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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and(...)
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and(...)
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El Croquis 233 : Manuel Cervantes 2018 - 2026
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and infrastructure, its projects balance innovation with restraint, seeking synthesis through structural clarity and environmental responsibility. Founded by Manuel Cervantes Céspedes, the practice bridges design, research, and teaching, and is recognised as a leading voice in contemporary Mexican architecture.
El Croquis 233 : Manuel Cervantes 2018 - 2026
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and infrastructure, its projects balance innovation with restraint, seeking synthesis through structural clarity and environmental responsibility. Founded by Manuel Cervantes Céspedes, the practice bridges design, research, and teaching, and is recognised as a leading voice in contemporary Mexican architecture.
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books
books
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January 2026
January 2026
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Magazines
Magazines
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books
books
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les(...)
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les(...)
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Liberté n. 350 : Brèches antifascistes II
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les solidarités, nous avons découpé ce souhait en deux gestes, deux numéros. Mais ils ne sont pas que compatibles: ils ne fonctionnent pas l’un sans l’autre. La colère, le dégoût, la joie, la honte sont nécessaires à tout élan de survie. L’entraide aussi. Nous n’arrivons pas à imaginer d’où pourrait venir l’insurrection, parce que les espaces pour l’organiser manquent. Comment les (re) créer et avec celleux qui sont seul·es, abandonné·es ou encore marginalisé·es? Qui inviterez-vous pour élargir le cercle?
Liberté n. 350 : Brèches antifascistes II
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les solidarités, nous avons découpé ce souhait en deux gestes, deux numéros. Mais ils ne sont pas que compatibles: ils ne fonctionnent pas l’un sans l’autre. La colère, le dégoût, la joie, la honte sont nécessaires à tout élan de survie. L’entraide aussi. Nous n’arrivons pas à imaginer d’où pourrait venir l’insurrection, parce que les espaces pour l’organiser manquent. Comment les (re) créer et avec celleux qui sont seul·es, abandonné·es ou encore marginalisé·es? Qui inviterez-vous pour élargir le cercle?
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books
books
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March 2026
March 2026
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Magazines
Magazines
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books
books
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a(...)
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a(...)
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Texte zur kunst #141 : misogyny
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a deep-seated, albeit often unconscious, derogatory attitude toward women. In doing so, the focus is on how this attitude is manifested in literature, art, and pop culture, as well in prevailing media and sociopolitical conditions.
Texte zur kunst #141 : misogyny
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a deep-seated, albeit often unconscious, derogatory attitude toward women. In doing so, the focus is on how this attitude is manifested in literature, art, and pop culture, as well in prevailing media and sociopolitical conditions.
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books
books
Publication:
March 2026
March 2026
Subject:
Magazines
Magazines
Form:
books
books
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$39.95
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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books
books
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Issue 52, Close Encounters. H is for hawks; Trump’s cleavage: a semiotic investigation; Haters, waiters, trash containers; Emily Callaci and Dayna Tortorici on intra-feminist debates; Matthew Porges on new space odysseys.
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Issue 52, Close Encounters. H is for hawks; Trump’s cleavage: a semiotic investigation; Haters, waiters, trash containers; Emily Callaci and Dayna Tortorici on intra-feminist debates; Matthew Porges on new space odysseys.
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journals and magazines
journals and magazines
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$52.00
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Although there were smart ideas and approaches over 50 years ago that sought to do so much better, ecological building has, to this day, been stuck with the dry image of muesli. Anyone who has ever stood in a house made of timber, earth, or straw knows that architecture means far more than "form follows function." Today, natural building materials are driven less by(...)
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Although there were smart ideas and approaches over 50 years ago that sought to do so much better, ecological building has, to this day, been stuck with the dry image of muesli. Anyone who has ever stood in a house made of timber, earth, or straw knows that architecture means far more than "form follows function." Today, natural building materials are driven less by(...)
Title:
Detail 3 2026 : Natural building materials
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Although there were smart ideas and approaches over 50 years ago that sought to do so much better, ecological building has, to this day, been stuck with the dry image of muesli. Anyone who has ever stood in a house made of timber, earth, or straw knows that architecture means far more than "form follows function." Today, natural building materials are driven less by ideology than by pragmatic choices and a pursuit of longevity. The synthesis of high-tech and "eco" has long been aesthetically convincing too. In this issue, we showcase the beauty and potential of natural stone, hemp bricks, and hempcrete; visit a reconstructed "Strickbau" (traditional timber-log construction) that upends the very definition of "immovable property"; look behind the facades of a 16-storey timber housing block; and examine the timber-earth slabs at Hortus, a key project by Herzog & de Meuron.
