboo products in Western Europe. The thrid part is dedicated to the(...)
Industrial Design
May 2007
Dutch design meets bamboo
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This book consists of three parts. The first part contains the result of the design workshop "Bamboo labs", supplemented with the designers personal comments. The second part consists of an introduction on bamboo as a plant and as a material, and an analysis of the causes of the low market share of bamboo products in Western Europe. The thrid part is dedicated to the structure and the proceedings of the 2Bamboo labs", which formed the core of the project.
Industrial Design
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division.(...)
The Facit Model: Globalism, Localism, Identity
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In Sweden, the Facit brand is as well known as IBM or Olivetti. Based in Atvidaberg, the company produced mechanical calculators, typewriters and office furniture between 1922 and 1998. By the 1970s, the company had grown from a local family business into one of the world’s leading manufacturers. The company-sponsored football team AFF was playing in the first division. But a few years later the Facit organization had disappeared—worn down by global capitalism. ''The Facit Model: Globalism, Localism, Identity'' looks at this peculiar example of corporate modernism through the printed matter produced in Facit’s in-house print shops, culled from FACIT’s archives. Type specimens, manuals, advertising leaflets and product catalogs bear witness to a culture which feels increasingly distant, and yet helped to define many of the codes and forms familiar to us from today’s world of work.
Industrial Design
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"Electric Dreams" charts the seismic shifts that transformed the monochrome product world of 1980's consumer electronics into a 21st century landscape full of shape, colour and variety. It considers the economic and technological imperatives which brought design to the heart of electronic innovation and marketing culture.
Electric dreams : designing for the digital age
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"Electric Dreams" charts the seismic shifts that transformed the monochrome product world of 1980's consumer electronics into a 21st century landscape full of shape, colour and variety. It considers the economic and technological imperatives which brought design to the heart of electronic innovation and marketing culture.
Industrial Design
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"Ulm design" is synonymous for clear, functional design of superior quality. On the occasion of the fiftieth anniversary of the founding of the Hochschule für Gestaltung in Ulm, this book issued by the Ulmer Museum and the HfG-Archiv pays tribute to the school's pioneering accomplishments. Just in time for the fiftieth anniversary of the founding of the Hochschule für(...)
Industrial Design
September 2003, Ostfildern
Ulm School of Design 1953-1968
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"Ulm design" is synonymous for clear, functional design of superior quality. On the occasion of the fiftieth anniversary of the founding of the Hochschule für Gestaltung in Ulm, this book issued by the Ulmer Museum and the HfG-Archiv pays tribute to the school's pioneering accomplishments. Just in time for the fiftieth anniversary of the founding of the Hochschule für Gestaltung (School of Design, known as the HfG) in Ulm in 1953, this publication honors the pioneering work of its founding members Inge Scholl, Otl Aicher, and Max Bill. Founded on an antifascist impulse, the HfG encouraged the development of a democratic consciousness which was to influence design in general. Products were meant to be as long lived and functional as possible, acceptable with respect to social and ecological criteria, and to take into account changing political conditions and production technologies. The school's pedagogical concept, the so-called Ulm model, was characterized by a new system- oriented design methodology and the encouragement of interdisciplinary teamwork. The Ulm School of Design played a decisive role in establishing the idea of the professional "designer" in the form still valid today, and many designers who graduated from the HfG before its closure in 1968 are still teaching design-related subjects, thus carrying on the specific fundamental principles that empowered the HfG. Examples from design schools in Asia, North and South America, and India illustrate the effects of the design methods developed at Ulm.
Industrial Design
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context(...)
Cross cultural chairs: 8 chairs from 8 countries. Diversifying modern seating
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context of furniture, understanding how globalization is shaping design around the world.'' He writes, ''it’s an exploration that lies between social and technical aspects of chairs.'' To execute this project, Guarnaccia visited eight different countries to conduct research and talk to local design studios, ultimately collaborating with them to portray each culture in the form of a chair. Cross Cultural Chairs plumbs the hidden depths of furniture design and the ways in which cultural norms assert themselves through functional commodities, opening up a conversation about identity, community and expression through chairs.
Industrial Design
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This catalog accompanies a group show at the ADI Design Museum in Milan, featuring a selection of works from Italian designers under age 35. The exhibition showcases how these young designers meet the challenges posed by continuous ecological and social transformations.
Industrial Design
December 2023
Italy: a new collective landscape
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This catalog accompanies a group show at the ADI Design Museum in Milan, featuring a selection of works from Italian designers under age 35. The exhibition showcases how these young designers meet the challenges posed by continuous ecological and social transformations.
Industrial Design
The spirit of chairs
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The chairs in this private collection are not an assembly of objects of everyday use. They are a congregation of creatures often eluding their primary purpose as seating. Metaphorically exaggerated height and disassociation transform the chairs into individuals, or sculptures exploring the uncertain boundaries of physics. The book’s generous layout allows readers to(...)
The spirit of chairs
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$98.00
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The chairs in this private collection are not an assembly of objects of everyday use. They are a congregation of creatures often eluding their primary purpose as seating. Metaphorically exaggerated height and disassociation transform the chairs into individuals, or sculptures exploring the uncertain boundaries of physics. The book’s generous layout allows readers to immerse themselves in this cabinet of curiosities and give their imagination free rein. Nicolas Polli and Jean Vincent Simonet use their photographic essays to interpret the exhibits originating from well-known artists and designers. The texts illustrate the collection in terms of the friction between art and design. They explain the collection’s significance in the life of the collector, and they discuss the general motives that lead to a passion for collecting.
Industrial Design