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$42.50
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Between 1925 and 1933, Howard Robertson and Frank Yerbury travelled extensively around Europe and the United States in search of new architecture. Their accounts, illustrated with Yerbury’s superb photographs, provide a fresh view of contemporary buildings now seen as canonical. This volume is an illustrated anthology of the most interesting of some 200 articles published(...)
Travels in modern architecture 1925-1930 : Howard Robertson and F.R. Yerbury
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Between 1925 and 1933, Howard Robertson and Frank Yerbury travelled extensively around Europe and the United States in search of new architecture. Their accounts, illustrated with Yerbury’s superb photographs, provide a fresh view of contemporary buildings now seen as canonical. This volume is an illustrated anthology of the most interesting of some 200 articles published in the British architectural press, including writing on Le Corbusier’s villas, Asplund’s Stockholm Library, Mendelsohn’s Einstein Tower, and architecture by Perret, Mallet-Stevens and others.
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January 1989, London
Photography monographs
books
$97.50
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Out of print.
Michael Kenna : a twenty year retrospective
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Out of print.
books
January 1900, Tokyo
Photography monographs
Louise Lawler: for sale
$20.95
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Louise Lawler documents the journey of artwork from studio to gallery to auction to museum or collection. An invaluable assemblage of photographs and accompanying analysis.
Louise Lawler: for sale
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Louise Lawler documents the journey of artwork from studio to gallery to auction to museum or collection. An invaluable assemblage of photographs and accompanying analysis.
Photography monographs
books
Hill and Adamson : in focus
$25.50
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Drawn from the J. Paul Getty Museum, the 50 plates in this volume are accompanied by the transcript of a discussion of Hill and Adamson's work by Anne L. Lyden, David Featherstone, A.D. Morrison-Low, Weston Naef, Jonatan Reff, Sara Stevenson, and Michael Wilson.
Hill and Adamson : in focus
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Drawn from the J. Paul Getty Museum, the 50 plates in this volume are accompanied by the transcript of a discussion of Hill and Adamson's work by Anne L. Lyden, David Featherstone, A.D. Morrison-Low, Weston Naef, Jonatan Reff, Sara Stevenson, and Michael Wilson.
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March 1999, Los Angeles
Photography monographs
books
Breathing the city
$80.50
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Examines the relationship between photography and architecture by way of a dialogue between architect Kiyoshi Sey Takeyama and photographer Masaru Suzuki. Richly illustrtated with Suzuki's photographs.
Photography monographs
January 1900, Tokyo
Breathing the city
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Examines the relationship between photography and architecture by way of a dialogue between architect Kiyoshi Sey Takeyama and photographer Masaru Suzuki. Richly illustrtated with Suzuki's photographs.
books
January 1900, Tokyo
Photography monographs
books
The Empire State Building
$58.00
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A selection of the photographs taken by Lewis Hine documenting the construction of the Empire State Building from 1930-1931 are presented along with an introduction by Freddy Langer.
Photography monographs
October 1998, London
The Empire State Building
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A selection of the photographs taken by Lewis Hine documenting the construction of the Empire State Building from 1930-1931 are presented along with an introduction by Freddy Langer.
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October 1998, London
Photography monographs
books
Lewis Baltz
$11.95
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact(...)
Lewis Baltz
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact images, which are often architecturally-oriented, have a broad intellectual framework and draw attention to larger social and architectural patterns.
books
January 1900, London
Photography monographs
books
Catherine Opie
$28.95
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
Catherine Opie
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
books
January 1900, Los Angeles
Photography monographs
books
$42.00
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
Josef Sudek : el silenci de les coses
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
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November 1998, Barcelona
Photography monographs
John Divola Continuity
$35.00
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The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this(...)
John Divola Continuity
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The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this striking book. Divola takes the original still photographs he has collected of Warner Bros. film sets from the 1930s, which were used to maintain continuity, and creates haunting installations of fictive reality. Divided into subject categories such as "Hallways" and "Broken Furniture and Evidence of Aggression," these images possess a glorious beauty, made possible by the use of 8 x 10 negatives, while being grounded in an intelligence found in the best of conceptual art. Features an elucidating essay by the noted film writer and critic Edward Dimendberg.
Photography monographs