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This book delves into the architectural heritage of public housing developed in Hong Kong between the 1950s and the 1980s. Embracing the modernist architectural approach, the city initiated mass housing projects that redefined urban living. Towering structures emerged to meet the housing needs of nearly three million residents, resulting in one of the world’s most(...)
Concrete Hong Kong: Build your own Modernist metropolis
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This book delves into the architectural heritage of public housing developed in Hong Kong between the 1950s and the 1980s. Embracing the modernist architectural approach, the city initiated mass housing projects that redefined urban living. Towering structures emerged to meet the housing needs of nearly three million residents, resulting in one of the world’s most futuristic and densely populated urban landscapes. Through captivating photographs and engaging narratives, the first half of Concrete Hong Kong offers a glimpse into the housing estates constructed during the second half of the 20th century, showcasing a variety of structures, including the cruciform Shun On Estate, the vibrant Choi Hung Estate, and the brutalist Po Lai Court. The second half of the book immerses readers in a hands-on experience, featuring six pre-cut and pre-folded models ready to be pressed out and assembled, making this book a must-have for anyone seeking to uncover the hidden stories behind Hong Kong’s concrete jungles. All you need is glue! Includes a foreword by Charles Lai, architect and architectural historian based in Hong Kong.
Modernism
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The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of(...)
1960s University buildings: The golden age of British modern architecture
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The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK. This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.
Modernism
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Un ouvrage complet sur ce lieu extraordinaire, labellisé « Patrimoine du XXe siècle », qui accueille 150 000 visiteurs par an pour découvrir une collection permanente forte de plus de 13 000 oeuvres et 40 000 ouvrages… La proposition tout en discrétion de Silvio d'Ascia reconvertit 80 m2, glisse une grande salle de 390 m2 en sous-sol sous la cour Giacometti, une autre,(...)
Fondation Marguerite et Aimé Maeght
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Un ouvrage complet sur ce lieu extraordinaire, labellisé « Patrimoine du XXe siècle », qui accueille 150 000 visiteurs par an pour découvrir une collection permanente forte de plus de 13 000 oeuvres et 40 000 ouvrages… La proposition tout en discrétion de Silvio d'Ascia reconvertit 80 m2, glisse une grande salle de 390 m2 en sous-sol sous la cour Giacometti, une autre, plus petite, de 66 m2 sous la cour Miró et tire parti d'une galerie de 44 m2 formant passage entre les deux salles. Le tout en incluant un ascenseur pour l'accessibilité PMR et en purgeant les ajouts parasites disgracieux accumulés au fil des ans. Les nouveaux espaces viennent s'inscrire dans le dénivelé du site pour s'ouvrir par des baies monumentales vers les lointains et la pinède. L'attention scrupuleuse portée au « génie du lieu » a orienté le choix des matériaux : terre cuite, travertin, béton de site, verre et acier.
Modernism
Modernism in late-Mao China
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This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for(...)
Modernism in late-Mao China
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This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for foreign trade in Guangzhou and China’s foreign aid projects overseas. The emergence of new architecture in the early 1970s is closely associated with China’s political and diplomatic shift of the time, from a radical emphasis on ideological struggle to a dynamic balance between leftist ideology and pragmatic concerns. In this context, China’s relations with the West quickly improved, culminating with American president Richard Nixon’s visit to China in 1972. The increasing foreign affairs brought new opportunities to Chinese architects who referenced both Western modernism and Chinese architectural traditions to create a new version of Chinese modernism. The book brings dimensions of form, politics and knowledge to the analysis of architecture, to construct an understanding of architectural design as an aesthetic, political and intellectual practice.
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now(...)
Faro Modernism: Buildings, heritage, culture
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now has a specific Modernist buildings area, through which guided tours show the full range of detached and semidetached grand houses, large-scale apartment blocks, and little roads of terraced houses that are in fact cleverly disguised maisonettes. The architectural ringleader was Manuel Gomes da Costa, an Algarvian by birth, who had gone to South America in search of work but came back in the 1950s to transform the city. Inspired by the work of earlier architects, including Le Corbusier and Oscar Niemeyer, Costa and his colleagues set about creating a Modernist paradise in the southern sun. This book will give fans of inspirational architecture the first real opportunity to delve deep into Southern Europe’s "Palm Springs."
