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Sam Abell : jardins
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Ce livre relate, avec des mots et des photos, les voyages de Sam Abel et les surprises qui l'attendaient en découvrant des jardins dans les sites les plus divers et les plus inattendues à travers du monde.
Sam Abell : jardins
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$98.00
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Ce livre relate, avec des mots et des photos, les voyages de Sam Abel et les surprises qui l'attendaient en découvrant des jardins dans les sites les plus divers et les plus inattendues à travers du monde.
books
August 2001, Paris
Gardens
books
$54.95
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The projects brought together in this book refer to new architectures applied on locations that have experienced, firstly, sporadic warfare; secondly, areas where the earth has functioned as a source of geological workings; and thirdly, marginal territories and urban environments that have undergone industrial development. This initial structure proposes, then, three(...)
Afterwards: remaking landscapes
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The projects brought together in this book refer to new architectures applied on locations that have experienced, firstly, sporadic warfare; secondly, areas where the earth has functioned as a source of geological workings; and thirdly, marginal territories and urban environments that have undergone industrial development. This initial structure proposes, then, three categories as points of reference for linking the contents, with sufficient flexibility for the final argument to be seen via other intersecting readings, tracing associations from one category to another. Thus, apart from the deliberate intensity of each intervention, and far from anchoring this in one or another group according to its nature, we present a wide range of projects hand led in terms of their specific singularities, while emphasizing their abilities and their potential to embrace new uses. Other documents are also presented to strengthen this argument, documents that provide alternatives to the architectural discipline and serve as possible comparable approaches: from the journalistic record to the clearly artistic contribution, taking in the scientific report. These documents will speak (also in terms of their particular uniqueness) of the abstraction and universalization of the degraded territory independently of the moment, its nature and causes. What, finally, the schemes presented share is that in terms of their execution they span a generally extended period of time; on top of that, the participation of institutions and administrative bodies as major sponsors; and, along with an impact on the contemporary landscape, a set of differentiated strategies and mechanisms of intervention
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January 1900, Barcelona
Gardens
books
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Le cycle d'expositions d'art contemporain "La ville, le jardin, la mémoire", ouvert en 1998 à la Villa Médicis, s'achève en l'an 2000. Pour ce dernier volet du tryptique, l'accent est mis sur le jardin: aussi le parcours, se tient-il en dehors des salles d'exposition traditionnelles. Alors que 1999, -année de la mémoire-, insistait sur la dimension sonore et sur(...)
Gardens
June 2000, Gent
La ville, le jardin, la mémoire : Académie de France à Rome, Villa Médicis
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Le cycle d'expositions d'art contemporain "La ville, le jardin, la mémoire", ouvert en 1998 à la Villa Médicis, s'achève en l'an 2000. Pour ce dernier volet du tryptique, l'accent est mis sur le jardin: aussi le parcours, se tient-il en dehors des salles d'exposition traditionnelles. Alors que 1999, -année de la mémoire-, insistait sur la dimension sonore et sur l'archéologie du lieu, les oeuvres disséminées dans le jardin de la Villa Médicis prennent en compte ses différentes facettes. Tel artiste à un souci d'ordre et de monumentalité, clairement affirmé dans le plan du XVIè siècle, tel autre à l'opposé, s'interroge sur la faune originelle et menacée d'un tel "espace vert", un troisième recrée, à sa manière, un labyrinthe comme les aiment les princes de la Renaissance. Comme les années précédentes, l'exposition a été l'occasion d'inviter des artistes venus de tous les continents, et de mêler les générations. Des artistes "historiques" tels que Daniel Buren, Giovanni Anselmo ou Dan Graham coexistent avec de plus jeunes, parmi lesquels les pensionnaires de l'Académie de France à Rome, eux-mêmes venus d'horizons divers.
books
June 2000, Gent
Gardens
books
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In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to(...)
Garden art 2001: Potsdam national horticultural show
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In summer 2001, Potsdam, one of the world’s famous sites of classical garden design, with the beautiful grounds of the Sans Souci Palace, will be staging international contributions which respond to the tasks and challenges in contemporary landscape architecture. A large number of internationally known landscape architects, artists and architects have come together to cultivate 60 hectares of public park, to redesign urban spaces and other sites where historical townscapes and nature conjoin, to develop avant-garde artistic features, and to create the central spectacular exhibition space. This book will present the various parks and artistic interventions in their finished state, accompanied by lavish illustrations and descriptive texts, thus ensuring that the book remains topical thoughout the festival and will be an enduring documentation long after the doors have been closed and the new park with its array of leisure and recreational facitilities has been developed.
