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Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du(...)
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Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du(...)
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Objets Temporels Victor Burgin
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Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du cinéma ou de la peinture aussi bien que de la littérature, de la sémiologie, de la psychanalyse ou des études culturelles. Dans les années 1990, la vidéo s'ajoute aux photo-textes et devient le médium privilégié de l'artiste. Si cet ouvrage offre une vision d'ensemble du parcours de Victor Burgin, c'est à cette pratique de vidéaste qu'il s'attache plus particulièrement. Rassemblant des écrits de l'artiste lui-même (pour la plupart inédits ou traduits pour la première fois en français), des essais critiques de Philippe Dubois, Evgenia Giannouri, Marianne Massin et Françoise Parfait, deux entretiens (l'un avec Homi Bhabha, datant de 1991, l'autre avec les étudiants du Master professionnel "Métiers et arts de l'exposition ", réalisé en 2007) et des notices consacrées à ses différentes vidéos, cette monographie propose une analyse approfondie de l'art de Victor Burgin et permet d'apprécier l'ampleur de ses enjeux esthétiques et politiques. C'est en effet une véritable politique de et par l'image qui se construit au fil de ses œuvres et de ses essais. Cet ouvrage documente enfin Fogliazzi, l'installation photo-vidéo que Victor Burgin a créée pour son exposition à la galerie Art & Essai de l'université Rennes 2 Haute-Bretagne (3 mai/15 juin 2007).
Objets Temporels Victor Burgin
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Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du cinéma ou de la peinture aussi bien que de la littérature, de la sémiologie, de la psychanalyse ou des études culturelles. Dans les années 1990, la vidéo s'ajoute aux photo-textes et devient le médium privilégié de l'artiste. Si cet ouvrage offre une vision d'ensemble du parcours de Victor Burgin, c'est à cette pratique de vidéaste qu'il s'attache plus particulièrement. Rassemblant des écrits de l'artiste lui-même (pour la plupart inédits ou traduits pour la première fois en français), des essais critiques de Philippe Dubois, Evgenia Giannouri, Marianne Massin et Françoise Parfait, deux entretiens (l'un avec Homi Bhabha, datant de 1991, l'autre avec les étudiants du Master professionnel "Métiers et arts de l'exposition ", réalisé en 2007) et des notices consacrées à ses différentes vidéos, cette monographie propose une analyse approfondie de l'art de Victor Burgin et permet d'apprécier l'ampleur de ses enjeux esthétiques et politiques. C'est en effet une véritable politique de et par l'image qui se construit au fil de ses œuvres et de ses essais. Cet ouvrage documente enfin Fogliazzi, l'installation photo-vidéo que Victor Burgin a créée pour son exposition à la galerie Art & Essai de l'université Rennes 2 Haute-Bretagne (3 mai/15 juin 2007).
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books
books
Publication:
November 2007, Rennes
November 2007, Rennes
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Concorde Wolfgang Tillmans
Concorde Wolfgang Tillmans
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According to photographer Wolfgang Tillmans, "For the chosen few, flying Concorde is apparently a glamorous but cramped and slightly boring routine while to watch it in air, landing or taking off is a strange and free spectacle, a super modern anachronism and an image of the desire to overcome time and distance through technology." With no text other than the inner-front(...)
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According to photographer Wolfgang Tillmans, "For the chosen few, flying Concorde is apparently a glamorous but cramped and slightly boring routine while to watch it in air, landing or taking off is a strange and free spectacle, a super modern anachronism and an image of the desire to overcome time and distance through technology." With no text other than the inner-front(...)
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Concorde Wolfgang Tillmans
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According to photographer Wolfgang Tillmans, "For the chosen few, flying Concorde is apparently a glamorous but cramped and slightly boring routine while to watch it in air, landing or taking off is a strange and free spectacle, a super modern anachronism and an image of the desire to overcome time and distance through technology." With no text other than the inner-front flap's description, this fourth printing of Tillmans' iconic artist's book consists of 62 color photographs of the Concorde airplane--taking off, landing or in flight, and sometimes as just a tiny, bird-like silhouette in the sky. The photographs speak of both the beauty and the environmental devastation produced by this fabled French airplane, both sides of which Tillmans captures in his casual yet formally elegant signature style.