Modernism
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The German architect Konrad Wachsmann (1901–80) played a major role in the development of industrialized building production, notably through his collaboration with Walter Gropius on a "Packaged House System" for prefabricated homes that could be assembled in under nine hours (Wachsmann was also known for the summer house he designed for Albert Einstein). This catalog(...)
The art of joining: designing the universal connector. Bauhaus Taschenbuch 23
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The German architect Konrad Wachsmann (1901–80) played a major role in the development of industrialized building production, notably through his collaboration with Walter Gropius on a "Packaged House System" for prefabricated homes that could be assembled in under nine hours (Wachsmann was also known for the summer house he designed for Albert Einstein). This catalog collects research conducted at the Bauhaus in 2018 focusing on the decisive and historic importance of the universal wedge connector, one of Wachsmann’s key contributions that radically expanded the capacity for industrialized home production in its deceptively simple design, saving considerable time and cost. The collected texts by scientists and designers position the connector as "the cornerstone of an industrialized building system," and elaborately trace the historical contexts of postwar modernism and industrial design that led to the development of this decisive piece of technology.
Modernism
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Tashkent, the southernmost metropolis of millions in the Soviet Union, is a city redolent with architectural contrasts and paradoxes. Home to the world’s most beautiful prefabricated buildings, it features a prominent urban duality predicated upon the oriental Old City and the Russian New City. Never was this contrast brought into sharper focus than during the severe(...)
Seismic modernism: Architecture and housing in Soviet Tashkent
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Tashkent, the southernmost metropolis of millions in the Soviet Union, is a city redolent with architectural contrasts and paradoxes. Home to the world’s most beautiful prefabricated buildings, it features a prominent urban duality predicated upon the oriental Old City and the Russian New City. Never was this contrast brought into sharper focus than during the severe earthquake of 1966 which left the New City relatively unscathed but the Old City in ruins. Yet one respite was offered: a rebuilding effort which triggered an upsurge of innovation. The city thus became the face of Seismic Modernism – unprecedented in history, the earthquake stimulated the modernization of urban development in Tashkent. Architects incorporated regional building traditions in their socialist modern designs, including the visually intriguing façade mosaics attributed to the little-known Jarsky brothers.
Modernism
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun(...)
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Modernism
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Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from(...)
Modernism
December 2002, Cambridge, Mass.
Primary documents : a sourcebook for Eastern and Central European art since the 1950s
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Although a number of books have told the story of modern and contemporary art in Eastern and Central Europe, missing from these accounts have been the sources themselves. This book, the result of years of research by an international team of artists, curators, editors, translators, and scholars working with the Museum of Modern Art, presents primary documents drawn from the artistic archives of Eastern and Central Europe during the second half of the twentieth century. Because the practice of criticism in this region was for many years almost completely suppressed, the writings of the artists themselves often fulfill a critical as well as an aesthetic and ideological function. The manifestoes, photo essays, proposals, scripts, and other writings assembled here comprise the first anthology of this material in any language. The source materials presented--almost all of them previously untranslated into English--are from Bulgaria, Croatia, Czech Republic, Estonia, Hungary, Latvia, Macedonia, Poland, Romania, Russia, Serbia, Slovakia, and Slovenia. The book is introduced by Ilya Kabakov. Each chapter is preceded by a brief introduction and is followed by a case study that chronicles an event or the creation or reception of an artwork, illustrating the issues raised in that chapter.
Modernism
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Peter Blundell Jones details the inadequacy of the first histories of the Modern Movement by revealing the existence of suppressed alternative traditions within the movement and shows their great diversity through the use of case studies. Each case is analysed in detail then used as a springboard to explore different theoretical approaches.
Modern architecture through case studies
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Peter Blundell Jones details the inadequacy of the first histories of the Modern Movement by revealing the existence of suppressed alternative traditions within the movement and shows their great diversity through the use of case studies. Each case is analysed in detail then used as a springboard to explore different theoretical approaches.
Modernism