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Title:
Noema 6: Paradigm shift
Noema 6: Paradigm shift
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we(...)
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we(...)
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Noema 6: Paradigm shift
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we recognize that the whole Earth system embeds and entangles human civilization in its habitat.
Noema 6: Paradigm shift
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we recognize that the whole Earth system embeds and entangles human civilization in its habitat.
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journals and magazines
journals and magazines
Publication:
November 2025
November 2025
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Magazines
Magazines
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books
books
Title:
e-flux Index #9
e-flux Index #9
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and(...)
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and(...)
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e-flux Index #9
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and postmodern relativism, to a more even-handed, pragmatic, and pluralist one, in the decades since. It brings together material that the various independent publishing arms of e-flux published around the theme of the often-fraught relations between theory and (artistic, architectural, pedagogic, political) practice. The second part of Index #9, ''This world, this mutilated space'', moves onto the terrain of the Forever War, examining the resilience shown by artistic communities living on its multiplying frontlines, the deepening climate war against the nonhuman world, and those displaced by these processes of destruction. As international relations "realists" like John Mearsheimer have regularly observed on the 24/7 war-pundit circuit since the illegal strike on Ayatollah Khamenei two months ago, the Iran War is a conflict which also displays no "logical sequence of thought"—which has no theory. This is a war whose aggressors (Netanyahu–Ben-Gvir and Trump–Hegseth–Rubio) seem less in hock to Carl von Clausewitz than to the instant dopaminergic kill-feed of a fifteen-year-old hooked on ''Call of Duty'' missions—with strategy configured as content, war as engagement metric.
e-flux Index #9
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and postmodern relativism, to a more even-handed, pragmatic, and pluralist one, in the decades since. It brings together material that the various independent publishing arms of e-flux published around the theme of the often-fraught relations between theory and (artistic, architectural, pedagogic, political) practice. The second part of Index #9, ''This world, this mutilated space'', moves onto the terrain of the Forever War, examining the resilience shown by artistic communities living on its multiplying frontlines, the deepening climate war against the nonhuman world, and those displaced by these processes of destruction. As international relations "realists" like John Mearsheimer have regularly observed on the 24/7 war-pundit circuit since the illegal strike on Ayatollah Khamenei two months ago, the Iran War is a conflict which also displays no "logical sequence of thought"—which has no theory. This is a war whose aggressors (Netanyahu–Ben-Gvir and Trump–Hegseth–Rubio) seem less in hock to Carl von Clausewitz than to the instant dopaminergic kill-feed of a fifteen-year-old hooked on ''Call of Duty'' missions—with strategy configured as content, war as engagement metric.
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books
books
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August 2026
August 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
Paris Review summer 2026
Paris Review summer 2026
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle.(...)
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle.(...)
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Paris Review summer 2026
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.” Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao. Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My. Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.
Paris Review summer 2026
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.” Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao. Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My. Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.
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journals and magazines
journals and magazines
Publication:
August 2026
August 2026
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Magazines
Magazines
Form:
books
books
Title:
Nouveau Projet 33
Nouveau Projet 33
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les(...)
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les(...)
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Nouveau Projet 33
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les liens du sang révèlent, et qu’est-ce qu’ils occultent? Un essai de Frédérique Lévesque sur la quête qui l’a emmenée jusqu’en Basse-Côte-Nord pour retracer les propriétaires d’une cassette de vacances familiales qu’elle a retrouvé sur un trottoir montréalais. Un portrait par Nicolas Charette du Franco-Américain indépendantiste Rémi Francœur, figure de la survivance francophone en Amérique.
Nouveau Projet 33
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les liens du sang révèlent, et qu’est-ce qu’ils occultent? Un essai de Frédérique Lévesque sur la quête qui l’a emmenée jusqu’en Basse-Côte-Nord pour retracer les propriétaires d’une cassette de vacances familiales qu’elle a retrouvé sur un trottoir montréalais. Un portrait par Nicolas Charette du Franco-Américain indépendantiste Rémi Francœur, figure de la survivance francophone en Amérique.
Form:
books
books
Publication:
August 2026
August 2026
Subject:
Magazines
Magazines
Form:
books
books
Title:
Vie des arts 281
Vie des arts 281
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les(...)
