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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Modernism
July 2003, Cambridge / London
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Modernism
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun(...)
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Modernism
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Step into the world of mid-century modern design with ''Modernist Icons'', a stunning exploration of the era's groundbreaking architecture and interiors from around the world. Discover how this design movement evolved from organic forms and functionality to sleek lines and refined elegance, and how it has remained a timeless classic. Delving deep into the interiors and(...)
Modernist icons: Mid-century houses and interiors
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Step into the world of mid-century modern design with ''Modernist Icons'', a stunning exploration of the era's groundbreaking architecture and interiors from around the world. Discover how this design movement evolved from organic forms and functionality to sleek lines and refined elegance, and how it has remained a timeless classic. Delving deep into the interiors and furniture that define this iconic aesthetic, ''Modernist Icons'' showcases the evolution of midcentury modernism over time. Learn how this design philosophy has influenced and informed other creative expressions and explore stunning examples from leading designers in this space. Featuring expert essays and striking imagery, this beautifully curated compilation is a true celebration and overview of the mid-century modern style.
Modernism
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This photo album includes landmarks of socialist modernist architecture in Germany – from 1955 to 1990. B.A.C.U. Association explains socialist modernist tendencies; it presents – in colour photographs – a functional image of the buildings and their often original elements that synthesize local culture and traditions, while bringing the reader up to date with their(...)
Socialist modernism in Gremany
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This photo album includes landmarks of socialist modernist architecture in Germany – from 1955 to 1990. B.A.C.U. Association explains socialist modernist tendencies; it presents – in colour photographs – a functional image of the buildings and their often original elements that synthesize local culture and traditions, while bringing the reader up to date with their current state of conservation. The 71 landmarks included in this volume have been organized by function, into five sections. The book contains the authors’ view on Eastern German modernist architecture.
Modernism
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''Socialist modernism in Ukraine'', the fifth photo album/digital architectural guide of B.A.C.U ’s planned series, includes landmarks of socialist modernist architecture in Ukraine erected from 1955 to 1991. B.A.C.U. Association explains socialist modernist tendencies; it presents – in colour photographs – a functional image of the buildings and their often original(...)
Socialist modernism in Ukraine
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''Socialist modernism in Ukraine'', the fifth photo album/digital architectural guide of B.A.C.U ’s planned series, includes landmarks of socialist modernist architecture in Ukraine erected from 1955 to 1991. B.A.C.U. Association explains socialist modernist tendencies; it presents – in colour photographs – a functional image of the buildings and their often original elements that synthesize local culture and traditions, while bringing the reader up to date with their current state of conservation. The 130 landmarks included in this volume have been organized by function, into six sections. The book contains the authors’ view on Ukrainian modernist architecture.
Modernism
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''Socialist modernism in the Caucasus'', the tenth architectural guide/photo album of B.A.C.U.'s planned series includes landmarks of socialist modernist architecture in the Caucasus from 1955 to 1991. B.A.C.U. Association explains socialist modernist tendencies; it presents – in colour photographs – a functional image of the buildings and their often original elements(...)
Socialist modernism in the Caucasus / Le modernisme socialiste dans le Caucase
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''Socialist modernism in the Caucasus'', the tenth architectural guide/photo album of B.A.C.U.'s planned series includes landmarks of socialist modernist architecture in the Caucasus from 1955 to 1991. B.A.C.U. Association explains socialist modernist tendencies; it presents – in colour photographs – a functional image of the buildings and their often original elements that synthesize local culture and traditions, while bringing the reader up to date with their current state of conservation. The 80 landmarks included in this volume have been organized by function, into five sections. The book contains the authors’ view on the Caucasus modernist architecture.
Modernism
Paris Moderne 1914-1945
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En paix ou en guerre, le Paris de la première moitié du XX? siècle vibre d’énergie fébrile. Les imaginations les plus débridées s’expriment dans des formes nouvelles dont les créateurs viennent de l’Europe entière. Le défi de l’industrie et les attentes du marché nourrissent l’architecture et l’ ensemble des disciplines artistiques, qui donnent son visage quotidien à une(...)
Paris Moderne 1914-1945
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En paix ou en guerre, le Paris de la première moitié du XX? siècle vibre d’énergie fébrile. Les imaginations les plus débridées s’expriment dans des formes nouvelles dont les créateurs viennent de l’Europe entière. Le défi de l’industrie et les attentes du marché nourrissent l’architecture et l’ ensemble des disciplines artistiques, qui donnent son visage quotidien à une ville délibérément moderne. Ce foisonnement est retracé selon le principe d’un dictionnaire, de la lettre « A », comme la photographe Laure Albin-Guillot, à la lettre « Z », comme le critique d’art Christian Zervos, en passant par Josephine Baker, Marcel Carné, Coco Chanel, Le Corbusier, Fernand Léger, Adolf Loos, Charlotte Perriand, Helena Rubinstein ou Tristan Tzara. Près de cent entrées composent un portrait sous forme de kaléidoscope amplement illustré. Un reportage photographique d’Antonio Martinelli donne à voir ce que le paysage architectural et urbain d’aujourd’hui révèle du Paris d’il y a cent ans.
Modernism
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
Bunker research: the hidden history of modernism in the mountains
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today.(...)
That’s Brutal, What’s Modern?: The Smithsons, Banham, and the Mies-Image
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today. Linder aims to recover a specific and integral, yet overlooked, aspect of the peculiar novelty of New Brutalism by reconsidering the entirety of Alison and Peter Smithson’s work as a fitful and evolving fifty-year fascination with the imaging potential they found in the architecture of Mies van der Rohe. In six chapters and some forty arrays of images, the book progresses from historical research to theoretical speculations on the historical legacy and contemporary potential of the Smithsons’ pursuit of the "Mies-Image."
Modernism
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural(...)
Raising the curtain: Operatic modernism in the Soviet Republics
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural collectives led by women, Nijole Buciute (1930-2010) and Oxana Tkachuk (b. 1933) respectively. Drawing upon the close relation of operatic environments to national imaginaries, the book expands the stories of the theatres’ creation into an interrogation of the national condition in the Soviet non-Russian republics. Lithuania and Belarus exemplify the broad range of Soviet national scenarios, presenting two polar extremes of the paths taken: Lithuania was the first republic to leave the Soviet Union in 1990, while Belarus retained its reputation as the “last Soviet republic” well into the 21st century. ''Raising the Curtain'' puts centre stage the involvement of architecture of Soviet modernism with the geopolitical transformations of the era, offering an intimate look at the tectonic shifts which still reverberate across the globe.
Modernism