Concorde Wolfgang Tillmans
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According to photographer Wolfgang Tillmans, "For the chosen few, flying Concorde is apparently a glamorous but cramped and slightly boring routine while to watch it in air, landing or taking off is a strange and free spectacle, a super modern anachronism and an image of the desire to overcome time and distance through technology." With no text other than the inner-front flap's description, this fourth printing of Tillmans' iconic artist's book consists of 62 color photographs of the Concorde airplane--taking off, landing or in flight, and sometimes as just a tiny, bird-like silhouette in the sky. The photographs speak of both the beauty and the environmental devastation produced by this fabled French airplane, both sides of which Tillmans captures in his casual yet formally elegant signature style.
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books
books
Publication:
January 2008, Köln
January 2008, Köln
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Weegee and Naked City
Weegee and Naked City
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Arthur Fellig, better known as Weegee, and his 1945 photography book, Naked City, with its tabloid-style images of Manhattan crime, crowds, and nightlife, overturned prevailing journalistic practices almost overnight. In this volume, art historians Anthony W. Lee and Richard Meyer bring different outlooks on photography to their discussions of Weegee. Meyer looks at(...)
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Arthur Fellig, better known as Weegee, and his 1945 photography book, Naked City, with its tabloid-style images of Manhattan crime, crowds, and nightlife, overturned prevailing journalistic practices almost overnight. In this volume, art historians Anthony W. Lee and Richard Meyer bring different outlooks on photography to their discussions of Weegee. Meyer looks at(...)
Subject:
Photography monographs
Photography monographs
Publication:
April 2008, Berkeley, Los Ageles, London
April 2008, Berkeley, Los Ageles, London
Title:
Weegee and Naked City
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Arthur Fellig, better known as Weegee, and his 1945 photography book, Naked City, with its tabloid-style images of Manhattan crime, crowds, and nightlife, overturned prevailing journalistic practices almost overnight. In this volume, art historians Anthony W. Lee and Richard Meyer bring different outlooks on photography to their discussions of Weegee. Meyer looks at Weegee's pictures before they were collected and assesses how his practice of tabloid photography was inseparable from his own lowbrow appeal. Lee paints the world of leftist journalism in 1930s and 1940s New York and shows how it shaped the photographer's vision.
Weegee and Naked City
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Arthur Fellig, better known as Weegee, and his 1945 photography book, Naked City, with its tabloid-style images of Manhattan crime, crowds, and nightlife, overturned prevailing journalistic practices almost overnight. In this volume, art historians Anthony W. Lee and Richard Meyer bring different outlooks on photography to their discussions of Weegee. Meyer looks at Weegee's pictures before they were collected and assesses how his practice of tabloid photography was inseparable from his own lowbrow appeal. Lee paints the world of leftist journalism in 1930s and 1940s New York and shows how it shaped the photographer's vision.
Form:
books
books
Publication:
April 2008, Berkeley, Los Ageles, London
April 2008, Berkeley, Los Ageles, London
Subject:
Photography monographs
Photography monographs
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books
books
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$27.95
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À l'occasion de la quatrième édition des Photaumnales de Beauvais, Beatrix von Conta a été invitée dans le cadre d'une résidence à travailler sur le thème de la «frontière». Parcourant la ville du centre à la périphérie, sa création coupures/reprises est constituée d'une accumulation de fragments qui crée une vision stratifiée de l'espace urbain et questionne le(...)
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À l'occasion de la quatrième édition des Photaumnales de Beauvais, Beatrix von Conta a été invitée dans le cadre d'une résidence à travailler sur le thème de la «frontière». Parcourant la ville du centre à la périphérie, sa création coupures/reprises est constituée d'une accumulation de fragments qui crée une vision stratifiée de l'espace urbain et questionne le(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2008, Grâne
February 2008, Grâne
Title:
Beatrix von Conta: Coupures reprises
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À l'occasion de la quatrième édition des Photaumnales de Beauvais, Beatrix von Conta a été invitée dans le cadre d'une résidence à travailler sur le thème de la «frontière». Parcourant la ville du centre à la périphérie, sa création coupures/reprises est constituée d'une accumulation de fragments qui crée une vision stratifiée de l'espace urbain et questionne le territoire géographique, mais aussi ses limites imaginaires, celle projetées par la photographe sur les espaces, ainsi que les frontières invisibles et métaphoriques que révèle la photographie.