Detail 3 2026 : Natural building materials
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$52.00
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Although there were smart ideas and approaches over 50 years ago that sought to do so much better, ecological building has, to this day, been stuck with the dry image of muesli. Anyone who has ever stood in a house made of timber, earth, or straw knows that architecture means far more than "form follows function." Today, natural building materials are driven less by ideology than by pragmatic choices and a pursuit of longevity. The synthesis of high-tech and "eco" has long been aesthetically convincing too. In this issue, we showcase the beauty and potential of natural stone, hemp bricks, and hempcrete; visit a reconstructed "Strickbau" (traditional timber-log construction) that upends the very definition of "immovable property"; look behind the facades of a 16-storey timber housing block; and examine the timber-earth slabs at Hortus, a key project by Herzog & de Meuron.
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journals and magazines
journals and magazines
Publication:
March 2026
March 2026
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$27.95
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not(...)
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not(...)
Title:
TURBA vol. 4 issue 2 : Curating audience-relationships & engagements
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.
TURBA vol. 4 issue 2 : Curating audience-relationships & engagements
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TURBA is the first journal for the study, theory, and praxis of curatorial strategies in the live arts. The live arts are broadly defined as those arts in which contingent, momentary acts and events, performed by human or other autonomous agents, are crucial to the aesthetic perception and the emergence of meaning in ephemeral time-based work. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.
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journals and magazines
journals and magazines
Publication:
October 2025
October 2025
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Magazines
Magazines
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journals and magazines
journals and magazines
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$40.50
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
Title:
Prototypo 001 : machines, engines, artefacts
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
Prototypo 001 : machines, engines, artefacts
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
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journals and magazines
journals and magazines
Publication:
January 1900, Lisbon
January 1900, Lisbon
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Magazines
Magazines
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journals and magazines
journals and magazines
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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.
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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.
Title:
Parachute 120 : frontières / borders
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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.
Parachute 120 : frontières / borders
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Textes par : Kaira Marie Cabañas, Stefano Boeri, Nathalie Delbard, Christa Blümlinger, Michelle Debat, André-Louis Paré, Marc James Léger.
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journals and magazines
journals and magazines
Publication:
October 2005, Montréal
October 2005, Montréal
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$7.00
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Ce numéro traite de nos façons d’appréhender la ville contemporaine, de la représenter et d’y agir. Toutes caractérisées par la présentation d’une multiplicité de points de vue et l’inscription en leur sein même du processus d’observation, les œuvres ici réunies rendent compte de différents aspects d’une urbanité qui se transforme de façon fondamentale. Certains enjeux de(...)
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Ce numéro traite de nos façons d’appréhender la ville contemporaine, de la représenter et d’y agir. Toutes caractérisées par la présentation d’une multiplicité de points de vue et l’inscription en leur sein même du processus d’observation, les œuvres ici réunies rendent compte de différents aspects d’une urbanité qui se transforme de façon fondamentale. Certains enjeux de(...)
Title:
CV 69 : voir la ville / beholding the city
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Ce numéro traite de nos façons d’appréhender la ville contemporaine, de la représenter et d’y agir. Toutes caractérisées par la présentation d’une multiplicité de points de vue et l’inscription en leur sein même du processus d’observation, les œuvres ici réunies rendent compte de différents aspects d’une urbanité qui se transforme de façon fondamentale. Certains enjeux de la fabrication de la ville et de son impact sur nos comportements se déclinent ici sous des aspects singuliers. Portfolio : SYN-atelier d'exploration urbaine, Pierre Granche, Cheryl Sourkes.
CV 69 : voir la ville / beholding the city
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$7.00
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Ce numéro traite de nos façons d’appréhender la ville contemporaine, de la représenter et d’y agir. Toutes caractérisées par la présentation d’une multiplicité de points de vue et l’inscription en leur sein même du processus d’observation, les œuvres ici réunies rendent compte de différents aspects d’une urbanité qui se transforme de façon fondamentale. Certains enjeux de la fabrication de la ville et de son impact sur nos comportements se déclinent ici sous des aspects singuliers. Portfolio : SYN-atelier d'exploration urbaine, Pierre Granche, Cheryl Sourkes.
Form:
journals and magazines
journals and magazines
Publication:
October 2005, Montréal
October 2005, Montréal
Subject:
Magazines
Magazines
