Yann Stofer: Tu ne peux pas toujours tuer tout le monde à la fin : Dans le sommeil de Harry Crews
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Road trip immersif sur les traces de l'écrivain américain Harry Crews (1935-2012), par Yann Stofer et Julien Perez : un ouvrage ponctué de photographies argentiques, captures de vidéos et extraits audio, dans « une Amérique peu habituée à recevoir la visite de touristes étrangers ». « Voici un livre de passionnés, pour les amateurs de Harry Crews, [dans lequel] le(...)
Yann Stofer: Tu ne peux pas toujours tuer tout le monde à la fin : Dans le sommeil de Harry Crews
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Road trip immersif sur les traces de l'écrivain américain Harry Crews (1935-2012), par Yann Stofer et Julien Perez : un ouvrage ponctué de photographies argentiques, captures de vidéos et extraits audio, dans « une Amérique peu habituée à recevoir la visite de touristes étrangers ». « Voici un livre de passionnés, pour les amateurs de Harry Crews, [dans lequel] le photographe Yann Stofer et l'écrivain Julien Perez saisissent de poignants instantanés qui disent une Amérique oubliée, rurale jusqu'au bout des ongles. » Christine Ferniot, Libération
Photography monographs
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Alors que Milan renaissait des ruines de l'après-guerre, la ville comptait deux édifices emblématiques : la Torre Velasca, œuvre du cabinet BBPR, et le gratte-ciel Pirelli, conçu par Gio Ponti. Une nouvelle ville s'est développée autour, grâce surtout à la construction du réseau de métro. Les vides laissés par la guerre ont été rapidement comblés. Cette volonté de(...)
Photography monographs
June 2026
Paolo Monti: Milano, 1957-1973
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Alors que Milan renaissait des ruines de l'après-guerre, la ville comptait deux édifices emblématiques : la Torre Velasca, œuvre du cabinet BBPR, et le gratte-ciel Pirelli, conçu par Gio Ponti. Une nouvelle ville s'est développée autour, grâce surtout à la construction du réseau de métro. Les vides laissés par la guerre ont été rapidement comblés. Cette volonté de modernisation a également touché les principales gares ferroviaires, fréquentées quotidiennement par les travailleurs résidant en banlieue. Ce fut l'âge d'or de l'architecture milanaise, lorsque des professionnels tels que Luigi Caccia Dominioni, Vico Magistretti, Luigi Moretti et Vittoriano Viganò ont créé une esthétique de la modernité qui est encore admirée et étudiée aujourd'hui. Paolo Monti fut peut-être le plus grand chroniqueur de cette époque : il en a exploré les aspects les plus évidents, sans pour autant négliger la qualité des détails de construction, sur fond d'une ville en mutation décennie après décennie.
Photography monographs
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One morning in the summer of 2014, Irina Rozovsky woke up in a Serbian mountain village to the sound of hundreds of trumpets as a brass band festival set up in the hills. At once pleading and tragic, joyful and frenetic, the music set the tone for what would become Rozovsky’s journey through the Balkan region, including Montenegro, Bosnia and Herzegovina, Macedonia,(...)
Irina Rozovsky: Mountain black heart
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One morning in the summer of 2014, Irina Rozovsky woke up in a Serbian mountain village to the sound of hundreds of trumpets as a brass band festival set up in the hills. At once pleading and tragic, joyful and frenetic, the music set the tone for what would become Rozovsky’s journey through the Balkan region, including Montenegro, Bosnia and Herzegovina, Macedonia, Croatia, Greece, Romania, Bulgaria, and Albania. Profoundly drawn to the land and its people, Rozovsky created the intimate and equivocal photographs that form Mountain Black Heart. Rozovsky’s borderless vision drifts through railways, farms, open water, parking lots, fairgrounds, and graveyards, balancing vitality and life with suggestions of dark history and subtle signs of violence. Interspersed throughout are striking portraits of people and animals which emanate vulnerability and resilience. Through its loose, expressionistic approach and a compassionate engagement with the human and natural world, Rozovsky’s nomadic project pieces together a personal and kaleidoscopic view of a fragmented place.
Photography monographs
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In this photography theory textbook and art book, Takashi Homma delves into the unique perspectives and techniques of Japanese photography, with a focus on capturing the essence of the self. It outlines his signature philosophy of “seeing” reality objectively – capturing a subject as it is without projecting the photographer’s personal emotions or attachments onto it. For(...)
Takashi Homma: Seeing itself for new photography (Japanese edition)
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In this photography theory textbook and art book, Takashi Homma delves into the unique perspectives and techniques of Japanese photography, with a focus on capturing the essence of the self. It outlines his signature philosophy of “seeing” reality objectively – capturing a subject as it is without projecting the photographer’s personal emotions or attachments onto it. For amateur photographers and professionals alike, the book is a valuable resource for exploring photography’s artistic possibilities in a cultural context. With clear visuals and insightful content, Seeing Itself is a must-have for anyone interested in photography theory and art.
Photography monographs
books
Ben Marcin: The Holdouts
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''The Holdouts'' is the debut photobook by American photographer Ben Marcin, set to be published this summer. It offers a unique view of the city of Baltimore and its surrounding areas through three very different sets of homes. We are taken to marginalized homes and houses, some as old as 250 years, others just months old, found in and around Baltimore, Maryland, USA.(...)
