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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface"(...)
Michalis Pichler: Un coup de dés jamais n'abolira le hasard
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface" features the entire poem written as a block of text with each line separated by a slash (/). This block-transcription of the Mallarme-Text was carried out 1969 by Broodthaers. 12 double spreads follow, with immaculately cut out windows standing in for the text. When turning the pages, numerous shadows are being generated by the cutouts.
Literature and poetry
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Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him.(...)
The bone picker: Native stories, alternate histories
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Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every page of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah. Choctaw lore features a large pantheon of deities. These beings created the first people, taught them how to hunt, and warned them of impending danger. Their stories are not meant simply to entertain: each entity has a purpose in its behavior and a lesson to share-to those who take heed.
Literature and poetry
Stranger than fiction
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Imagine the history of the twentieth-century novel recounted with the urgency and intimacy of a novel. That's what Edwin Frank, the legendary editor who has run the New York Review Books publishing imprint since its inception, does in "Stranger than fiction". With penetrating insight and originality, Frank introduces us to books, some famous, some little-known, from the(...)
Stranger than fiction
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Imagine the history of the twentieth-century novel recounted with the urgency and intimacy of a novel. That's what Edwin Frank, the legendary editor who has run the New York Review Books publishing imprint since its inception, does in "Stranger than fiction". With penetrating insight and originality, Frank introduces us to books, some famous, some little-known, from the whole course of the century and from around the world. Starting with Dostoevsky's "Notes from underground" of 1864, Frank shows how its twitchy, self-undermining, and never-satisfied narrator established a voice that would echo through the coming century. He illuminates the political vision of H. G. Wells's science fiction, Colette and Andre Gide's subversions of traditional gender roles, and Gertrude Stein's untethering of the American sentence.
Literature and poetry
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We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and(...)
The notebook: A history of thinking on paper
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We see notebooks everywhere we go. But where did these indispensable implements come from? How did they revolutionize our lives? And how can using a notebook help change the way you think? In this wide-ranging history, Roland Allen reveals how the notebook became our most dependable and versatile tool for creative thinking. He tells the notebook stories of Leonardo and Frida Kahlo, Isaac Newton and Marie Curie, and writers from Chaucer to Henry James; shows how Darwin developed his theory of evolution in tiny pocket books and Agatha Christie plotted a hundred murders in scrappy exercise books; and introduces a host of cooks, kings, sailors, fishermen, musicians, engineers, politicians, adventurers, and mathematicians, all of whom used their notebooks as a space to think—and in doing so, shaped the modern world. In an age of AI and digital overload, the humble notebook is more relevant than ever. Allen shows how bullet points can combat ADHD, journals can ease PTSD, and patient diaries soften the trauma of reawakening from coma. The everyday act of moving a pen across paper, he finds, can have profound consequences, changing the way we think and feel: making us more creative, more productive—and maybe even happier.
Literature and poetry
$25.00
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Un mois de marches en octobre, à noter au retour nos impressions et à photographier des feuilles trouvées sur le chemin, ça donne un fanzine de 44 pages avec 16 feuilles découpées et insérées à la fin. Il y est question de riso, de beaux paysages, de l'automne qui avance, de la taille habituelle des boîtes
December 2024
Un mois de marches à l'automne 2023
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Un mois de marches en octobre, à noter au retour nos impressions et à photographier des feuilles trouvées sur le chemin, ça donne un fanzine de 44 pages avec 16 feuilles découpées et insérées à la fin. Il y est question de riso, de beaux paysages, de l'automne qui avance, de la taille habituelle des boîtes
Vampyroteuthis infernalis
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L'édition inédite et définitive (établie à partir des tapuscrits originaux en français) du traité fabuleux du philosophe tchéco-brésilien Vilém Flusser (1920-1991), une fiction philosophique et poétique qui, par des chemins détournés, nous confronte à la violence et à l'impasse des sociétés contemporaines.
Vampyroteuthis infernalis
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L'édition inédite et définitive (établie à partir des tapuscrits originaux en français) du traité fabuleux du philosophe tchéco-brésilien Vilém Flusser (1920-1991), une fiction philosophique et poétique qui, par des chemins détournés, nous confronte à la violence et à l'impasse des sociétés contemporaines.
