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Materials for Interiors provides detailed and specific information on the use of appropriate materials in interior design. The book leads off with an overview of the range of available products for interior design, including large-format photographs of each material and interiors that use them. This is followed by detailed discussions of relevant aspects and production(...)
Materials and Lighting
January 2009, Basel, Boston, Berlin
in detail interior surfaces and materials: aesthetics, technology, implementation
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Materials for Interiors provides detailed and specific information on the use of appropriate materials in interior design. The book leads off with an overview of the range of available products for interior design, including large-format photographs of each material and interiors that use them. This is followed by detailed discussions of relevant aspects and production methods of the individual material groups, including selected examples. The processing of the materials is illustrated by production photographs from the construction site and numerous detail drawings. In the accompanying texts, expert planners who specialize in the various materials share their practical knowledge of how to use them. The technical articles and example projects focus on the surface of the material and how it is produced or comes to be and contain corresponding decision support for planners. Additional technical information on the materials used and a list of manufacturer and vendor addresses round out the volume.
Materials and Lighting
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From 1918 onwards, Le Corbusier was engaged in conceiving and generating the idea of purism – an activity he undertook in conjunction with the painter Amédée Ozenfant. These reflections on the relationship between form and colour led to the determination of a specific palette that has been consistently referred to throughout the course of the 20th century. This book(...)
The architectonic colour, polychromy in the purist architecture of Le Corbusier
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From 1918 onwards, Le Corbusier was engaged in conceiving and generating the idea of purism – an activity he undertook in conjunction with the painter Amédée Ozenfant. These reflections on the relationship between form and colour led to the determination of a specific palette that has been consistently referred to throughout the course of the 20th century. This book examines the way in which the architect arrived at this distinctly personal architectonic polychromy in the early 1920s.
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September 2008
Materials and Lighting
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Engineered Transparency presents a portfolio of projects featuring cutting-edge glass designs by today's most innovative architects including SANAA's acclaimed Glass Pavilion at the Toledo Museum of Art Yoshio Taniguchi's MoMA expansion in New York City and Steven Holl's Nelson-Atkins Museum in Kansas City. With contributions by foremost thinkers in the field of(...)
Materials and Lighting
January 2009, New York
Engineered transparency: the technical visual and spatial effects of glass
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Engineered Transparency presents a portfolio of projects featuring cutting-edge glass designs by today's most innovative architects including SANAA's acclaimed Glass Pavilion at the Toledo Museum of Art Yoshio Taniguchi's MoMA expansion in New York City and Steven Holl's Nelson-Atkins Museum in Kansas City. With contributions by foremost thinkers in the field of architecture and design including historians such as Kenneth Frampton, cultural critics such as Beatriz Colomina, engineers like Werner Sobek, and architects like Kazuyo Sejima.
Materials and Lighting
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Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra-contemporary, sustainable public and industrial buildings made from locally sourced natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using the region’s traditional bricks, was the first manufacturing building in France to achieve net-zero carbon emissions.(...)
Windows of light: Lina Ghotmeh
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Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra-contemporary, sustainable public and industrial buildings made from locally sourced natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using the region’s traditional bricks, was the first manufacturing building in France to achieve net-zero carbon emissions. Light, another natural and physical phenomenon, has also been another source of inspiration for Ghotmeh. Her research on this topic, collected in Windows of Light, draws upon examples from centuries of visual culture. Ghotmeh explores the symbols, myths and innovations of light, and outlines how it fundamentally shapes our biological, astronomical and architectural environments. Anchoring the many representations of light is a photographic narrative that reminds us that access to artificial light in many regions of the world remains a privilege rather than a right.
Materials and Lighting
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The ferro-concrete style
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This newly re-published version of the original 1928 edition of this long out of print work traces the history of reinforced concrete from its roots through the first three decades of this century.
Materials and Lighting
February 1998, Santa Monica
The ferro-concrete style
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This newly re-published version of the original 1928 edition of this long out of print work traces the history of reinforced concrete from its roots through the first three decades of this century.