Ben Marcin: The Holdouts
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''The Holdouts'' is the debut photobook by American photographer Ben Marcin, set to be published this summer. It offers a unique view of the city of Baltimore and its surrounding areas through three very different sets of homes. We are taken to marginalized homes and houses, some as old as 250 years, others just months old, found in and around Baltimore, Maryland, USA. Marcin shows us solo row houses in the inner city that somehow survived the wrecking ball; abandoned houses on the Eastern Shore where the last generations of families either passed away or moved on after decades of farming the land; and temporary homeless camps in the city, none of which have ever survived for more than a year.
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September 2026
Photography monographs
Walker Evans
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Walker Evans (1903–1975) is one of the great enduring figures of modern photography. His vivid images are inseparable from the history of the medium and the history of the USA. The subject matter was quintessentially American – small-town life, typical buildings, commercial signs and anonymous citizens – but Evans brought to them the curiosity and fascination of an(...)
Walker Evans
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Walker Evans (1903–1975) is one of the great enduring figures of modern photography. His vivid images are inseparable from the history of the medium and the history of the USA. The subject matter was quintessentially American – small-town life, typical buildings, commercial signs and anonymous citizens – but Evans brought to them the curiosity and fascination of an outsider. His exacting eye defined an era while also questioning it. Pop artists and Conceptualists saw Evans as a pioneer and precursor, and his sensibility continues to inspire countless younger image makers. "Walker Evans" offers a broad overview of his work and its lasting influence on generations of artists. It brings together key photographs and projects spanning his entire career – from self-portraits of the 1920s to his Polaroid experiments in the 1970s – along with books and other publications that reflect his tireless capacity for observation. Together, the works reveal a creator who not only documented the world around him but also invited viewers to question the nature of photography and the perception of reality itself.
Photography monographs
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An intricate tapestry of personal and collective memory, Mashid Mohadjerin’s work interweaves photography, text, video, and archival material to explore displacement, resistance, and identity. She reconstructs the past not as a distant realm but as something tangible, living within language, inherited trauma, and memory. In "Riding in silence & the crying dervish," the(...)
Riding in silence & the crying dervish
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An intricate tapestry of personal and collective memory, Mashid Mohadjerin’s work interweaves photography, text, video, and archival material to explore displacement, resistance, and identity. She reconstructs the past not as a distant realm but as something tangible, living within language, inherited trauma, and memory. In "Riding in silence & the crying dervish," the tension between imposed identity and self-definition is key to the artist’s exploration of masculinity and how it is shaped by war, colonialism, nationalism, and religious ideology. Through the lens of her father’s memories, Mohadjerin reveals how even the simplest actions become acts of quiet defiance.
Liss Fenwick: The colony
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"The Colony" is a book about books, and what happens when their authority is quietly and actively undone. Liss Fenwick’s project enlists an unlikely team of co-authors: a termite colony living beneath their childhood home. Gathering books inherited from schoolrooms and family shelves – texts steeped in frontier myths, one-sided histories, and the erasure of First Nations(...)
Liss Fenwick: The colony
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"The Colony" is a book about books, and what happens when their authority is quietly and actively undone. Liss Fenwick’s project enlists an unlikely team of co-authors: a termite colony living beneath their childhood home. Gathering books inherited from schoolrooms and family shelves – texts steeped in frontier myths, one-sided histories, and the erasure of First Nations cultures – Fenwick fed the selection to the termites and then photographed the remains: a dense, sculptural language of tunnels, voids, and clay scaffolds. It offers a reflection on the book as a dominant form of knowledge and its role in a long, often destructive relationship with other forms of intelligence and history.
Photography monographs
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This book brings together three newly commissioned essays by Kate Nesin, Juliane Rebentisch, and Emily LaBarge, who each approach American neo-conceptual artist Lutz Bacher’s (1943–2019) body of work from distinct yet intersecting perspectives. Bacher, whose work incorporates elements from popular culture, personal artefacts, and found objects, was known for being(...)
Lutz Bacher, Burning the Days: An Exhibition
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This book brings together three newly commissioned essays by Kate Nesin, Juliane Rebentisch, and Emily LaBarge, who each approach American neo-conceptual artist Lutz Bacher’s (1943–2019) body of work from distinct yet intersecting perspectives. Bacher, whose work incorporates elements from popular culture, personal artefacts, and found objects, was known for being legendary but elusive in the California art scene. Published with an exhibition at Astrup Fearnley Museum (Oslo) and WIELS (Brussels), this catalogue is distinct in that it is the first major publication on the artist produced entirely after her death and without her direct involvement or design input.
Photography monographs
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The images in Lonely ''Are All the Bridges'' were made in Ukraine by Robin Hinsch over a period of more than a decade. The photographer first visited Ukraine in 2010, intrigued by the description of the then President Viktor Yanukovych as ‘the new dictator between East and West’. His sustained interest in this complex country compelled him to return many times to(...)
Robin Hinsch: Lonely are all the bridges
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The images in Lonely ''Are All the Bridges'' were made in Ukraine by Robin Hinsch over a period of more than a decade. The photographer first visited Ukraine in 2010, intrigued by the description of the then President Viktor Yanukovych as ‘the new dictator between East and West’. His sustained interest in this complex country compelled him to return many times to photograph both the landscape and the people he encountered. His images are unlike pictures of Ukraine seen in the news, presenting instead a melancholic vision of country caught between a contested past, a brutal present and an uncertain future.
Photography monographs