Pierre sèche, n.é.
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À la fois documentaire et pratique, ce livre invite à une découverte des paysages de pierre sèche modelés par l’homme dans le monde entier. Des restanques provençales aux terrasses escarpées du Cap-Vert, des clôtures des jardins cévenols aux temples japonais de Nara, ces architectures anonymes demeurent d’une complète actualité. Pour preuve, une nouvelle génération de(...)
Materials and Lighting
April 2021
Pierre sèche, n.é.
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$56.95
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Summary:
À la fois documentaire et pratique, ce livre invite à une découverte des paysages de pierre sèche modelés par l’homme dans le monde entier. Des restanques provençales aux terrasses escarpées du Cap-Vert, des clôtures des jardins cévenols aux temples japonais de Nara, ces architectures anonymes demeurent d’une complète actualité. Pour preuve, une nouvelle génération de maçons à pierre sèche a fait son apparition, montrant ainsi la nécessité patrimoniale et écologique de préserver et de transmettre ce savoir-faire.
Materials and Lighting
Painting in stone: architecture and the poetics of marble, from antiquity to the Enlightenment
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Spanning almost five millennia, 'Painting in Stone' tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the(...)
Painting in stone: architecture and the poetics of marble, from antiquity to the Enlightenment
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Spanning almost five millennia, 'Painting in Stone' tells a new history of premodern architecture through the material of precious stone. Illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England.
Materials and Lighting
Entrance, for free space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite entrance you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the entrance from the perspectives of design, region, renovation, culture, and more.
Entrance, for free space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite entrance you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the entrance from the perspectives of design, region, renovation, culture, and more.
Materials and Lighting
Stairs for public space
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The fifth volume in this series is all about stairs. Eight questions are posed to fifteen architectural offices from around the world, beginning with “What is the favourite stairs you’ve designed and why?” From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of stairs from the perspectives of design, region,(...)
Stairs for public space
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The fifth volume in this series is all about stairs. Eight questions are posed to fifteen architectural offices from around the world, beginning with “What is the favourite stairs you’ve designed and why?” From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of stairs from the perspectives of design, region, renovation, culture, and more. Featured architects include Stefano Corbo Studio, Moussafir Architectes, OPARCH, Katsuhiro Miyamoto & Associates, Miha Volgemut, NL Architects, LGSMA_, object-e architecture, and more. A case study portfolio of stairs, old and new, rounds out the volume.
Materials and Lighting
Roof: protected open space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite roof you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the roof from the perspectives of design, region, renovation, culture, and more.
Roof: protected open space
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Eight questions are posed to fifteen architectural offices from around the world, beginning with 'What is the favourite roof you’ve designed and why?' From there the mini-interviews go on to tackle a range of considerations involving the basic architectural element of the roof from the perspectives of design, region, renovation, culture, and more.
Materials and Lighting
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'Pierre' explore la fascination qu’exerce ce matériau incontournable en présentant 170 structures créées au cours des cinq derniers millénaires. Cette collection est organisée en thèmes – la texture, la juxtaposition et la lumière – et valorise la diversité et les qualités uniques de la pierre grâce à des photographies de sépultures anciennes, d’églises, d’espaces(...)
Pierre
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'Pierre' explore la fascination qu’exerce ce matériau incontournable en présentant 170 structures créées au cours des cinq derniers millénaires. Cette collection est organisée en thèmes – la texture, la juxtaposition et la lumière – et valorise la diversité et les qualités uniques de la pierre grâce à des photographies de sépultures anciennes, d’églises, d’espaces culturels ou de maisons, entre autres.
Materials and Lighting
Thinking through material
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When does the idea for the materiality of an architecture arise? What role does the context and its character play? Does the typology have an effect on the material formulation of buildings? What relevance does the function have for the choice of a material? Is the aging ability of materials taken into account in the design? And can light be understood as material? These(...)
Thinking through material
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When does the idea for the materiality of an architecture arise? What role does the context and its character play? Does the typology have an effect on the material formulation of buildings? What relevance does the function have for the choice of a material? Is the aging ability of materials taken into account in the design? And can light be understood as material? These and other questions characterize the process of designing buildings for craftmans. The models and drawings of the designs alternate with the contributions by the architects Andreas Bründler, Piero Bruno and Thomas Kröger and are as readable in connection with them as they are independent of what is written.
Materials and Lighting
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A scholarly history of the technology of Guastavino vaulting accompanies archival images and colour photography showcasing the most incredible Guastavino vaulted spaces. Versatile, strong and fireproof, thin-tile vaults were built by Guastavino in more than two hundred major buildings in Manhattan and in over six hundred buildings across America.
Guastavino vaulting: the art of structural tile
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A scholarly history of the technology of Guastavino vaulting accompanies archival images and colour photography showcasing the most incredible Guastavino vaulted spaces. Versatile, strong and fireproof, thin-tile vaults were built by Guastavino in more than two hundred major buildings in Manhattan and in over six hundred buildings across America.
Materials and Lighting
The breeze block book
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The recent resurgence of interest in the breeze block seems to be more than a nostalgic yearning for modernism. Designers today are rediscovering the forgotten qualities that made it such an appealing material for mid-century architects, which also means finding new ways to enhance and exploit them. By deploying the techniques of 21st-century design, from digital tools to(...)
The breeze block book
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The recent resurgence of interest in the breeze block seems to be more than a nostalgic yearning for modernism. Designers today are rediscovering the forgotten qualities that made it such an appealing material for mid-century architects, which also means finding new ways to enhance and exploit them. By deploying the techniques of 21st-century design, from digital tools to robotic fabrication, complex new forms and patterns are now possible. Not just visually appealing, these also temper internal and external environments in increasingly sensitive and climate-responsive ways. With editorial direction from architect Sam Marshall, the volume is both a survey and a celebration.
Materials and Lighting
How to make-up panel
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For architects, a panel is akin to a project’s face. This instalment in the series offers an in-depth look at the process behind the make-up panel in architectural practice through the eyes of 39 architects and offices from around the world. Participants in the analysis include Yoshihara McKee Architects, Geotectura, Atelier do Cardoso, Jägnefält Milton, Donner Sorcinelli(...)
How to make-up panel
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$45.95
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For architects, a panel is akin to a project’s face. This instalment in the series offers an in-depth look at the process behind the make-up panel in architectural practice through the eyes of 39 architects and offices from around the world. Participants in the analysis include Yoshihara McKee Architects, Geotectura, Atelier do Cardoso, Jägnefält Milton, Donner Sorcinelli Architecture, Studio Kawamura-Ganjavian, and many more.
Materials and Lighting