Beatrix von Conta: Coupures reprises
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À l'occasion de la quatrième édition des Photaumnales de Beauvais, Beatrix von Conta a été invitée dans le cadre d'une résidence à travailler sur le thème de la «frontière». Parcourant la ville du centre à la périphérie, sa création coupures/reprises est constituée d'une accumulation de fragments qui crée une vision stratifiée de l'espace urbain et questionne le territoire géographique, mais aussi ses limites imaginaires, celle projetées par la photographe sur les espaces, ainsi que les frontières invisibles et métaphoriques que révèle la photographie.
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books
books
Publication:
February 2008, Grâne
February 2008, Grâne
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Milan Sklenar photographs
Milan Sklenar photographs
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$80.00
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Milan Sklenar Photographs brings together for the first time over 100 photographs by this Czech-American artist, whose work was previously unpublished and virtually unknown. Drawing on the social documentary currents of photography in the mid-20th century, Sklenar's work transcends the fascination with the "decisive moment" which figures so prominently in(...)
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Milan Sklenar Photographs brings together for the first time over 100 photographs by this Czech-American artist, whose work was previously unpublished and virtually unknown. Drawing on the social documentary currents of photography in the mid-20th century, Sklenar's work transcends the fascination with the "decisive moment" which figures so prominently in(...)
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Milan Sklenar photographs
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$80.00
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Milan Sklenar Photographs brings together for the first time over 100 photographs by this Czech-American artist, whose work was previously unpublished and virtually unknown. Drawing on the social documentary currents of photography in the mid-20th century, Sklenar's work transcends the fascination with the "decisive moment" which figures so prominently in the work of his contemporaries. Here, we discover the work of an artist whose unique talent resides in his ability to connect the purely momentary to the broader continuum of shared experience. This book also includes a biographical introduction by the New York writer Rosemary Mahoney and an insightful essay by the young English critic Chris Morgan.
Milan Sklenar photographs
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Milan Sklenar Photographs brings together for the first time over 100 photographs by this Czech-American artist, whose work was previously unpublished and virtually unknown. Drawing on the social documentary currents of photography in the mid-20th century, Sklenar's work transcends the fascination with the "decisive moment" which figures so prominently in the work of his contemporaries. Here, we discover the work of an artist whose unique talent resides in his ability to connect the purely momentary to the broader continuum of shared experience. This book also includes a biographical introduction by the New York writer Rosemary Mahoney and an insightful essay by the young English critic Chris Morgan.
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books
books
Publication:
October 1998, Montréal
October 1998, Montréal
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Industrial facades
Industrial facades
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$112.50
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The more than two hundred striking duotone plates in Hilla and Bernd Becher's Industrial Facades continue the famous Düsseldorf photographers' formal investigation of industrial structures, in this case the frontal elevations of factory buildings. Like the Bechers' earlier books(...)
$112.50
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The more than two hundred striking duotone plates in Hilla and Bernd Becher's Industrial Facades continue the famous Düsseldorf photographers' formal investigation of industrial structures, in this case the frontal elevations of factory buildings. Like the Bechers' earlier books(...)
Subject:
Photography monographs
Photography monographs
Publication:
May 1995, Cambridge, Mass.
May 1995, Cambridge, Mass.
Title:
Industrial facades
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$112.50
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Summary:
The more than two hundred striking duotone plates in Hilla and Bernd Becher's Industrial Facades continue the famous Düsseldorf photographers' formal investigation of industrial structures, in this case the frontal elevations of factory buildings. Like the Bechers' earlier books on water towers, blast furnaces, and gas tanks, Industrial Facades once again clearly displays their serenely cool, rigorous approach to the structures they photograph as vaariations on an ideal form. The Bechers make no attempt to analyze or explain their subjects. Captions contain only the barest of information: time and place
Industrial facades
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$112.50
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Summary:
The more than two hundred striking duotone plates in Hilla and Bernd Becher's Industrial Facades continue the famous Düsseldorf photographers' formal investigation of industrial structures, in this case the frontal elevations of factory buildings. Like the Bechers' earlier books on water towers, blast furnaces, and gas tanks, Industrial Facades once again clearly displays their serenely cool, rigorous approach to the structures they photograph as vaariations on an ideal form. The Bechers make no attempt to analyze or explain their subjects. Captions contain only the barest of information: time and place
Form:
books
books
Publication:
May 1995, Cambridge, Mass.
