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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of(...)
Daido Moriyama: Tales of Tono
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter.
Photography monographs
Aux Fenassiers
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Résidence photographique d'Hortense Soichet, projet «Espace partagés», cité des Fenassiers, ville de Colomiers, octobre 2011 - avril 2012.
Aux Fenassiers
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Résidence photographique d'Hortense Soichet, projet «Espace partagés», cité des Fenassiers, ville de Colomiers, octobre 2011 - avril 2012.
Photography monographs
$57.95
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As a sequel to his previous books Spomenik and Picturesque, the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and(...)
Jan Kempenaers: Dun Briste, Downpatrick Head
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As a sequel to his previous books Spomenik and Picturesque, the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and numbered in an edition of 500.
Photography monographs
Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on(...)
Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of Kodachrome, alongside French and German translations of the original texts from the book (which were published in English and Italian).
Photography monographs
Donigan Cumming
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Depuis plus de trente ans, Donigan Cumming explore, avec des résultats troublants, les incidences sociales et éthiques de l'image observationnelle au moyen d'une «communauté improvisée» qui se compose de personnages montréalais apparemment marginaux. L'ouvre de Cumming constitue une analyse suivie du naturalisme artificiel de la photographie documentaire sociale et des(...)
Donigan Cumming
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Depuis plus de trente ans, Donigan Cumming explore, avec des résultats troublants, les incidences sociales et éthiques de l'image observationnelle au moyen d'une «communauté improvisée» qui se compose de personnages montréalais apparemment marginaux. L'ouvre de Cumming constitue une analyse suivie du naturalisme artificiel de la photographie documentaire sociale et des sujets dont elle prétend témoigner et qu'elle décrit. Son ouvre, bien qu'ancrée dans l'image photographique, embrasse différents médiums : vidéo, installation, dessin et collage.
Photography monographs
Raymonde April
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L'historienne de l'art France Gascon offre ici un regard distinctif sur une figure marquante de la photographie canadienne, Raymonde April. Celle-ci propose, depuis plus de trente ans, une photographie qui se traduit parfois par l'autofiction, parfois par l'image documentaire.
Raymonde April
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L'historienne de l'art France Gascon offre ici un regard distinctif sur une figure marquante de la photographie canadienne, Raymonde April. Celle-ci propose, depuis plus de trente ans, une photographie qui se traduit parfois par l'autofiction, parfois par l'image documentaire.
Photography monographs
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Avec ces 480 clichés en couleur, dont 200 sont inédits, Raymond Depardon a photographié la vraie France, la France qu’on ne regarde plus. Quelle est la relation de l’homme à son espace de vie ? C’est ce que Raymond Depardon désire comprendre et fixer sur la pellicule. Voyageant à bord d’un fourgon aménagé, il guette les traces de l’homme sur le territoire, à l’aide d’une(...)
La France de Raymond Depardon
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Avec ces 480 clichés en couleur, dont 200 sont inédits, Raymond Depardon a photographié la vraie France, la France qu’on ne regarde plus. Quelle est la relation de l’homme à son espace de vie ? C’est ce que Raymond Depardon désire comprendre et fixer sur la pellicule. Voyageant à bord d’un fourgon aménagé, il guette les traces de l’homme sur le territoire, à l’aide d’une chambre photographique posée sur un pied. La France de Depardon, c'est cette France ordinaire, entre rural et urbain. C’est la France réelle. Sommes-nous réels ?
Photography monographs
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
Photography monographs
September 2010
Jeff Wall: L'édition complète
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
Photography monographs
$66.00
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This publication examines the development of Epstein's work through the example of two very different series. "Recreation", exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where "American Power" critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil(...)
Mitch Epstein: State of the union
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This publication examines the development of Epstein's work through the example of two very different series. "Recreation", exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where "American Power" critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil refineries dominate the picture frame, riding roughshod over all rules of proportion and dwarfing anything in their vicinity. Here, in 80 color images selected from these series, Epstein's development is traced, from major protagonist of the American color photography boom to leading commentator on the state of the nation.
Photography monographs
Fred Herzog: Photographs
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In 1952, Fred Herzog emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium: color photography. Laboring away as a virtually anonymous pioneer in this field, Herzog was quietly documenting the streets of Vancouver:(...)
Fred Herzog: Photographs
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In 1952, Fred Herzog emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium: color photography. Laboring away as a virtually anonymous pioneer in this field, Herzog was quietly documenting the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does justice to his rich oeuvre.
Photography monographs