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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing(...)
Paul Klee: Pedagogical sketchbook. Bauhausbücher 2
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies.
Modernism
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Modernism
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Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the “Bauhausbücher” series. In addition to designing and editing the “Bauhausbücher”, Moholy-Nagy produced a title of his(...)
László Moholy-Nagy: Painting, photography, film. Bauhausbücher 8
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Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the “Bauhausbücher” series. In addition to designing and editing the “Bauhausbücher”, Moholy-Nagy produced a title of his own: the legendary “Painting, Photography, Film”. In this book, Moholy-Nagy’s efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity.
Modernism
Bauhaus Dessau Architecture
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“Art and technology: a new unity.” It was with this slogan that the Bauhaus moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many(...)
Bauhaus Dessau Architecture
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“Art and technology: a new unity.” It was with this slogan that the Bauhaus moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many of the Bauhaus buildings in Dessau are now regarded as key works of European Modernism and some have even become UNESCO World Heritage Sites. They express the revolutionary aim of the historical Bauhaus to bring about fundamental change in society through design and architecture.
Modernism
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
Form and light: from Bauhaus to Tel Aviv
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Modernism
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"Soviet Asia" explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist(...)
Soviet Asia: Soviet modernist architecture in Central Asia
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"Soviet Asia" explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces—all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Gray concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.
Modernism
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One hundred years after the founding of the Bauhaus in 1919, ''Bauhaus and America'' considers the myriad ways in which the German art, design and architecture school influenced the art and culture of the United States after the World War II.
Bauhaus and America: experiments in light and movement
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One hundred years after the founding of the Bauhaus in 1919, ''Bauhaus and America'' considers the myriad ways in which the German art, design and architecture school influenced the art and culture of the United States after the World War II.
Modernism
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Architects the world over are familiar with the name Bauhaus. A century after it was founded, the principles, philosophies and memories of this avant-garde school are still very much alive. Bauhaus is a legend, and its legacy continues to shape our world in many different ways. To mark its centenary, Detail has produced an autograph book in which 100 architects from all(...)
Modernism
February 2019
My Bauhaus: 100 architects on the 100th anniversary of a myth
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Architects the world over are familiar with the name Bauhaus. A century after it was founded, the principles, philosophies and memories of this avant-garde school are still very much alive. Bauhaus is a legend, and its legacy continues to shape our world in many different ways. To mark its centenary, Detail has produced an autograph book in which 100 architects from all over the world wish the school a happy birthday. Their short texts, photos and sketches reveal what Bauhaus means to them. The result is a colourful album of anecdotes, experiences and personal stories that will raise a smile or make you think. Rather than defining what Bauhaus is, the short statements show the extent to which Bauhaus is still relevant today. Details
Modernism
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions,(...)
Concrete poetry: post-war modernist public art
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions, backdrops to British lives. Now with the increased interest in the buildings and architects of the Post-War era the time is right to consider the role of sculpture in these Modernist landscapes. There is also an urgency to this photographic survey, as many crucial works have been lost or destroyed. As acclaimed photographer Simon Phipps journeyed around the UK he uncovered forgotten treasures as well as unexplained losses.
Modernism
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In the 1950s and ’60s an ambitious program of urban revitalization transformed Pittsburgh and became a model for other American cities. Leaders, civic groups, and architects worked together to reconceive the city through local and federal initiatives that aimed to address the problems that confronted Pittsburgh’s postwar development. 'Imagining the Modern' untangles this(...)
Imagining the modern: architecture and urbanism of the Pittsburgh Renaissance
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In the 1950s and ’60s an ambitious program of urban revitalization transformed Pittsburgh and became a model for other American cities. Leaders, civic groups, and architects worked together to reconceive the city through local and federal initiatives that aimed to address the problems that confronted Pittsburgh’s postwar development. 'Imagining the Modern' untangles this complicated relationship with modern architecture and planning through a history of Pittsburgh’s major sites, protagonists, and voices of intervention.
Modernism