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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern(...)
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern(...)
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Diane Arbus: an aperture monograph
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen.
Diane Arbus: an aperture monograph
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen.
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books
books
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September 2012
September 2012
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Photography monographs
Photography monographs
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books
books
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Andrew Moore: Cuba
Andrew Moore: Cuba
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American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives(...)
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American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives(...)
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Andrew Moore: Cuba
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American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives its predecessor with a new layout and finer, larger reproductions. Cuba also features many older photographs never previously published, as well as new photographs made specifically for this edition. Moore insightfully records the shifting fortunes of Cuba, in photographs full of painterly light and dynamic color. His images span a tremendous variety of subjects, ranging from humble interiors to magnificent modernism, as well as portraits and landscapes.
Andrew Moore: Cuba
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American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives its predecessor with a new layout and finer, larger reproductions. Cuba also features many older photographs never previously published, as well as new photographs made specifically for this edition. Moore insightfully records the shifting fortunes of Cuba, in photographs full of painterly light and dynamic color. His images span a tremendous variety of subjects, ranging from humble interiors to magnificent modernism, as well as portraits and landscapes.
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books
books
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September 2012
September 2012
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Photography monographs
Photography monographs
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books
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After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes The Garden at Orgeval offers a close, exacting study of nature’s forms and patterns: tiny button-shaped flowers,(...)
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After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes The Garden at Orgeval offers a close, exacting study of nature’s forms and patterns: tiny button-shaped flowers,(...)
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Paul Strand: the garden at Orgeval
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After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes The Garden at Orgeval offers a close, exacting study of nature’s forms and patterns: tiny button-shaped flowers, cascading winter branches and snarls of twigs. While these photographs exhibit the same directness and precise vision that is so quintessentially Strand, they also reflect his increasing preoccupation with mortality and the fragility of existence.
Paul Strand: the garden at Orgeval
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After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes The Garden at Orgeval offers a close, exacting study of nature’s forms and patterns: tiny button-shaped flowers, cascading winter branches and snarls of twigs. While these photographs exhibit the same directness and precise vision that is so quintessentially Strand, they also reflect his increasing preoccupation with mortality and the fragility of existence.
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books
books
Publication:
October 2012
October 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Lee Friedlander: Mannequin
Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing(...)
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing(...)
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Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways.
Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways.
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books
books
Publication:
July 2012
July 2012
Subject:
Photography monographs
Photography monographs
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books
books
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Keld Helmer-Petersen's 122 Colour Photographs published in Copenhagen in 1948 prefigured the work of William Eggleston and Stephen Shore by two decades with the aim to make pictures that would only work in colour, and not in black and white. By concentrating on the mundane and the everyday 122 Colour Photographs deserves credit as a remarkably early and successful attempt(...)
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Keld Helmer-Petersen's 122 Colour Photographs published in Copenhagen in 1948 prefigured the work of William Eggleston and Stephen Shore by two decades with the aim to make pictures that would only work in colour, and not in black and white. By concentrating on the mundane and the everyday 122 Colour Photographs deserves credit as a remarkably early and successful attempt(...)
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Photography monographs
Photography monographs
Publication:
September 2012
September 2012
Title:
Keld Helmer-Petersen: 122 Colour Photographs
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Keld Helmer-Petersen's 122 Colour Photographs published in Copenhagen in 1948 prefigured the work of William Eggleston and Stephen Shore by two decades with the aim to make pictures that would only work in colour, and not in black and white. By concentrating on the mundane and the everyday 122 Colour Photographs deserves credit as a remarkably early and successful attempt to put colour photography on the map. Books on Books #14 presents Helmer-Petersen's masterwork along with an essay by the Danish art critic and historian Mette Sandbye called Colour Cool.
Keld Helmer-Petersen: 122 Colour Photographs
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Keld Helmer-Petersen's 122 Colour Photographs published in Copenhagen in 1948 prefigured the work of William Eggleston and Stephen Shore by two decades with the aim to make pictures that would only work in colour, and not in black and white. By concentrating on the mundane and the everyday 122 Colour Photographs deserves credit as a remarkably early and successful attempt to put colour photography on the map. Books on Books #14 presents Helmer-Petersen's masterwork along with an essay by the Danish art critic and historian Mette Sandbye called Colour Cool.
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books
books
Publication:
September 2012
September 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Nobuyoshi Araki: shokuji
Nobuyoshi Araki: shokuji
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Nobuyoshi Araki's Shokuji (The Banquet) is a tribute to his late wife Yoko through a 'photo-diary' of the food they shared together in the last months of her life. Resembling brightly coloured commercial food pictures made with a ring flash and a macro lens, and contrasted with bleak black-and-white images he photographed at home after doctors told Araki that his wife had(...)
