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The award winning practice AEDS was established in 1997, by the Lebanese architect Ammar Eloueini. It aims to challenge traditional design processes and answer new architectural and spatial complexities through the application of CNC (computer numerically controlled) construction techniques. Included alongside the award winning design for Issey Miyake Pleats Please retail(...)
DD 26 Digital recall: AEDS USA/ France
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The award winning practice AEDS was established in 1997, by the Lebanese architect Ammar Eloueini. It aims to challenge traditional design processes and answer new architectural and spatial complexities through the application of CNC (computer numerically controlled) construction techniques. Included alongside the award winning design for Issey Miyake Pleats Please retail space in Berlin, are a diverse collection of projects for stage and exhibition design, retail spaces and furniture, housing and institutional buildings. All are accompanied by computer models, plans, elevations, exploratory texts and essays.
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May 2008, Seoul
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grafik may 2008
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Special report: photography profile Martin Klimas
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January 1900, London
grafik may 2008
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Special report: photography profile Martin Klimas
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The Plan 026
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Claudi Nardi / at 103 + BGP Arquitectura in Mexico City / Rafael Vinoly Architects / Herzog & de Meuron / Centro specialistico per diagnosi e terapia, CEDT - Daimiel, Spagna / Bolles + Wilson / Kevin deFreitas Architects / Dialoghi di architettura: la Casa de Retiro Espiritual incontra Volvo XC70
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May 2008, Bologna
The Plan 026
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Claudi Nardi / at 103 + BGP Arquitectura in Mexico City / Rafael Vinoly Architects / Herzog & de Meuron / Centro specialistico per diagnosi e terapia, CEDT - Daimiel, Spagna / Bolles + Wilson / Kevin deFreitas Architects / Dialoghi di architettura: la Casa de Retiro Espiritual incontra Volvo XC70
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Simon Yuill on musical code making and breaking from Sun Ra to free software / Stewart Martin on the post-Fordist crisis of progressive education / John Cunningham sizes up Antonio Negri's aesthetics at Tate Britain's Art & Immaterial Labour conference / Benedict Seymour on the convergence of art and sport / Dimitry Vorobyev and Thomas Campbell on carnivalesque(...)
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January 1900, London
Mute: culture and politics after the net: vol. 2 no. 8
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Simon Yuill on musical code making and breaking from Sun Ra to free software / Stewart Martin on the post-Fordist crisis of progressive education / John Cunningham sizes up Antonio Negri's aesthetics at Tate Britain's Art & Immaterial Labour conference / Benedict Seymour on the convergence of art and sport / Dimitry Vorobyev and Thomas Campbell on carnivalesque anti-regeneration campaigns in St. Petersburg / Harry Halpin reveals the human agents who pull the web's strings
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Architecture of the territory/ Guilherme Wisnik/ Museum and theatre, Vitoria/ Montevideo Bay/ ERSU Viale la Playa university campus, Cagliari/ State Art Museum, Sao Paulo/ National Museum of Fine Art, Rio de Janeiro/ FIESP Cultural Centre, Sao Paulo/ Torre del Gallo-Galileo apartment, Florence/ Nossa Senhora de Conceiçao Chapel, Recife/ Cândido and Eliana(...)
2G 45: Paulo Mendes da Rocha: recent work
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Architecture of the territory/ Guilherme Wisnik/ Museum and theatre, Vitoria/ Montevideo Bay/ ERSU Viale la Playa university campus, Cagliari/ State Art Museum, Sao Paulo/ National Museum of Fine Art, Rio de Janeiro/ FIESP Cultural Centre, Sao Paulo/ Torre del Gallo-Galileo apartment, Florence/ Nossa Senhora de Conceiçao Chapel, Recife/ Cândido and Eliana House, Sao Paulo/ Leme Gallery, Sao Paulo/ Housing in Vallecas, Madrid/ Parque Dom Pedro II Bus Station, Sao Paulo/ Patriarca Square, Sao Paulo/ SESC Tatuapé Cultural Centre, Brasilia/ Museum Square, the University of Sao Paulo/ Master plan for the campus of Vigo University/ Biography/ Nexus/ Interviews with Paulo Mendes da Rocha and his collaborators
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One of the difficulties about reexamining the subject of realism lies in the passage from the initial idea of magical realism to the concept of new objectivity. Actually it is possible to return to the initial notion, elaborating the concept of marvelous reality which with that idea of a mixture of the real and the fantastic seeks to maintain something of the heroic and(...)
Lotus 116: nuovi realisti/new realists
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One of the difficulties about reexamining the subject of realism lies in the passage from the initial idea of magical realism to the concept of new objectivity. Actually it is possible to return to the initial notion, elaborating the concept of marvelous reality which with that idea of a mixture of the real and the fantastic seeks to maintain something of the heroic and the sublime. The realistic way of preserving the sublime that, in defiance of the 'real' world, succeeds in living that illusion: this is the direction in which we want to interpret the symptoms of a return of the real in architecture. In short magical realism does not make us long for normality, but invites us to look beyond every norm hidden by conventions.
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January 1900, Milano
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Detail 5 Plastics
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Whether in the form of translucent sheets, membranes spanning large distances, air-filled cushions or as organic, curvilinear space structures: all of a sudden plastics have taken hold in architecture. This has been made possible by technical developments and the concomitant, ever-improved properties, but also by a new perception of these materials.
Detail 5 Plastics
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Whether in the form of translucent sheets, membranes spanning large distances, air-filled cushions or as organic, curvilinear space structures: all of a sudden plastics have taken hold in architecture. This has been made possible by technical developments and the concomitant, ever-improved properties, but also by a new perception of these materials.
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Spring 2008 special issue features Postwar Italian Art. Articles include: "From Vietnam to Fiat-nam: The Politics of Arte Provera" by Nicholas Cullinan; "Making Art Matter: Alberto Burri's Sacchi" by Jaimey Hamilton; "Pistoletto's Staged Subjects" by Claire Gilman; and more.
October 124 Postwar Italian Art a special issue
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Spring 2008 special issue features Postwar Italian Art. Articles include: "From Vietnam to Fiat-nam: The Politics of Arte Provera" by Nicholas Cullinan; "Making Art Matter: Alberto Burri's Sacchi" by Jaimey Hamilton; "Pistoletto's Staged Subjects" by Claire Gilman; and more.
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein,(...)
Radical Philosophy 149 may / june
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism Robert Spencer John Roberts, The Intangibilities of Form: Skill and Deskilling in Art after the Readymade Steve Edwards Andrew Hemingway, ed., Marxism and the History of Art: From William Morris to the New Left Gail Day Joanna Hodge, Derrida on Time Jean-Paul Martinon
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Contributions by Els Roelandt, David Maljkovic, Charles Esche, Joerg Franzbecker, Martin Beck, Mihnea Mircan, Andres Kurg, Andrea Wiarda, Alexander Vaindorf, Boris Buden, Zoran Eric, Katerina Seda
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May 2008
A Prior Magazine 17: collective amnesia. David Maljkovic, Daniel Knorr, Kristina Norman
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Contributions by Els Roelandt, David Maljkovic, Charles Esche, Joerg Franzbecker, Martin Beck, Mihnea Mircan, Andres Kurg, Andrea Wiarda, Alexander Vaindorf, Boris Buden, Zoran Eric, Katerina Seda
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