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This volume is a nuanced intellectual history of architectural innovation in California between 1920 and 1970. It demonstrates how this prolific era of modern architecture was propelled by divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.
Nothing permanent: Modern architecture in California
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This volume is a nuanced intellectual history of architectural innovation in California between 1920 and 1970. It demonstrates how this prolific era of modern architecture was propelled by divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.
Modernism
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations(...)
Modern architecture: A planetary warming history
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations between modern architecture and planetary warming. This book is a rough sketch of a proposed history of modern architecture since the beginning of the Industrial Revolution. It aims to break away from the established neural networks of the profession’s collective memory of how modern architecture’s history has unfolded, and offers the beginning of a rewiring: by introducing new actors, and highlighting ideas and projects that deal with climate and environment, while relegating some of the usual stars of modernism and postmodernism to the background.
Modernism
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From metal-clad houses to skyscrapers, aluminium’s futuristic image became increasingly prominent in American architecture during the 20th century, influencing everything from roadside diners built in the Googie style to later postmodernism. This book features a selection of American and Japanese architectural precedents built during the transitional period from modern to(...)
Ex-dreams: The alternative mid-century architecture
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From metal-clad houses to skyscrapers, aluminium’s futuristic image became increasingly prominent in American architecture during the 20th century, influencing everything from roadside diners built in the Googie style to later postmodernism. This book features a selection of American and Japanese architectural precedents built during the transitional period from modern to postmodern architecture, depicted in photographs, drawings, illustrations, and even cartoons. Deepening an understanding of these complex trends is an essay by Tomoyuki Gondo, plus interviews and discussions with various experts in the field such as Lloyd Khan, Victor Newlove, and Seng Kuan.
Modernism
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An unprecedented event in architecture history, the Case Study Houses program gave America new models for residential living. This comprehensive account of the project presents each of the 36 prototype homes through floor plans, sketches, and photographs, and explores how architects like Richard Neutra, Charles and Ray Eames, and Eero Saarinen redefined the Los Angeles(...)
Modernism
September 2021
Case study houses: the complete CSH program 1945-1966. 40th edition
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An unprecedented event in architecture history, the Case Study Houses program gave America new models for residential living. This comprehensive account of the project presents each of the 36 prototype homes through floor plans, sketches, and photographs, and explores how architects like Richard Neutra, Charles and Ray Eames, and Eero Saarinen redefined the Los Angeles landscape and the modern home.
Modernism
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This volume is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of(...)
Spatial Revolution: Architecture and planning in the early Soviet Union
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This volume is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, built during the first fifteen years of the Soviet project and followed attentively worldwide after the collapse of capitalist markets in 1929. The book answers important questions of how the first Soviet industrialization drive was a catalyst for construction of thousands of new enterprises on remote sites across the Eurasian continent, an effort that spread to far-flung sites in other socialist states—and capitalist welfare states—for decades to follow.
Modernism
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Golconde is an astonishing architectural accomplishment. With technical finesse and extraordinary craft, it offers a living testament to the original modernist credo – architecture as the manifest union of technology, aesthetics, and social reform. Here exists an undiluted view of a wholly triumphant tropical Modernism, built during the tumultuous years of the second world war.
Golconde: the introduction of modernism in India. 2nd edition
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Golconde is an astonishing architectural accomplishment. With technical finesse and extraordinary craft, it offers a living testament to the original modernist credo – architecture as the manifest union of technology, aesthetics, and social reform. Here exists an undiluted view of a wholly triumphant tropical Modernism, built during the tumultuous years of the second world war.
Modernism
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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri(...)
The project of independence: Architectures of decolonization in South Asia, 1947-1985
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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and periphery by challenging modernism's universalist claims. Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation, South Asian architects produced a distinct body of work in dialogue with global developments while advancing the theory and practice of low-cost, climatically and socially responsive design.
Modernism
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored(...)
Alloys: American sculpture and architecture at midcentury
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art.
Modernism
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the(...)
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the twentieth-century debate on the relationship between technology and culture.
Modernism
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs,(...)
Le prolétariat ne se promène pas nu
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs, en premier lieu Staline et Kaganovitch. Servie par une riche iconographie, cette analyse, au-delà du cas moscovite, met en lumière comment les architectes et les urbanistes se positionnent, créent et innovent, dans et malgré un contexte de contrôle absolu.
Modernism