May 1995, Cambridge, Mass.
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$105.00
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Summary:
Since 1959 Bernd and Hilla Becher have been photographing different types of industrial buildings throughout the world. The focus of this most recent title is on mineheads and is the latest in the series of books on imperiled industrial structures documented by the German photographers.
$105.00
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Summary:
Since 1959 Bernd and Hilla Becher have been photographing different types of industrial buildings throughout the world. The focus of this most recent title is on mineheads and is the latest in the series of books on imperiled industrial structures documented by the German photographers.
Subject:
Photography monographs
Photography monographs
Publication:
September 1997, Cambridge, Mass.
September 1997, Cambridge, Mass.
Title:
Mineheads
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$105.00
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Since 1959 Bernd and Hilla Becher have been photographing different types of industrial buildings throughout the world. The focus of this most recent title is on mineheads and is the latest in the series of books on imperiled industrial structures documented by the German photographers.
Mineheads
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$105.00
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Since 1959 Bernd and Hilla Becher have been photographing different types of industrial buildings throughout the world. The focus of this most recent title is on mineheads and is the latest in the series of books on imperiled industrial structures documented by the German photographers.
Form:
books
books
Publication:
September 1997, Cambridge, Mass.
September 1997, Cambridge, Mass.
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$89.95
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Summary:
In this book, John Szarkowski has selected 100 images by Eugène Atget from the MOMA collection and elucidated each with a brief text.
$89.95
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Summary:
In this book, John Szarkowski has selected 100 images by Eugène Atget from the MOMA collection and elucidated each with a brief text.
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books
books
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$42.50
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Between 1925 and 1933, Howard Robertson and Frank Yerbury travelled extensively around Europe and the United States in search of new architecture. Their accounts, illustrated with Yerbury’s superb photographs, provide a fresh view of contemporary buildings now seen as canonical. This volume is an illustrated anthology of the most interesting of some 200 articles published(...)
$42.50
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Summary:
Between 1925 and 1933, Howard Robertson and Frank Yerbury travelled extensively around Europe and the United States in search of new architecture. Their accounts, illustrated with Yerbury’s superb photographs, provide a fresh view of contemporary buildings now seen as canonical. This volume is an illustrated anthology of the most interesting of some 200 articles published(...)
Title:
Travels in modern architecture 1925-1930 : Howard Robertson and F.R. Yerbury
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Between 1925 and 1933, Howard Robertson and Frank Yerbury travelled extensively around Europe and the United States in search of new architecture. Their accounts, illustrated with Yerbury’s superb photographs, provide a fresh view of contemporary buildings now seen as canonical. This volume is an illustrated anthology of the most interesting of some 200 articles published in the British architectural press, including writing on Le Corbusier’s villas, Asplund’s Stockholm Library, Mendelsohn’s Einstein Tower, and architecture by Perret, Mallet-Stevens and others.
Travels in modern architecture 1925-1930 : Howard Robertson and F.R. Yerbury
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$42.50
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Summary:
Between 1925 and 1933, Howard Robertson and Frank Yerbury travelled extensively around Europe and the United States in search of new architecture. Their accounts, illustrated with Yerbury’s superb photographs, provide a fresh view of contemporary buildings now seen as canonical. This volume is an illustrated anthology of the most interesting of some 200 articles published in the British architectural press, including writing on Le Corbusier’s villas, Asplund’s Stockholm Library, Mendelsohn’s Einstein Tower, and architecture by Perret, Mallet-Stevens and others.
Form:
books
books
Publication:
January 1989, London
January 1989, London
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$97.50
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Out of print.
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Out of print.
Title:
Michael Kenna : a twenty year retrospective
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$97.50
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Out of print.
Michael Kenna : a twenty year retrospective
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$97.50
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Out of print.
Form:
books
books
Publication:
January 1900, Tokyo
January 1900, Tokyo
Subject:
Photography monographs
Photography monographs