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February 1998, Santa Monica
Materials and Lighting
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This book shows in detail the latest technological and material developments in glass construction by presenting the most significant built examples of the last five years. The book presents these technically demanding buildings in great detail.(...)
Glass buildings : material, structure and detail
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This book shows in detail the latest technological and material developments in glass construction by presenting the most significant built examples of the last five years. The book presents these technically demanding buildings in great detail. Approximately 25 exceptional international projects from the past five years are presented along with their distinctive constructional details. The precise description of the buildings is enhanced with numerous pictures and scaled detailed drawings. The choice of buildings includes diverse types of construction and utilization and presents the full spectrum of contemporary glass technology. In addition to its technical documents, the book offers a comprehensive, technologically up-to-date sourcebook of the design possibilities of building with glass.
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September 1998, Basel
Materials and Lighting
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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete(...)
The light construction reader / source books in architecture 2
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The second volume of the source books in architecture series, "The light construction reader" is a collection of 38 essays that explores the themes and issues surrounding this exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky’s essay 'Transparency: Literal and Phenomenal' is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
Materials and Lighting
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Linoleum is a natural material with quite an eventful history of use since its invention in 1864 by the British entrepreneur Frederik Walton. Its first golden age was between 1900 and 1930, when numerous renowned designers - among them Josef Hoffmann or Bruno Paul -(...)
Linoleum : history, design, archtiecture 1882 - 2000
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Linoleum is a natural material with quite an eventful history of use since its invention in 1864 by the British entrepreneur Frederik Walton. Its first golden age was between 1900 and 1930, when numerous renowned designers - among them Josef Hoffmann or Bruno Paul - designed both collections and patterns. Even Peter Behrens - before he became the "artistic counselor" to AEG in Berlin in 1908 - tried his hand at designing linoleum patterns, to the point of developing a complete "corporate design" from stationary to catalogs to exhibition architecture for the Anker- Linoleum-Werke at Delmenhorst. Bauhaus architects such as Bruno Taut or Mies van der Rohe used linoleum in housing projects as an inexpensive and hardwearing but also decorative floor-covering. This book is the first to present this historically and ecologically equally important material in its various guises. Experts in the field contributed essays about the history of linoleum, its "discovery" by modernist designers and architects and its renaissance in contemporary design and architecture.
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March 2001, Ostfilden
Materials and Lighting
Set in stone
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Set in stone is well-known metaphor to describe something immortal and immov-able. Stone is considered to be an archaic and ultimate building material. In times when sustainability has become the keyword of climate-adapted construction, stone architecture is gaining more and more attention. This volume will provide an updated overview of stone architecture, 60 projects,(...)
Set in stone
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Set in stone is well-known metaphor to describe something immortal and immov-able. Stone is considered to be an archaic and ultimate building material. In times when sustainability has become the keyword of climate-adapted construction, stone architecture is gaining more and more attention. This volume will provide an updated overview of stone architecture, 60 projects, from all around the world: whether cast stone, marble or bricks the reader takes part in a fascinating trip, discovering buildings, which are not dematerialized, not fashionably transparent, but are standing in a millennia old tradition of architecture, which has not lost its enchantment in 21st century.
Materials and Lighting
Findings on elasticity
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What happens when one gives a simple rubber band to an architect, historian, choreographer, chemist, artist, mathematician, physicist, economist, anthropologist, and geologist and asks each of them for a statement on elasticity? The economist studies the elasticity of supply and demand of market forces. “The Pars Foundation” draws researchers out of their specialized(...)
Findings on elasticity
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What happens when one gives a simple rubber band to an architect, historian, choreographer, chemist, artist, mathematician, physicist, economist, anthropologist, and geologist and asks each of them for a statement on elasticity? The economist studies the elasticity of supply and demand of market forces. “The Pars Foundation” draws researchers out of their specialized niches in order to publish their brilliant, crazy, important, or bewildering results and assembles them in this interdisciplinary volume. There are no guidelines for the form their contributions must take. It may be images, poems, essays, sketches, formulas or a piece of sculpture; the editors only ask that a contribution reect the respondent’s own field as well as his or her passion for the topic.