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Nobuyoshi Araki's Shokuji (The Banquet) is a tribute to his late wife Yoko through a 'photo-diary' of the food they shared together in the last months of her life. Resembling brightly coloured commercial food pictures made with a ring flash and a macro lens, and contrasted with bleak black-and-white images he photographed at home after doctors told Araki that his wife had(...)
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Nobuyoshi Araki: shokuji
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Nobuyoshi Araki's Shokuji (The Banquet) is a tribute to his late wife Yoko through a 'photo-diary' of the food they shared together in the last months of her life. Resembling brightly coloured commercial food pictures made with a ring flash and a macro lens, and contrasted with bleak black-and-white images he photographed at home after doctors told Araki that his wife had only a month left to live, Books on Books #15 presents Araki's deeply personal diary of loss in its entirety along with an essay by Ivan Vartanian.
Nobuyoshi Araki: shokuji
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Nobuyoshi Araki's Shokuji (The Banquet) is a tribute to his late wife Yoko through a 'photo-diary' of the food they shared together in the last months of her life. Resembling brightly coloured commercial food pictures made with a ring flash and a macro lens, and contrasted with bleak black-and-white images he photographed at home after doctors told Araki that his wife had only a month left to live, Books on Books #15 presents Araki's deeply personal diary of loss in its entirety along with an essay by Ivan Vartanian.
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books
books
Publication:
September 2012
September 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$65.00
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In 2011, "Blind Spot" magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning "To Draw with Light," featuring 46 color photographs from the acclaimed ." . . and(...)
$65.00
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Summary:
In 2011, "Blind Spot" magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning "To Draw with Light," featuring 46 color photographs from the acclaimed ." . . and(...)
Title:
Uta Barth: To draw with light
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In 2011, "Blind Spot" magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning "To Draw with Light," featuring 46 color photographs from the acclaimed ." . . and to draw a bright white line with light" and "Compositions of Light on White" series (recently exhibited at the Art Institute of Chicago, 1301PE in Los Angeles and Tanya Bonakdar Gallery in New York) alongside new works created specifically for the book.
Uta Barth: To draw with light
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$65.00
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In 2011, "Blind Spot" magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning "To Draw with Light," featuring 46 color photographs from the acclaimed ." . . and to draw a bright white line with light" and "Compositions of Light on White" series (recently exhibited at the Art Institute of Chicago, 1301PE in Los Angeles and Tanya Bonakdar Gallery in New York) alongside new works created specifically for the book.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Josef Sudek : labyrinths
Josef Sudek : labyrinths
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This new Josef Sudek monograph collects a series of photographs made within the confines of the Czech photographer's workspace. Gathered here in all their surreal beauty, the Labyrinths series depicts multilayered assemblages of objects in endlessly permutated combinations.
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This new Josef Sudek monograph collects a series of photographs made within the confines of the Czech photographer's workspace. Gathered here in all their surreal beauty, the Labyrinths series depicts multilayered assemblages of objects in endlessly permutated combinations.
Title:
Josef Sudek : labyrinths
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$60.00
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This new Josef Sudek monograph collects a series of photographs made within the confines of the Czech photographer's workspace. Gathered here in all their surreal beauty, the Labyrinths series depicts multilayered assemblages of objects in endlessly permutated combinations.
Josef Sudek : labyrinths
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$60.00
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This new Josef Sudek monograph collects a series of photographs made within the confines of the Czech photographer's workspace. Gathered here in all their surreal beauty, the Labyrinths series depicts multilayered assemblages of objects in endlessly permutated combinations.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Vera Lutter
Vera Lutter
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$55.00
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal(...)
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal(...)
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Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal interference with this process, Lutter refrained from duplicating the images, and used the negative as the final work. New York has remained the recurrent subject of Lutter’s (literally) unique photographs, but over the past two decades, she has applied the process to other locations and styles of architecture around the world, documenting shipyards, airports and abandoned factories. This volume offers the first thorough overview of Lutter’s architectural photography, representing her full range of motifs and subjects in superb duotone. Also included is an account of her first film and sound installation.
Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal interference with this process, Lutter refrained from duplicating the images, and used the negative as the final work. New York has remained the recurrent subject of Lutter’s (literally) unique photographs, but over the past two decades, she has applied the process to other locations and styles of architecture around the world, documenting shipyards, airports and abandoned factories. This volume offers the first thorough overview of Lutter’s architectural photography, representing her full range of motifs and subjects in superb duotone. Also included is an account of her first film and sound installation.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$55.00
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
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Summary:
For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
Title:
Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
Justin Kimball : pieces of string
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$55.00
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