Literature and poetry
Sous le vent de la mer
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« Je me rendis compte que la mer elle-même devait être le personnage central de mon récit, que je le veuille ou non. Car la mer, tenant pouvoir de vie et de mort sur chacune de ses créatures, de la plus petite à la plus grande, allait inévitablement pénétrer chaque page. » À la fin des années 1930, une jeune biologiste marine passionnée de littérature imagine un projet(...)
October 2024
Sous le vent de la mer
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« Je me rendis compte que la mer elle-même devait être le personnage central de mon récit, que je le veuille ou non. Car la mer, tenant pouvoir de vie et de mort sur chacune de ses créatures, de la plus petite à la plus grande, allait inévitablement pénétrer chaque page. » À la fin des années 1930, une jeune biologiste marine passionnée de littérature imagine un projet inédit : raconter la mer du point de vue des espèces qui la peuplent. Paru en 1941, ce grand récit polyphonique et poétique est le premier livre de Rachel Carson. C’est aussi son préféré.
The living stones: Cornwall
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Painter Ithell Colquhoun arrives in Cornwall in the late 1940s, searching for a studio and a refuge from bombed-out London. So begins a profound lifelong relationship with Britain’s westernmost county, a land surrounded by sea and steeped in myth, where the ancient Celtic past reaches into the present. Sacred and beautiful, wild and weird, ''Colquhoun’s Cornwall'' is a(...)
The living stones: Cornwall
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Painter Ithell Colquhoun arrives in Cornwall in the late 1940s, searching for a studio and a refuge from bombed-out London. So begins a profound lifelong relationship with Britain’s westernmost county, a land surrounded by sea and steeped in myth, where the ancient Celtic past reaches into the present. Sacred and beautiful, wild and weird, ''Colquhoun’s Cornwall'' is a living landscape, where every tree, standing stone and holy well is a palimpsest of folklore – and a place where everyday reality speaks to the world beyond.
Literature and poetry
The ways of paradise
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In his foreword to ''The Ways of Paradise'', Peter Cornell presents this so-called found manuscript, the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of notes and fragments which form an enigmatic set of texts on the(...)
The ways of paradise
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In his foreword to ''The Ways of Paradise'', Peter Cornell presents this so-called found manuscript, the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of notes and fragments which form an enigmatic set of texts on the connections between art, literature, spirituality and the occult through history, with a particular focus on spirals and labyrinths. Ranging from the Crusades to Ruskin, Freud to surrealism, cubism, automatic writing, Duchamp, the Manhattan Project, Pollock and Smithson, this cult book, first published in Sweden in 1987, is translated into English for the first time by Saskia Vogel.
Literature and poetry
Lexicon of affinities
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With entries as varied as ‘'elbow'’, '‘Ophelia'’, '‘progress'’, the painter Giorgio Morandi, ‘"chess'’, ‘'Eulalia'’ (a friend of the author’s aunt), and ‘'unicorn'’, Ida Vitale constructs a dictionary of her long and passionately engaged artistic life. Taking the reader by the arm, she invites us to become her confidant, sharing her remarkable 20th century as a member of(...)
Lexicon of affinities
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With entries as varied as ‘'elbow'’, '‘Ophelia'’, '‘progress'’, the painter Giorgio Morandi, ‘"chess'’, ‘'Eulalia'’ (a friend of the author’s aunt), and ‘'unicorn'’, Ida Vitale constructs a dictionary of her long and passionately engaged artistic life. Taking the reader by the arm, she invites us to become her confidant, sharing her remarkable 20th century as a member of a storied generation of Latin American writers, of whom she is the last remaining alive. It’s a compendium of friendship, travel, reading, and the endless opportunities she found for 'the joyful possibility of creation.Like every dictionary, ''Lexicon of Affinities'' seeks to impose order on chaos, even if in its exuberant, whimsical profusion it lays bare the unstable character of the cosmos.
Literature and poetry