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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits,(...)
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits,(...)
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Emmanuelle Andrianjafy: Nothing's in vain
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.
Emmanuelle Andrianjafy: Nothing's in vain
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.
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books
books
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May 2017
May 2017
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Photography monographs
Photography monographs
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books
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$60.00
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered(...)
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered(...)
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Photography monographs
Photography monographs
Publication:
August 2017
August 2017
Title:
Domon Ken: master of Japanese realism
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life’s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theaters (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; the poorest Japan of mining villages; and finally his most disturbing and modern work, portraying Hiroshima and its unhealed wounds.
Domon Ken: master of Japanese realism
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life’s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theaters (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; the poorest Japan of mining villages; and finally his most disturbing and modern work, portraying Hiroshima and its unhealed wounds.
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books
books
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August 2017
August 2017
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Photography monographs
Photography monographs
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books
books
Title:
Stephen Shore
Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips(...)
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips(...)
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Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips in the 1970s; his recent explorations of Israel, the West Bank and Ukraine; and his current work on digital platforms, including Instagram.
Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips in the 1970s; his recent explorations of Israel, the West Bank and Ukraine; and his current work on digital platforms, including Instagram.
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books
books
Publication:
November 2017
November 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Josef Albers in Mexico
Josef Albers in Mexico
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“Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and(...)
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“Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2017
November 2017
Title:
Josef Albers in Mexico
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“Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and monuments during his 12 or more trips to Mexico and other Latin American countries between 1935 and 1968. On each visit, Albers took black-and-white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers’ continued formal experimentation with geometry, this time accentuating a pre-Columbian aesthetic.
Josef Albers in Mexico
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“Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and monuments during his 12 or more trips to Mexico and other Latin American countries between 1935 and 1968. On each visit, Albers took black-and-white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers’ continued formal experimentation with geometry, this time accentuating a pre-Columbian aesthetic.
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books
books
Publication:
November 2017
November 2017
Subject:
Photography monographs
Photography monographs
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books
books
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$32.50
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Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
$32.50
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Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
Title:
William Henry Fox Talbot and the promise of photography
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Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
William Henry Fox Talbot and the promise of photography
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$32.50
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Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Photography monographs
Photography monographs
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books
books
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$85.00
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In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.
$85.00
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In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.
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Josef Koudelka: The making of exiles
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In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.
Josef Koudelka: The making of exiles
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In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.
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books
books
Publication:
June 2017
June 2017
Subject:
Photography monographs
Photography monographs
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books
books
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$52.50
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Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making more than 25,000 images. Immersing herself in Cuba’s history, literature, and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people,(...)
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Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making more than 25,000 images. Immersing herself in Cuba’s history, literature, and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people,(...)
Title:
Tria Giovan : the Cuba archive
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Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making more than 25,000 images. Immersing herself in Cuba’s history, literature, and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people, creating a compelling body of work that captures the subtleties and layered complexities of day-to-day Cuba born from complete engagement and informed perspective.
Tria Giovan : the Cuba archive
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Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making more than 25,000 images. Immersing herself in Cuba’s history, literature, and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people, creating a compelling body of work that captures the subtleties and layered complexities of day-to-day Cuba born from complete engagement and informed perspective.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Looking for Lenin
Looking for Lenin
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In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most(...)
$42.50
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Summary:
In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most(...)
Title:
Looking for Lenin
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$42.50
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In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most unlikely of places: Lenin inhabits gardens, scrap yards and store rooms. He has fallen on hard times - cut into pieces; daubed with paint in the colors of the Ukrainian flag; transformed into a Cossack or Darth Vader - but despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history.
Looking for Lenin
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$42.50
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Summary:
In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most unlikely of places: Lenin inhabits gardens, scrap yards and store rooms. He has fallen on hard times - cut into pieces; daubed with paint in the colors of the Ukrainian flag; transformed into a Cossack or Darth Vader - but despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Soviet bus stops 2
Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A(...)
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2017
September 2017
Title:
Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop.
Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$42.50
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Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of(...)
$42.50
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Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of(...)
Title:
Holidays in soviet sanatoriums
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Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.
Holidays in soviet sanatoriums
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$42.50
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Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Photography monographs
Photography monographs
