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In line with ''The Mannerist Mind'', the essay by Francisco González de Canales, AV Proyectos 123 publishes the innovative proposals of six European studios that emerged in the post-crisis context, and which apply traditional solutions with a contemporary approach. Anna Puigjaner sits down for an interview with this magazine about these ‘'new mannerisms.’, and to discuss(...)
AV Proyectos 123: The Mannerist
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In line with ''The Mannerist Mind'', the essay by Francisco González de Canales, AV Proyectos 123 publishes the innovative proposals of six European studios that emerged in the post-crisis context, and which apply traditional solutions with a contemporary approach. Anna Puigjaner sits down for an interview with this magazine about these ‘'new mannerisms.’, and to discuss how MAIO, the office she directs with María Charneco, Alfredo Lérida and Guillermo López, shies away from classifications to defend a political practice, more sustainable and inclusive. The issue continues with the conversion of an old warehouse in Rotterdam into the new FENIX Museum, carried out by MAD Architects.
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The climate crisis has meant a return to the principles of traditional construction and the use of passive systems, with the purpose of achieving maximum comfort with a minimum environmental impact using strategies such as solar orientation, form factor, or wind patterns. AV Monographs collects sixteen houses designed according to this bioclimatic approach to respond to a(...)
AV Monographs 266: Houses 2024
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The climate crisis has meant a return to the principles of traditional construction and the use of passive systems, with the purpose of achieving maximum comfort with a minimum environmental impact using strategies such as solar orientation, form factor, or wind patterns. AV Monographs collects sixteen houses designed according to this bioclimatic approach to respond to a huge variety of situations, from the intense heat of the African coast to the heavy snowfall of northern Europe, via the tropical rain of Southeast Asia, the marked seasonality in some areas of South America or China, and the mild temperatures in Central America and the Mediterranean.
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Since they set up their studio in 2006 – a time marked by the impact of the financial crisis – Arquitectura-G has completed a considerable number of projects while continuing their research and dissemination work in the field. Almost two decades later, AV Monographs collects twenty works that take stock of the polyphonic creativity and international expansion of the(...)
AV Monographs 265: Arquitectura-G
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Since they set up their studio in 2006 – a time marked by the impact of the financial crisis – Arquitectura-G has completed a considerable number of projects while continuing their research and dissemination work in the field. Almost two decades later, AV Monographs collects twenty works that take stock of the polyphonic creativity and international expansion of the studio: from exemplary interventions on existing structures to lucid new-build housing projects, via experimental spaces for retail or transformations of historical complexes. All this is accompanied by a foreword signed by Harquitectes, who propose an impressionistic analysis of their work; and an epilogue written by the architects themselves, in which they unravel the office’s internal work process.
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te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from(...)
te magazine n.3: Mirroring
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Much in our life at this moment is often marked by an absence of clarity. Many have experienced a malaise and come to know its persistence. We seem to have become used to stasis and theoretical discussions, lingering in silence and hoping from time to time for something extraordinary to happen. Yet it might also have been a blessing; an opportunity to free ourselves from overarching narratives, to direct our attention to the individual, the local, and to subjects that have long been part of our own lives—a more agile, intuitive mindset. The third issue of te magazine took shape in this context, and chose to confront experiences of 'plight'—plight of the persecuted, of the artists, of the forgotten, and of those living with colonial legacies. How might we, as individuals, transmute plights in order to learn to live in this world? If each piece in this issue can be said to propose a mode of healing, the aim is not only about specific pathologies, but rather to recommend adjustments and defenses in moments of crisis.
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Canadian Architect v.69 n.6
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The latest issue is now available at the bookstore.
Canadian Architect v.69 n.6
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The latest issue is now available at the bookstore.
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Log 61 : summer 2024
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From the Norwegian seaside to the Ethiopian highlands; from the Bavarian Forest to the Taiwanese coast; from Venice to the Las Vegas Venetian, Log 61 travels in pursuit of architecture. In this open summer issue, Christopher Pierce visits cabins designed by Kastler Skjeseth Architects, and Motuma Tulu drives across southern Ethiopia to document informal architecture; Tim(...)
Log 61 : summer 2024
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From the Norwegian seaside to the Ethiopian highlands; from the Bavarian Forest to the Taiwanese coast; from Venice to the Las Vegas Venetian, Log 61 travels in pursuit of architecture. In this open summer issue, Christopher Pierce visits cabins designed by Kastler Skjeseth Architects, and Motuma Tulu drives across southern Ethiopia to document informal architecture; Tim Altenhof rides along with architect Peter Haimerl to see his unique housing and restoration work while Thomas Daniell wrestles with the appendages of RUR Architecture’s Kaohsiung Port Terminal; and in Venice, Lina Malfona contemplates Tadao Ando’s exhibition design for painter Zeng Fanzhi, and behind the Venetian, Cameron Wu assess the geometric problems of Populous’s Sphere. Jimenez Lai checks out the architectural follies at Coachella, and Ben Fehrman-Lee sees the Frederick Kiesler exhibition in New York.
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The latest issue is now available at the bookstore.
Detail 9 2024 Concept: New work
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The latest issue is now available at the bookstore.
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After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the(...)
The Funambulist n.55: Asian imperialisms
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After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the People’s Republic of China, the Russian Federation (and the Soviet Union), India, Pakistan, Iran, and Turkey (alongside Azerbaijan). This “Asian” denomination chosen for this issue’s title follows historic examples of solidarity at this massive continental scale, the most famous one being the 1955 Afro–Asian Conference in Bandung. The cover is an artwork by Korean artist Kyungmi Shin
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C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and(...)
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.
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Pour que tu m’aimes encore, assume l’amour, l’espoir et la perte. C’est l’air des premiers râteaux, des premières ruptures et je considère que cette chanson est un chef-d’œuvre. Elle lance un cri pour ramener l’être aimé. Cette chanson révèle une pensée obsessionnelle, presque Faustienne, Orphéienne. Elle amorce aussi une réflexion plus vaste sur l’attachement, le(...)
JTM #01: Pour que tu m'aimes encore
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Pour que tu m’aimes encore, assume l’amour, l’espoir et la perte. C’est l’air des premiers râteaux, des premières ruptures et je considère que cette chanson est un chef-d’œuvre. Elle lance un cri pour ramener l’être aimé. Cette chanson révèle une pensée obsessionnelle, presque Faustienne, Orphéienne. Elle amorce aussi une réflexion plus vaste sur l’attachement, le pouvoir, la durabilité, le regard des autres. Elle questionne notre capacité à exposer notre vulnérabilité, à s’accrocher à de nouvelles croyances, à voyager dans nos souvenirs. Ce premier numéro réunira des créateu·rices ancré·es dans leur ressenti et leurs émotions. Ce regard plus appliqué et subjectif permet d’accéder à une lucidité inattendue sur nos questionnements contemporains. La création par l’émotionnel dessine l’environnement dans lequel nous vivons, les objets que nous portons et exposons, les espaces dans lesquels nous grandissons et les outils avec lesquels nous bâtissons. En étant intellectuellement ouvert et sensible, il est possible de transformer durablement notre rapport au monde et à ce que nous produisons. Il est urgent de réfléchir autrement, moins égoïstement.
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