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This issue presents a reflection on the spatial aspects of sound alongside an examination of the transformative and temporal dimensions of space. Immersed concentrates on one specific side of the spatial experience, namely sound, presenting new theoretical insights as well as relevant case studies. Sound is a spatial event, a material phenomenon and an auditive(...)
Oase 78 Immersed: sound and architecture
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This issue presents a reflection on the spatial aspects of sound alongside an examination of the transformative and temporal dimensions of space. Immersed concentrates on one specific side of the spatial experience, namely sound, presenting new theoretical insights as well as relevant case studies. Sound is a spatial event, a material phenomenon and an auditive experience rolled into one. It can be described using the vectors of distance, direction and location. Within architecture, every built space can modify, position, reflect or reverberate the sounds that occur there. Sound embraces and transcends the spaces in which it occurs, opening up a consummate context for the listener: the acoustic source and its surroundings unite into a unique auditory experience.
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Mint was completely conceptualised and realised by a group of 26 fashion students. The publication focuses on the relationship between individuals and their clothing, using fashion shoots, illustrations and personal stories. The magazine is sold in conjunction with a graduate yearbook and has its own website, product line and event.
Mint magazine from the Amsterdam fashion institute & Amfi graduates 2009
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Mint was completely conceptualised and realised by a group of 26 fashion students. The publication focuses on the relationship between individuals and their clothing, using fashion shoots, illustrations and personal stories. The magazine is sold in conjunction with a graduate yearbook and has its own website, product line and event.
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Steven Holl - Kengo Kuma - Isay Weinfield - Feilden Clegg Bradley studios - 5+1 AA - Mario Cucinella - Hawkins/Brown - Atelier Ochandiano + Mikel Landa - Kaija + Heikki Siren
Of arch, May June 2009, n. 108
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Steven Holl - Kengo Kuma - Isay Weinfield - Feilden Clegg Bradley studios - 5+1 AA - Mario Cucinella - Hawkins/Brown - Atelier Ochandiano + Mikel Landa - Kaija + Heikki Siren
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journals and magazines
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Agyness Deyn - Mike Mills - Gerhard Steidl - Teheran 1979 - Pharell Williams
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July 2009
032c 17th issue Berlin Summer 2009
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Agyness Deyn - Mike Mills - Gerhard Steidl - Teheran 1979 - Pharell Williams
journals and magazines
July 2009
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Design disciplines are challenged by the condition of the zero point. “Zero-context,” “cities from scratch,” and “zero-carbon” developments all force designers to tackle fundamental questions regarding the strategic relevance and impact of a design intervention. As much as the zero point presents naïve innocence and embodies contradictory notions, it also creates a ground(...)
New geographies, 1, after zero
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Design disciplines are challenged by the condition of the zero point. “Zero-context,” “cities from scratch,” and “zero-carbon” developments all force designers to tackle fundamental questions regarding the strategic relevance and impact of a design intervention. As much as the zero point presents naïve innocence and embodies contradictory notions, it also creates a ground for doubt, self-critique, and rejuvenation for architecture and urbanism. Along with the challenges inherent in the zero point, perhaps more meaningful are the provocations of the “after the zero” condition, which clearly marks the need to seriously explore fundamental inquiries regarding form and context (physical, social, political). After Zero is an opportunity to imagine alternative futures and a revitalized project for the city.
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Published by the Office of Contemporary art Norway, this publication considers cultural and artistic aspects of, and reflections on, the welfare state.
Verksted no 7, Art of welfare
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Published by the Office of Contemporary art Norway, this publication considers cultural and artistic aspects of, and reflections on, the welfare state.
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This book presents the question of constructing the political in contemporary art with texts from Marta Kuzma, Peter Osborne, Hito Steyerl, Marius Wulfsberg, Eric Alliez, Steven Martin, David Cunningham and Ina Blom. Published by the Office of Contemporary art Norway.
Versted no 8, Recuperating politicality in contemporary art,
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This book presents the question of constructing the political in contemporary art with texts from Marta Kuzma, Peter Osborne, Hito Steyerl, Marius Wulfsberg, Eric Alliez, Steven Martin, David Cunningham and Ina Blom. Published by the Office of Contemporary art Norway.
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Versted no 10, Ü
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This book brings together for the first time Westphalen's satirical drawings and cartoons, which have appeared individually in art magazines for the last decade. The drawings, which are always printed within publications and never exhibited on their own, explore the distinctions between high and low culture, art and entertainment, and critical and commercial art. In(...)
Versted no 10, Ü
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This book brings together for the first time Westphalen's satirical drawings and cartoons, which have appeared individually in art magazines for the last decade. The drawings, which are always printed within publications and never exhibited on their own, explore the distinctions between high and low culture, art and entertainment, and critical and commercial art. In addition to previously published cartoons, Ü includes a large number of drawings made specifically for it. The mixture of styles, and general interest with art-world topics, is the result of Westphalen's exploration of the overlap between the terms 'joke', 'cartoon', and 'art'." With a conversation between the artist and Dan Graham.
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How are young people enabled to participate in contemporary art and gallery culture and what are the vehicles and strategies for this? Where do the challenges and tensions lie? What are the conditions that encourage young learners to be self-directed? What are the challenges involved in working with vulnerable young people? If partnership between organisations is(...)
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August 2009
Engage 22 : the international journal of visual art and gallery education, summer 2008
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How are young people enabled to participate in contemporary art and gallery culture and what are the vehicles and strategies for this? Where do the challenges and tensions lie? What are the conditions that encourage young learners to be self-directed? What are the challenges involved in working with vulnerable young people? If partnership between organisations is important in working with young people of all kinds, what makes for dynamic partnerships?
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Afterall 21, Summer 2009
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Nasreen Mohamedi / Michael Rakowitz / Heimo Zobernig
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August 2009
Afterall 21, Summer 2009
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Nasreen Mohamedi / Michael Rakowitz / Heimo Zobernig
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