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September 2001, Basel
Gardens
books
Nature, art, paysage
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Ce livre est un essai d'esthétique, de critique et d'histoire de l'art. L'auteur analyse les articulations entre discours et pratiques artistiques contemporaines dans la nature depuis le Land Art, entre projets et transformations paysagères, et s'interroge sur la façon dont ces différentes attitudes nous concernent et nous rendent plus conscients à la fois de notre(...)
Nature, art, paysage
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Ce livre est un essai d'esthétique, de critique et d'histoire de l'art. L'auteur analyse les articulations entre discours et pratiques artistiques contemporaines dans la nature depuis le Land Art, entre projets et transformations paysagères, et s'interroge sur la façon dont ces différentes attitudes nous concernent et nous rendent plus conscients à la fois de notre appartenance et de notre singulière étrangeté au monde.
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July 2001, Arles
Gardens
books
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Nouvelle édition
Manière de montrer les jardins de Versailles par Louis XIV
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Nouvelle édition
books
June 2001, Paris
Gardens
books
Art at Wanas
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Since 1987 international exhibitions of contemporary art have taken place at Wanas in the south of Sweden. Artists exhibit their work in the park surrounding the medieval castle and in a barn. In this book, Marika Wachtmeister, director of the Wanas Foundation, describes her close collaboration with the artists as well as detailing the creative process from concept(...)
Art at Wanas
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Since 1987 international exhibitions of contemporary art have taken place at Wanas in the south of Sweden. Artists exhibit their work in the park surrounding the medieval castle and in a barn. In this book, Marika Wachtmeister, director of the Wanas Foundation, describes her close collaboration with the artists as well as detailing the creative process from concept to completion. What is the process through which an idea becomes a work of art? This is the essential issue that Marika Wachtmeister addresses in her text on past exhibitions at Wanas. Art at Wanas provides a unique insight into the artistic process and contemporary art of today. In Swedish and English.
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June 2001, Stockholm
Gardens
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Ferruccio Vitale is America's forgotten landscape architect. Though his works like Skylands and Longwood Gardens are well known, his name has been eclipsed by his contemporary, Frederick Law Olmsted, Jr. Yet Vitale's influence on the modern direction of landscape design and his promotion of it as a profession is arguably more significant than Olmsted's. His unique designs(...)
Ferruccio Vitale : landscape architect of the country place Era
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Ferruccio Vitale is America's forgotten landscape architect. Though his works like Skylands and Longwood Gardens are well known, his name has been eclipsed by his contemporary, Frederick Law Olmsted, Jr. Yet Vitale's influence on the modern direction of landscape design and his promotion of it as a profession is arguably more significant than Olmsted's. His unique designs and philosophy, which challenged the then-dominant pictorial mode of landscape architecture, influenced generations of followerss, and is still felt today. Vitale (1875-1933) developed his rationale designs, based on the principles of composition from the fine arts and architecture, in both civic commissions and, most notably, at the country estates of captains of industry and finance, such as Rodman Wanamaker, Pierre S. DuPont, Solomon R. Guggenheim, and Condé Nast. He introduced an idealized and abstracted type of formal design that created beautiful spaces, structured large sites, and reflected informal and relaxed plant compositions. "Ferruccio Vitale" tours over 40 of his masterworks, photographed by some of the best landscape photographers of the time, including Samuel Gottscho. It recounts the compelling story of a life in the twentieth century, influenced by immigrant dreams, social clubs, and professional connections, and its culmination in some of the greatest landscapes of the 20th century.
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November 2001, New York
Gardens
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
Gardens
January 2006, Queens
Down the garden path : the artist's garden after modernism
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
Gardens
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Le présent ouvrage rapporte l'expérience où se mêlent l'enseignement, le dialogue des cultures, la recherche-action, les échanges d'idées et la nécessité du «projet de paysage» pour un territoire en mutation (Marrakech). Dans le premier chapitre, deux textes situent la problématique des valeurs paysagères, de l'imaginaire social du palmier et de son encrage au lieu. Dans(...)
Workshop Marrakech : la palmaraie en paysages
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Le présent ouvrage rapporte l'expérience où se mêlent l'enseignement, le dialogue des cultures, la recherche-action, les échanges d'idées et la nécessité du «projet de paysage» pour un territoire en mutation (Marrakech). Dans le premier chapitre, deux textes situent la problématique des valeurs paysagères, de l'imaginaire social du palmier et de son encrage au lieu. Dans le second chapitre, les 11 projets de paysage s'enchaînent les uns aux autres. Ce livre vous démontre l'univers des possibilités face à la préservation et à la mise en valeur du «paysage humanisé de la palmeraie».
Gardens