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les(...)
Title:
Vie des arts 281
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les dynamiques créatives et les rapports de pouvoir à deux. Que se passe-t-il lorsque la création devient une affaire de deux ? Être à deux soulève des questions essentielles quant aux modes d’existence et aux processus créatifs que le duo implique.
Vie des arts 281
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les dynamiques créatives et les rapports de pouvoir à deux. Que se passe-t-il lorsque la création devient une affaire de deux ? Être à deux soulève des questions essentielles quant aux modes d’existence et aux processus créatifs que le duo implique.
Form:
books
books
Publication:
September 2026
September 2026
Subject:
Magazines
Magazines
Form:
books
books
Title:
Canadian Architect v.71 n.06
Canadian Architect v.71 n.06
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The September issue looks at how architecture is shaping new kinds of educational spaces.
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The September issue looks at how architecture is shaping new kinds of educational spaces.
Title:
Canadian Architect v.71 n.06
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The September issue looks at how architecture is shaping new kinds of educational spaces.
Canadian Architect v.71 n.06
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The September issue looks at how architecture is shaping new kinds of educational spaces.
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books
books
Publication:
September 2026
September 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Ligne numéro 14, été 2026
Ligne numéro 14, été 2026
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Sous le thème Les rituels que l’on transmet, le numéro 14 de Ligne s’intéresse aux gestes, aux savoir-faire et aux habitudes qui traversent le temps. À travers des rencontres et des projets, il met en lumière ce qui se perpétue — et se transforme — d’une génération à l’autre, là où héritage et création contemporaine dialoguent.
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Sous le thème Les rituels que l’on transmet, le numéro 14 de Ligne s’intéresse aux gestes, aux savoir-faire et aux habitudes qui traversent le temps. À travers des rencontres et des projets, il met en lumière ce qui se perpétue — et se transforme — d’une génération à l’autre, là où héritage et création contemporaine dialoguent.
Title:
Ligne numéro 14, été 2026
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Sous le thème Les rituels que l’on transmet, le numéro 14 de Ligne s’intéresse aux gestes, aux savoir-faire et aux habitudes qui traversent le temps. À travers des rencontres et des projets, il met en lumière ce qui se perpétue — et se transforme — d’une génération à l’autre, là où héritage et création contemporaine dialoguent.
Ligne numéro 14, été 2026
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Sous le thème Les rituels que l’on transmet, le numéro 14 de Ligne s’intéresse aux gestes, aux savoir-faire et aux habitudes qui traversent le temps. À travers des rencontres et des projets, il met en lumière ce qui se perpétue — et se transforme — d’une génération à l’autre, là où héritage et création contemporaine dialoguent.
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journals and magazines
journals and magazines
Publication:
July 2026
July 2026
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journals and magazines
journals and magazines
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$40.50
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
Title:
Prototypo 001 : machines, engines, artefacts
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
Prototypo 001 : machines, engines, artefacts
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
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journals and magazines
journals and magazines
Publication:
January 1900, Lisbon
January 1900, Lisbon
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Magazines
Magazines
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journals and magazines
journals and magazines
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$39.95
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House,(...)
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House,(...)
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Magazines
Magazines
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September 1998, Barcelona
September 1998, Barcelona
Title:
2G 7 : R.M. Schindler 10 houses
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House, Silverlake; Rodríguez House, Glendale; Kallis House, Studio City; Armon House, Mt. Washington; Tischler House, Westwood.
2G 7 : R.M. Schindler 10 houses
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House, Silverlake; Rodríguez House, Glendale; Kallis House, Studio City; Armon House, Mt. Washington; Tischler House, Westwood.
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journals and magazines
journals and magazines
Publication:
September 1998, Barcelona
September 1998, Barcelona
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$31.95
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
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Magazines
Magazines
Publication:
May 2001, New Haven
May 2001, New Haven
Title:
Perspecta 32 : resurfacing modernism
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
Perspecta 32 : resurfacing modernism
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
Form:
journals and magazines
journals and magazines
Publication:
May 2001, New Haven
May 2001, New Haven
Subject:
Magazines
Magazines
